Average Rating: 5.2/10
Reviews Counted: 42
Fresh: 18 | Rotten: 24
This romance is more soapy than historically compelling.
Average Rating: 5.4/10
Critic Reviews: 12
Fresh: 5 | Rotten: 7
This romance is more soapy than historically compelling.
liked it
Average Rating: 3.6/5
User Ratings: 1,003
While pioneering pre-feminist author George Sand has been the subject of several film biographies focusing on her ten year relationship with Frederick Chopin, Les enfants du siècle looks at an earlier period in Sand's life, in particular her stormy romance with poet Alfred de Musset. In the early 1830's, Baroness Dudevant (Juliette Binoche) has abandoned her husband and arrives in Paris with her children in tow as rioting divides the city. The Baroness decides to reinvent herself and pursue a
Unrated, 2 hr. 15 min.
Jan 1, 1999 Wide
Jan 20, 2004
Empire Pictures
All Critics (48) | Top Critics (13) | Fresh (18) | Rotten (24) | DVD (3)
The emotion is impressively true for being so hot-blooded, and both leads are up to the task.
The film's appeal has a lot to do with the casting of Juliette Binoche as Sand, who brings to the role her pale, dark beauty and characteristic warmth.
Plays like a volatile and overlong W magazine fashion spread.
It's technically sumptuous but also almost wildly alive.
Kurys never shows why, of all the period's volatile romantic lives, Sand and Musset are worth particular attention.
In scope, ambition and accomplishment, Children of the Century ... takes Kurys' career to a whole new level.
For all its transparent outrageousness, filmmaker Kurys' tribute to those free spirits is an entertainment for squares.
It's beautiful, typically French, and a bore.
In between all the emotional seesawing, it's hard to figure the depth of these two literary figures, and even the times in which they lived. But they fascinate in their recklessness.
Is this love or is it masochism? Binoche makes it interesting trying to find out.
Benefits not only from Filac's cinematography but also from the two leads, whose chemistry is immediately apparent.
A bit of a downer and a little over-dramatic at times, but this is a beautiful film for people who like their romances to have that French realism.
While the production details are lavish, film has little insight into the historical period and its artists, particularly in how Sand developed a notorious reputation.
Binoche and Magimel are perfect in these roles.
Aggravating and tedious.
Visually, this is beautiful. Binoche gives a strong performance as Sand, Magimel is solid as an impetuous, and depraved, de Musset. Costumes, and backdrops, are spectacular. The acting top notch. So why wouldn't I love it? I suppose it's the-- I love him, I hate him, I love him, I hate him, I love him, I hate him, I
September 11, 2010Super Reviewer
A desperately tragic overly romanticised film. It's a wonderful piece of costume drama that relishes in the recreation of the 19th century. The dialogue is at the front of a well plotted screenplay, which excellent sparring words between Binoche and Magimel. It really does successfully show a couple who are not right
September 10, 2008Super Reviewer
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