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The Claim (2001)
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Reviews Counted:28
Fresh:18
Rotten:10
Average Rating:6.2/10
Consensus: The Claim has rather flat characters and fosters a sense of detachment, but the visuals are stunning.
Runtime: 2 hrs 1 min
Genre: Dramas
Theatrical Release:Dec 29, 2000 Limited
Synopsis: In transporting Thomas Hardy's THE MAYOR OF CASTERBRIDGE to the American West, English director Michael Winterbottom has fashioned an audacious, epic anti-Western that is a haunting achievement.... In transporting Thomas Hardy's THE MAYOR OF CASTERBRIDGE to the American West, English director Michael Winterbottom has fashioned an audacious, epic anti-Western that is a haunting achievement. Set in 1849, the story concerns Mr. Dillon (Peter Mullan), the ruler of Kingdom Come, a snow-covered mining town in Northern California. The story opens with the arrival of Dalglish (Wes Bentley), a handsome surveyor for the Pacific Coast Railroad, who is searching for the most sensible way to turn the dream of a transcontinental railroad into a reality. Also drifting into town are the seriously ill Elena (Nastassja Kinski) and her daughter, Hope (Sarah Polley), who have ambiguous ties to Dillon. Immediately, Hope and Dalglish become acquainted, but their potential romance is threatened by the presence of Lucia (Milla Jovavich), a Portuguese madam who lives with Dillon. As Dalglish reaches a decision regarding the railroad, Dillon must painfully confront mistakes he's made in the past, triggering a series of tragic occurrences. Winterbottom's lush, expansive film miraculously manages to retain the somber spirit of Hardy's classically English tale. Employing the techniques that made Robert Altman's MCCABE & MRS. MILLER such a breathtaking spectacle--including Alwin Kuchler's dazzling cinematography and Michael Nyman's mesmerizing score--Winterbottom proves once again that he is an accomplished filmmaker who isn't afraid to tackle any genre. [More]
Starring: Peter Mullan, Sarah Polley, Milla Jovovich, Wes Bentley
Starring: Peter Mullan, Sarah Polley, Milla Jovovich, Wes Bentley, Nastassja Kinski, Sean McGinley, Julian Richings, Duncan Fraser, Barry Ward, Karolina Muller, Marie Brassard, Shirley Henderson, Kate Hennig, Fernando Davalos, Doctor Benoit, Ron Anderson, Marty Antonini, Lydia Lau, Royal Sproule, Tim Koetting, Billy Morton, Randy Birch, Tom McCamus, Gil Rivera Blas, Frank Zotter, Artur Ciastkowski, David Lereaney, Valerie Planche, Grant Linneberg, Christopher Hunt, Jimmy Herman
Director: Michael Winterbottom
Director: Michael Winterbottom
Screenwriter: Frank Cottrell Boyce
Producer: Andrew Eaton
Studio: Fox Searchlight Pictures
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Reviews for The Claim
The audience is simply left with the task of fitting together the allegory's easy pieces.
Easily the most compelling Western to hit our screens since Unforgiven.
Takes place against a frigid canvas gorgeously captured by Alwin Kuchler.
Though director Michael Winterbottom has impressively created a believable 19th century prospecting town, he is unable to bring the people who live in it to life.
In returning again to the work of Hardy, the director has chosen the perfect visual metaphor, placing the story in the breathtaking winterscape of the Sierra Nevadas (actually Alberta's Rockies, standing in). .
Moves so freely, evolves so naturally, that it's easy to overlook just how dicey an undertaking it is.
The gorgeously photographed winter backdrops that frame the action of The Claim are as much a character as any of the protagonists.
It had to happen. The Claim is a movie whose Web site is far more involving than the movie itself.
A movie like this rides on its cinematography, and Alwin H. Kuchler evokes the cold darkness so convincingly that Kingdom Come seems built on an abyss.
I liked The Claim -- as much for its stark visual beauty and impassioned performances as its intelligent script and willingness to probe the tragic side of life.
A moody, mesmerizing tale of attempted redemption, bursting with unexpected images.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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