A movie like Cheri needs the time and space of The Age of Innocence. Instead, it's rushed along in an hour and 40 minutes.
Cheri (2009)
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Reviews Counted:30
Fresh:14
Rotten:16
Average Rating:5.7/10
Consensus: A too-short script and a romance lacking in heat detracts from an otherwise haughty charmer.
Rated: R [See Full Rating] for some sexual content and brief drug use.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Jun 26, 2009 Limited
Box Office: $2,643,292
Synopsis: Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I,... Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I, CHERI paints a picture of the romance between young Chéri (Rupert Friend) and retired courtesan Léa (Michelle Pfeiffer). Chéri’s mother (Kathy Bates), a rival of Léa, plots to separate the pair by arranging a marriage between her son and Edmée (Felicity Jones). Screenwriter Christopher Hampton previously collaborated with the director on DANGEROUS LIAISONS. [More]
Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones
Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones, Frances Tomelty
Director: Stephen Frears
Director: Stephen Frears
Screenwriter: Christopher Hampton
Producer: Bill Kenwright, Andras Hamori, Tracey Seaward, Thom Mount
Composer: Alexandre Desplat
Studio: Miramax Films
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Reviews for Cheri
It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away.
These two lovebirds are playfully mismatched, and that's just why they fall for each other.
Michelle Pfeiffer is quite good, but the script leaves Kathy Bates -- talented as she is -- with a bit of a cartoonish performance.
It's hard to believe that the smart Lea would remain interested for six hours, much less six years, with the vapid Chéri.
Like the exquisite costumes, the scenery is as gorgeous as most of the cast, providing the perfect backdrop for some unabashed escapism.
Chéri is a sad, intelligent film about coming of age late in life, looking in the mirror and wondering, "What happened?"
A smart and lushly romantic film adaptation of a Colette story of a doomed love.
There just isn't enough beneath the surface in Cheri to justify all the talent on hand.
With nothing truly at risk of being lost, we're left to ask, why are we here?
Chéri is a perfect example of a movie that gets many of the details right and the vibe all wrong.
Pfeiffer is curiously cold and brittle, while Friend never allows us to feel his character's anguish when he realizes the error of leaving Lea.
This costume drama doesn't have nearly as much bite as [Dangerous Liaisons], though the age reversal of its central romance gives it a certain topicality.
The movie speaks to issues of traditional desirability and dignity, specifically to the point in a woman's life when she either makes decisions about how well those two qualities can exist together or has them made for her.
By the end, it almost seems as if Frears has wearied of the tale, bringing in the narrator to dispatch Chéri to his fate (an unhappy one) in a few well-modulated sentences.
Cheri, like the character, is an entertaining bauble without much on its mind.
The movie bogs down by going nowhere other than inside its characters, who are intensely passionate but of an era more curious than emotionally relevant.
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