Opening

72% Fast & Furious 6 May 24
21% The Hangover Part III May 23
63% Epic May 24
97% Before Midnight May 24
88% We Steal Secrets: The Story Of Wikileaks May 24
83% Fill the Void May 24
17% A Green Story May 24
—— Alyce Kills May 24

Top Box Office

87% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
99% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
90% The East May 31

The Celluloid Closet Reviews

David Rooney
Variety
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March 26, 2009

Time Out
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June 24, 2006
Janet Maslin
New York Times
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May 20, 2003
Roger Ebert
Chicago Sun-Times
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Makes it clear Hollywood wanted it both ways: It benefitted from the richness that gays added to films, but didn't want to acknowledge their sexuality.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

January 1, 2000
Desson Thomson
Washington Post
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January 1, 2000
James Berardinelli
ReelViews
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Top-notch entertainment, not only because it's enjoyable, but because it argues its case with an effectiveness that would impress even a top-notch, homophobic attorney.

Full Review Source: ReelViews | Original Score: 3.5/4

January 1, 2000
Stanley Kauffmann
The New Republic
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It's interesting to see how gay and lesbian themes began to be treated openly in films, but it's fascinating to see how -- earlier -- those themes were used subtextually in films that make no overt reference to the real subject.

January 1, 2000
Joe Baltake
Sacramento Bee
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Even if The Celluloid Closet ... isn't quite the most perfectly political piece of filmmaking that you'd expect (or hoped) it would be, it's still a pretty convincing argument and, what's more, likably entertaining.

Full Review Source: Sacramento Bee | Original Score: 3.5/4

January 1, 2000

Entertainment Weekly
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Full Review Source: Entertainment Weekly | Original Score: A-

March 15, 1996
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