The American film of the season -- and maybe of the year, or the last couple of years...
Confessions of a Dangerous Mind (2002)
Tomatometer
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Reviews Counted:31
Fresh:26
Rotten:5
Average Rating:7.4/10
Consensus: Rockwell is spot-on as Barris, and Clooney directs with entertaining style and flair.
Rated: R [See Full Rating] for language, sexual content and violence
Runtime: 1 hr 53 mins
Genre: Comedies
Theatrical Release:Jan 24, 2003 Wide
Box Office: $15,878,598
Synopsis: George Clooney makes his directorial debut with this frenetic, visually dazzling black comedy. Based on notorious television producer Chuck Barris' "unauthorized autobiography," Clooney's film... George Clooney makes his directorial debut with this frenetic, visually dazzling black comedy. Based on notorious television producer Chuck Barris' "unauthorized autobiography," Clooney's film reinforces Barris' outlandish claim that he lived a secret life as a hitman for the CIA. Sam Rockwell stars as Barris, a fresh-faced dreamer who moves to New York to find success in television. Pretty soon, he's written a hit song ("Palisades Park"), has shacked up with the ultra-peppy Penny (Drew Barrymore), and has his first successful game show, THE DATING GAME. But as if that weren't enough excitement, he is soon recruited by CIA Special Agent Jim Byrd (Clooney) to become a hired killer for the federal government. As Barris' subsequent shows (THE NEWLYWED GAME, THE GONG SHOW) take off, the conflicted producer uses them as a front for his undercover job, chaperoning winning couples all over the world while performing his deadly duties after hours. Along the way, he meets a shady cast of characters--including a sultry assassin (Julia Roberts)--who threatens to blow his cover and ruin his television career forever. Adapted by the daring and mischievous Charlie Kaufman, Clooney's film features yet another electrifying performance from Rockwell (LAWN DOGS, SAFE MEN). [More]
Starring: Drew Barrymore, Julia Roberts, Sam Rockwell, George Clooney
Starring: Drew Barrymore, Julia Roberts, Sam Rockwell, George Clooney, Rutger Hauer, Maggie Gyllenhaal
Director: George Clooney, Steven Soderbergh
Director: George Clooney
Screenwriter: Charlie Kaufman
Producer: Andrew Lazar
Director: Steven Soderbergh
Composer: Alex Wurman
Studio: Miramax Films
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Release:
Sep 9, 2003
Reviews for Confessions of a Dangerous Mind
Clooney, who on the basis of this movie has a big career ahead of him behind the camera, demonstrates a real flair for visual comedy.
The movie makes a case for itself through sheer oddness and perversity.
Maybe the title should have been Confusions of a Dangerous Mind, though the confusion, in this case, can be pretty sublime.
Who would've thought a movie about Chuck Barris could be so rich and entertaining?
A blast from beginning to end and shows first-time director George Clooney is equal parts fearless, brilliant and perhaps daft. But an intriguing daftness it is.
Rockwell lets us see all the joy, lust, self-pity, and rage with which Barris gonged himself.
I have to confess there's nothing very dangerous going on in a comedy that is neither as twistedly weird as your average Gong Show contestant nor as arch as an interview on The Newlywed Game.
Not only intriguing as a story but great to look at, a marriage of bright pop images from the 1960s and 1970s and dark, cold spyscapes that seem to have wandered in from John le Carre.
Reinforces the talents of screenwriter Charlie Kaufman, creator of Adaptation and Being John Malkovich.
The movie is compulsively watchable even if it never quite convinces you that it's much more than a fanciful story.
Rockwell is wonderful throughout, capturing Barris' inherent sleaziness and insecurity as well as, well, the vision of the man who could be called the godfather of reality TV.
Confessions isn't always coherent, but it's sharply comic and surprisingly touching, so hold the gong.
Mr. Clooney, Mr. Kaufman and all their collaborators are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster.
The problem with making a movie about a hollow man is that, when things start to get heavy, you’re stuck with nothingness at the core.
Confessions may not be a straightforward bio, nor does it offer much in the way of Barris' motivations, but the film is an oddly fascinating depiction of an architect of pop culture.
Never mind whether you buy the stuff about Barris being a CIA hit man. The kooky yet shadowy vision Clooney sustains throughout is daring, inventive and impressive.
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