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Changing Lanes (2002)
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Reviews Counted:28
Fresh:20
Rotten:8
Average Rating:6.7/10
Consensus: A dark, compelling drama featuring Jackson's best performance in years.
Theatrical Release:Apr 12, 2002 Wide
Box Office: $66,650,688
Synopsis: Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson),... Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge between these two men who began this Good Friday as strangers. A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity. [More]
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt, Amanda Peet, Sydney Pollack, Bradley Cooper, Jennie Dundas, Richard Jenkins, Dylan Baker
Director: Roger Michell
Director: Roger Michell
Screenwriter: Michael Tolkin, Chap Taylor
Producer: Scott Rudin
Composer: David Arnold
Studio: Paramount Pictures
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Reviews for Changing Lanes
A thrilling ride but also a thoughtful one, it's a movie that does manage to do more good than bad by the end of the day.
In addition to gluing you to the edge of your seat, Changing Lanes is also a film of freshness, imagination and insight.
The ending is guaranteed to aggravate any self-respecting New York driver.
It pulls the rug out from under you, just when you're ready to hate one character, or really sympathize with another character, something happens to send you off in different direction.
You never know where Changing Lanes is going to take you but it's a heck of a ride. Samuel L. Jackson is one of the best actors there is.
Although dampened by intermittent preachiness and an unconvincingly pat and uplifting resolution ... Changing Lanes nevertheless taps into emotions so convincing it elevates the movie above its own shortcomings.
At its best, watching Changing Lanes is like watching controlled madness.
Engaging, in a coldly intellectually fashion, but depressing sociologically, emotionally.
Directed with purpose and finesse by England's Roger Mitchell, who handily makes the move from pleasing, relatively lightweight commercial fare such as Notting Hill to commercial fare with real thematic heft.
Banek is one of the more complex characters Affleck has attempted, but the performance comes off flat and uninvolving.
Definitely erratic, this thing -- all in all, it's the sort of commercial vehicle you might want to stay well back of.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
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| 58% 58% | A Perfect Getaway |
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