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Critic Reviews for Conventioneers
Despite its contrived, predictable elements, the novelty of the setting and ingenuity of the filmmakers give the work a genuine immediacy.
The homemade-looking Conventioneers can't decide whether it's a documentary about the 2004 Republican convention at Madison Square Garden or a love story about two activists from opposite sides of the aisle.
It is a sign of the times that audiences will watch these equally selfish lovers and find one infinitely more sensible than the other.
Directed by Mora Stephens and produced by Joel Viertel, the film was conceived before the convention and executed as it transpired.
They may stand in for two halves of a country split by irreconcilable political differences. But as a couple they make not one lick of sense, regardless of how desperate each is.
Audience Reviews for Conventioneers
In "Conventioneers," David Massey(Matthew Mabe) is visiting New York City for the first time for a convention. It is 2004 and he is a delegate to the Republican National Convention. While in town, he looks up Lea(Woodwyn Koons), an old friend from Dartmouth. Despite her being busy with the protests, much to the consternation of her Vietnam veteran father(Robert O'Gorman) who wishes she would finally finish her architecture degree, she meets David for lunch but does not finish due to philosophical differences. Later, she goes to his hotel to apologize and they go to his room to raid his snack bar.
"Conventioneers" is a fine example of guerilla filmmaking, shot on the streets during the protests. It is not "Medium Cool" but then what is? Actually, "Conventioneers" shows me very clearly what I missed. For the record, I did not see much point in attending the protests at the time because I thought they would be kept out of mind and sight(The Democrats are just as guilty in trying to control the message) and I was afraid I would be risking arrest just by participating.(So, I read Michael Moore's dispatches in USA Today from the safe distance of Denver.) In retrospect, the film gave good reasons why my fears were not that ungrounded, as the end credits testify to crew members being detained during various events. That reinforces the film's major theme of being at a crossroads for not only the country but also the various characters, especially Lea's friend Dylan(Alek Friedman) who is now married and a father and now must be concerned with the consequences of his actions. This is in an America divided, not united, by George W. Bush. Of course, there are people who do not need an excuse, like politics, to argue.
As contrived its premise may sound (and it isn't much better on-screen), writer-director Mora Stephens manages to push the odd-couple story in some interesting directions.
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