If and when Come Early Morning ever resurfaces on DVD, order it immediately—and while you’re at it, order Chasing Amy too, if you haven’t already seen it, and enjoy a dandy double feature with two country girls of enormous talent.
Come Early Morning (2006)
Tomatometer
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Reviews Counted:18
Fresh:17
Rotten:1
Average Rating:7.1/10
Consensus: A quiet but moving film anchored by the unexpected depth of Ashley Judd's performance.
Rated: R [See Full Rating] for language and some sexual situations.
Runtime: 1 hr 37 mins
Genre: Dramas
Theatrical Release:Nov 10, 2006 Limited
Box Office: $50,160
Synopsis: For her directorial debut, Joey Lauren Adams (CHASING AMY) offers this humble, small-town character study of Lucy (Ashley Judd), a 30-something Arkansas woman who, though a contractor by day, hits... For her directorial debut, Joey Lauren Adams (CHASING AMY) offers this humble, small-town character study of Lucy (Ashley Judd), a 30-something Arkansas woman who, though a contractor by day, hits the bars--and often the bedrooms of strange men--after dark. Though hardworking and well-liked in the community, she's inherited the emotional unavailability of her stoic father (Scott Wilson, IN COLD BLOOD), a frustrated guitar player whose boozing and womanizing destroyed his marriage to Lucy's mother. But when Lucy meets new-guy-in-town and all-around good catch Cal (Jeffrey Donovan), who cares enough to get to know Lucy outside of the bar and the bedroom, she discovers that after nearly 20 years, a habit can be hard to break, and intimacy without alcohol can be a scary thing. Part rural family drama, part romance, Adams's screenplay sidesteps the typical cutesy, small-town clichés, giving us a strong female lead with real flaws and deep roots in authentic surroundings. Following several years of big-budget studio productions with what could be a continuation of her first starring role in 1993's RUBY IN PARADISE, Judd paints Lucy with subtle touches that allow her mistakes to endear her to us rather than frustrate. Subtlety is the film's strength: Adams's scoring of a key seduction scene, the sound of chirping crickets, the small changes we see in Lucy during the course of the film, the well-chosen country soundtrack, and Tim Orr's restrained camera work. A great supporting cast, including Wilson, Diane Ladd, Tim Blake Nelson, and Laura Prepon helps Adams bring a five-year labor of love to vivid life. [More]
Starring: Ashley Judd, Jeffrey Donovan, Diane Ladd, Tim Blake Nelson
Starring: Ashley Judd, Jeffrey Donovan, Diane Ladd, Tim Blake Nelson, Scott Wilson, Laura Prepon, Ray McKinnon, Pat Corley, Stacy Keach, Wally Welch
Director: Joey Lauren Adams
Director: Joey Lauren Adams
Producer: Julie Yorn, Holly Wiersma, Ed Bass
Studio: IDP Distribution
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Reviews for Come Early Morning
This is a quietly powerful film about small-town Southern living that avoids all the usual clichés and makes us feel as if we’re dropping in on real lives in mid-stream.
The baby-voiced costar of Chasing Amy proves an effortless filmmaker, turning Lucy’s journey into the awakening of a soul.
In Come Early Morning, Ashley Judd delivers her most natural screen performance since Ruby in Paradise, the film that pushed her toward stardom in 1993.
In a way, the movie itself is an example of that philosophy put into practice. [Director] Adams clearly did a lot of soul-searching as she wrote the story. Her introspective script provides another actress with a great role and a new start.
Beautifully photographed by Tim Orr, Come Early Morning is the kind of small gem that's becoming increasingly rare in American films.
This intensely personal film may not bring either [Joey Lauren Adams and Ashley Judd] widespread acclaim, but it's a small triumph nonetheless.
'Come Early Morning' is a terrific accomplishment by [Joey Lauren] Adams -- a commendable first effort, making me hope that it's merely the beginning of a promising new aspect of her career as both a director and a writer.
The plot points verge on the familiar and obvious, but [Joey Lauren] Adams's work with the actors is so resourceful and focused that she makes them shine.
Falls prey to bits of psychoanalytic shorthand and narrative predictability, but it offers the rare, meaty role for an actress in her late 30s.
The script is somewhat predictable and the pace is leisurely, but Ms. Judd makes Lucy's choices seem momentous, and Ms. Adams gives us several beautiful scenes.
Adams shows a sure-footedness about emotional transformation, both in her writing and directing, and has a real regard for the place -- her home state of Arkansas -- where her movie happens.
Judd's typically lived-in performance and the authentic Arkansas locations -- cramped bars, dusty roads -- help vaguely distinguish a movie that comes on like a minor-key reprise of Judd's breakthrough Ruby in Paradise.
Come Early Morning is a simple story, yet told with such conviction, delicacy and instinct for truth that is carries keen emotional power.
Despite her efforts and those of a generally talented cast, pic just pokes along and offers nothing out of the ordinary in terms of drama, characterization or insight.
Latest News for Come Early Morning
November 09, 2006:
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