A Clockwork Orange (1971)
Runtime: 2 hrs 20 mins
Synopsis: From its opening shot of Malcolm McDowell staring with evil intent directly into the camera (which pulls back to reveal him drinking a glass of milk), Stanley Kubrick's brilliant A CLOCKWORK ORANGE announces itself as a completely new kind of viewing experience. The film, set in an... From its opening shot of Malcolm McDowell staring with evil intent directly into the camera (which pulls back to reveal him drinking a glass of milk), Stanley Kubrick's brilliant A CLOCKWORK ORANGE announces itself as a completely new kind of viewing experience. The film, set in an unidentified future, overwhelms the senses with its almost comic depictions of rape and violence set to an upbeat classical and pop music score. Kubrick based his chilling masterpiece on Anthony Burgess's culture-shaking novel about a young man growing into adulthood, but unable to shake his huge problem with authority figures. The first part of the film shows Alex (a career-defining performance by McDowell) and his "droogs" (his cohorts) indulging in what they refer to as "a little bit of the old ultraviolence." After establishing Alex and co. as unremitting psychopaths, Kubrick's movie changes tact, and shows Alex getting caught and forced to undergo controversial treatment that will make it impossible for him to commit violent acts, leading to a fascinating ending to the film. A CLOCKWORK ORANGE purposely confuses crime and punishment, cause and effect, hero and villain, irony and satire, and many other concepts, creating a truly unique work of art in the process. Its magnificent, colorful, futuristic set designs and utter determination to shock, frighten, and thoroughly entertain left audiences reeling in the '70s. Kubrick even withdrew the film from distribution in the UK, after reading newspaper reports of people dressing up as Alex and his Droogs and meting out their own brand of ultraviolence (it was subsequently rereleased after his death). One thing is for sure: No one who has seen it has ever been able to hear "Singin' in the Rain" or Beethoven again in quite the same way. [More]
Genre: Science-Fiction/Fantasy
Starring: Malcolm McDowell, Patrick Magee, Adrienne Corri, Aubrey Morris, James Marcus
Screenwriter: Stanley Kubrick
Producer: Stanley Kubrick
Composer: Walter Carlos
DVD Info
Release:
Oct 23, 2007
DVD Features:
- 2-Disc Set
- Anamorphic Widescreen
Audio:
- Dolby Digital 5.1 Surround - English, French
- Mono 1.0
- Subtitles - English, French, Spanish
Additional Release Material:
- Audio Commentary - 1. Malcolm McDowell; Nick Redman - Historian
- Featurettes - 1. Channel Four Documentary - STILL TICKIN: THE RETURN OF CLOCKWORK ORANGE"
- 2. GREAT BOLSHY YARBLOCKOS! - Making a CLOCKWORK ORANGE
- 3. CAREER PROFILE - O LUCKY MALCOLM!
- Theatrical Trailer
Buy It On DVD
Reviews
Producer-director Stanley Kubrick's adaptation of the Anthony Burgess novel is a strangely overwhelming experience %u2013 at time contemptible, and yet always valid in its sardonic outlook.
Ambitious and stylized (perhaps to a fault), Kubrick's poignantly prophetic satire of crime and punishment, redemption and free will, is still much misunderstood by critics emphasizing its ultra-violence.
All of Kubrick´s films have generated controversy, but this one engendered outright hostility.
Directed with assurance and filled with the cynicism, paranoia, visual flair (and lurid titillation) that characterised so much of his work, this is vintage Kubrick and classic cinema.
Remains as unsettling and shocking today as the day it was released.
Who else but Stanley Kubrick could successfully direct an ultra-stylish, sci-fi cult film about the impossibility of redemption in the absence of freely willed sin?
Stanley Kubrick's latest film takes the heavy realities of the 'do-your-thing' and 'law-and-order' syndromes, runs them through a cinematic centrifuge, and spews forth the commingled comic horrors of a regulated society.
A very bad film -- snide, barely competent, and overdrawn -- that enjoys a perennial popularity, perhaps because its confused moral position appeals to the secret Nietzscheans within us.
Ice cold, indecent, and way too obvious to be in any way deep.
A sexless, inhuman film, whose power derives from a ruthless subordination of its content to the demands of telling a good story.
May be Kubrick's greatest film, for its lasting influence and social significance.
A Clockwork Orange is an ideological mess, a paranoid right-wing fantasy masquerading as an Orwellian warning.
It's a very dark message, but maybe that's why the film caught on as a video cult item in the 80s.
Technically, the film is a marvel. It's easily Kubrick's best and boldest work.
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