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Come Undone (2001)
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Reviews Counted:10
Fresh:8
Rotten:2
Average Rating:6.9/10
Theatrical Release:Jun 29, 2001 Limited
Synopsis: Come Undone begins during one hot, French summer in a sleepy, picturesque town near the coast of Nantes and ends there 18 months later. As Mathieu (Jérémie Elkaïm, of François Ozon's short film... Come Undone begins during one hot, French summer in a sleepy, picturesque town near the coast of Nantes and ends there 18 months later. As Mathieu (Jérémie Elkaïm, of François Ozon's short film Bed Scenes), a quiet 18-year-old boy, spends yet another holiday with his depressed mother, nosy aunt and clingy sister, he meets a cocksure young man, Cédric (Stéphane Rideau of Wild Reeds). Cédric catches Mathieu's eye while selling candy at the local seaside amusement park. The beautiful, more experienced Cédric begins to pursue Mathieu, and they are soon meeting for clandestine, evening encounters in the dunes. The young men open up to their respective families about the nature of their involvement, and a fragile happiness sets in. Sébastien Lifshitz's intimate direction evokes hot summer nights in France most of us wish we'd had. Like a dream, Come Undone languidly flows back and forth between the past and the present, often asking us to fill the deliberate jumps in time. The audience is allowed to steal very private glances at Mathieu's memories and snapshots of his life,including his loss of innocence. These moments let us experience what happens to Mathieu after he gives in to Cédric's pleas for a life together. He learns to live independently for the first time, far removed from the people whose love he's always taken for granted. -- © 2001 Picture This! Entertainment [More]
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Reviews for Come Undone
Come Undone is the coming-of-age romance French-style, with emotions nuanced, effects subtle. But it's also achingly slow, at times bleak and, in the end, frustratingly and regrettably, rather pointless.
While Come Undone has some explicit material, what makes it a mature and special work is its embrace of the knotty and unfamiliar.
A delicately managed piece that is by turns intimately detailed and elliptical.
Sticks to a standard of emotional honesty in following Mathieu's journey, and casting a shrewd eye as he stumbles toward self-awareness.
It captures the uncertainty and emotional turbulence of late adolescence with a poignancy that a more clinically articulate movie never could.
Brings maximum subtlety, nuance and insight into the timeless story of first love.
Lives up to its title with its deliberately confusing fractured narrative style and elliptical storytelling.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
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| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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