Ravishing to the eye but less than fully satisfying to the mind.
The Conformist (1970)
Tomatometer
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Reviews Counted:9
Fresh:9
Rotten:0
Average Rating:8.4/10
Consensus: A commentary on fascism and beauty alike, Bernadro Bertolucci's The Conformist is acclaimed for its sumptuous visuals and extravagant, artful cinematography.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: The film that made Bernardo Bertolucci's international reputation, THE CONFORMIST (based on Alberto Moravia's novel) is equal parts film noir, Freudian melodrama, and political commentary. The... The film that made Bernardo Bertolucci's international reputation, THE CONFORMIST (based on Alberto Moravia's novel) is equal parts film noir, Freudian melodrama, and political commentary. The hero, Marcello Clerici (Jean-Louis Trintignant), joins Italy's fascist party, marries a simpering bourgeois woman, and agrees to assassinate the university professor who once acted as his mentor, all to become a "normal" member of society. As his psyche unravels--a homosexual encounter at age 13, his father's illness, his desire for the professor's wife, Anna (Dominique Sanda)--Bertolucci gradually shows that Clerici wants to become a robot in order to forget the messiness of life. But Clerici is moral enough at heart to begin putting off the murder in true Hamlet fashion. Bertolucci evokes the antiseptic fascist bureaucracy, the charming circle of the professor, and the bloody outcome of moral bankruptcy with equally arresting visuals. The narrative is nonlinear, but the arc is clear; as Clerici's smug, self-satisfied air comes undone, Bertolucci wants every Italian to answer for their own behavior when the fascists came. [More]
Starring: Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda, Pierre Clementi
Starring: Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda, Pierre Clementi
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
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Reviews for The Conformist
The movie is pure magic as story, as drama, as photography, as conviction, as everything except its ideas.
... seems every bit the masterpiece it was when first released by Paramount.
As striking as Bertolucci's classic looks, there's even more powerful stuff in the storytelling.
An eye-watering testimony to the erstwhile dash of international cinema.
There are excesses in the film, but they are balanced by scenes of such unusual beauty and vitality that I couldn't care less.
More like a symphonic poem than a movie. Your breath is taken away by its baroque compositions.
The brilliant mix of ideas, the audacity and originality of approach, the sensualist delight in the ravishing play of light and shadow -- all these remain, as bracing and inspirational as ever.
Storaro and Bertolucci have fashioned a visual masterpiece in The Conformist, with some of the best use of light and shadow ever in a motion picture.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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