Certifiably Jonathan (2011)
Jonathan Winters, 85-year-old comic genius, is a gifted painter. He dreams of having his paintings hang in the Museum of Modern Art. When Jonathan's art exhibitions in Beverly Hills and Las Vegas fail, a discouraged Jonathan is ready to abandon his dream. The filmmakers decide to help by hunting down a famous critic and show him Jonathan's paintings. He believes Jonathan is "the missing link between Miro and Dali" and convinces the Museum of Modern Art to give Jonathan a show-but only if he paints three new paintings. Jonathan launches into a painting frenzy but disaster strikes when his favorite painting is stolen, causing him to lose his sense of humor (He claims that a witch doctor trapped him in a bathroom and sucked the humor from his body.) Without his sense of humor Jonathan cannot paint. About to lose his big show, Jonathan tries everything to get back his humor. With the help of a shrink, a new age healer, a sťance with the Arquettes, Robin Williams, Sarah Silverman, Howie Mandel, Nora Dunn, Ryan Stiles, Gary Owens and others, Jonathan sets out on a quest to get his mojo back.--© Official Site … More
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Critic Reviews for Certifiably Jonathan
For a movie literally about "finding the funny," it's ironic that director Jim Pasternak too rarely does in his fitfully lively but mostly awkward mockumentary "Certifiably Jonathan."
Jonathan Winters is a fine and funny fellow, and deserves better than this.
Jim Pasternak's documentary is a sophisticated appreciation of Winters as an unsung multi-talent.
There's a trove of laughs to be found here, courtesy of the ineffable Jonathan Winters, which somewhat override the labored mockumentary gimmick.
A whimsical documentary about the elderly comedian Jonathan Winters and his quest to have his paintings exhibited at the Museum of Modern Art.
Fortunately, Winters' legendary inventiveness as a comedian has not diminished with the years.
Observing his subject both on and off medication (Mr. Winters says he is bipolar), Mr. Pasternak has produced a film that feels depressingly exploitative.
Faux documentary about the legendary comedian squanders the rich potential of its subject.
Would seem inconsequential under any circumstances, but feels especially threadbare coming on the heels of Joan Rivers: A Piece Of Work.
It's got a great subject -- the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting and finally beautiful again. But it's not a great film.
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