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The Cook, the Thief, His Wife & Her Lover Play Trailer

The Cook, the Thief, His Wife & Her Lover (1989)

tomatometer

90

Average Rating: 7.4/10
Reviews Counted: 39
Fresh: 35 | Rotten: 4

This romantic crime drama may not be to everyone's taste, but The Cook, the Thief, His Wife & Her Lover is an audacious, powerful film.

75

Average Rating: 8/10
Critic Reviews: 8
Fresh: 6 | Rotten: 2

This romantic crime drama may not be to everyone's taste, but The Cook, the Thief, His Wife & Her Lover is an audacious, powerful film.

audience

87

liked it
Average Rating: 3.9/5
User Ratings: 20,459

My Rating

Movie Info

This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places

Mar 13, 2001

Trimark

Cast

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All Critics (41) | Top Critics (8) | Fresh (36) | Rotten (4) | DVD (11)

Albert is one of the ugliest characters ever brought to the screen. Ignorant, over-bearing and violent, it's a gloriously rich performance by Gambon.

October 18, 2008 Full Review Source: Variety
Variety
Top Critic IconTop Critic

For a Jacobean-style drama about deadly emotions, the film lacks passion; only in the final half-hour, with Michael Nyman's funereal music supplying a welcome gravity, does it at last exert a stately power.

June 24, 2006 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

A work so intelligent and powerful that it evokes our best emotions and least civil impulses, so esthetically brilliant that it expands the boundaries of film itself.

May 20, 2003 Full Review Source: New York Times
New York Times
Top Critic IconTop Critic

It doesn't simply make a show of being uncompromising -- it is uncompromised in every single shot from beginning to end.

January 1, 2000 Full Review Source: Chicago Sun-Times
Chicago Sun-Times
Top Critic IconTop Critic

Greenaway, the bemused, coolly ironic truth-teller, has painted a cruel portrait for a cruel time.

January 1, 2000 Full Review Source: Washington Post
Washington Post
Top Critic IconTop Critic

Taboos? If director Peter Greenaway has any, you can't tell by this film.

January 1, 2000 Full Review Source: ReelViews
ReelViews
Top Critic IconTop Critic

[VIDEO ESSAY] ... a masterpiece of British cinema built on several hundred years of literary tradition. The film must be viewed more than once to begin to apprehend its strong and subtle layers of rope-thick satire.

August 13, 2011 Full Review Source: ColeSmithey.com
ColeSmithey.com

Take it or leave it: Greeanway's contemporary Jacobean drama, about greed, adultery and cannibalism, is brutal, provocative and visually brilliant.

April 23, 2011 Full Review Source: Screendaily
Screendaily

Still the most lavishly offensive of Greenaway's films.

September 1, 2009 Full Review Source: City Pages, Minneapolis/St. Paul

Highly stylized and elegant Jacobean revenge tale over adultery and jealousy that rolls against the taste buds like a mouth full of hot pepper.

October 15, 2007 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

The Cook, the Thief. His Wife and Her Lover is a dark and grim morality play about our insatiable appetite for cruelty and power.

August 30, 2004 Full Review Source: Spirituality and Practice
Spirituality and Practice

Startling and bold!

October 17, 2003
FilmsInReview.com

Despite its compelling nature, Greenaways film is not always an easy one to sit through.

October 12, 2003 Full Review Source: Austin Chronicle
Austin Chronicle

Singular and unforgettable, but also grotesque and hyper-inflated; hard to pass up, but harder to sit through.

August 16, 2003
Nick's Flick Picks

Audience Reviews for The Cook, the Thief, His Wife & Her Lover

This is a film I hadn't watched in a while and I have to say after I pulled out my DVD and took a look at the film again it still hasn't lost any of its power. 'The Cook the Thief His Wife & Her Lover' is a film that doesn't fit into one certain genre, its part black comedy, part crime thriller, part horror, part film-noir. It is about about four twisted characters and a series of events that play out over an entire week. The owner of a French restaurant, Albert Spica(the thief), occupies it daily in order to stuff his face and beat on the innocent bystanders that surround him and cannot touch him. The owner of the restaurant(the cook) constantly watches in awe as Albert Spica humiliates everyone and talks and talks and talks, yet says nothing. The thief's wife, Georgina(his wife), is beaten, raped, and humiliated every day by the thief. She falls in love with another man at another table, Michael(her lover), and begins to have a rather passionate affair with him. What results is one of the most outrageous and bizarre films I've ever seen.

Peter Greenaway has created a film that is unlike anything that has ever been made before. It is a film that is so disgusting and dark and tasteless, and yet so beautiful and intelligent and fresh that it must be seen to be believed. All of the performances are unforgettable, especially Helen Mirren as the wife, in a heart wrenching performance. Michael Gambon is absolutely terrifying as the thief. People can discuss the political implications that the film implies as well. I know some don't care about that stuff though but it does add a extra layer to the story.

The attention to detail in the set-pieces depict the one pertaining to the outrageous and decadent nature of our time and the times in which we live where the thief consumes everything and is wasteful. As a result, there is a genuine sense of true horror throughout the film. The graphic violence and sex only add the the dark nature of the depiction of a world, long destroyed by the greedy punks that have overrun the world. The punks in this film are much older than the ones that are usually depicted, and we the post-apocalyptic world outside for many brief glimpses in which there is a lot of fog, smoke, grime, and filth. We really get a sense that the world that is depicted in this film was once truly beautiful and open to possibility, and the fact that it is a world that is long gone makes the film far more tragic than we would usually expect, especially one with such grand texture and such a dark sense of humor.

This is the kind of film that reminds me that people in the film industry can still make intelligent, smart, and brilliant films without having to pile on the excess. The film works because it is not only effective, but it is also original storytelling. The film's use of it's set design only amplifies the way it is presents and gives the film even more meaning with it's vibrant colors and the way that each set piece in the entire film represents a different color of the rainbow. The music by Michael Nyman is simply one of the most chilling and unforgettable scores I've heard in a film. It only enhances the beauty of the film though.

While the film is certainly not for everyone, especially children(although it won't be easy for them to view it given it's NC-17 rating), this film is for the kind of adult audience who likes to think and not just be shown something that will waste their time. For people who want to be challenged and shown a film that will make them think about the world in a different way than they normally do, To sum up here. It's a must see. I love it because it challenges me in a way a challenging film should. This is one of my personal favorite films.
July 1, 2010
cancercapricorn2002
David Ladd

Super Reviewer

Visually, I loved it. Every frame was like a painting, like theatre on film. The story, a little contrived. I get the whole heaven and hell thing, the restaurant being the universe and all, I just didn't like it. The acting was superb, Gambon playing the Devil was inspired, it?s just not that great to watch and ultimately, that's the point! I don't know, rating this one is hard, I'm a fan of Peter Greenaway but this isn't his best and nowhere near as clever as it thinks it is!
October 1, 2009
SirPant

Super Reviewer

    1. Georgina Spica the Wife: Georgina to her husband, Albert, 'Go on, Albert, Eat.'
    – Submitted by timothy r (11 months ago)
    1. Georgina Spica the Wife: I dont want to eat him Richard.
    – Submitted by Angle L (11 months ago)
    1. Georgina Spica the Wife: Yes! He's a man. He's Jewish and he's from Ethiopia!
    2. Albert Spica the Thief: What?
    3. Georgina Spica the Wife: His mother is a Roman Catholic, he's been imprisoned in South Africa, he's as black as the ace of spades and he probably drinks his own pee!
    – Submitted by Alice L (11 months ago)
    1. Georgina Spica the Wife: Try the cock, Albert. It's a delicacy. And you know where it's been.
    – Submitted by Alice L (11 months ago)
    1. Georgina Spica the Wife: What good are all these books? You can't eat them.
    – Submitted by Scott R (22 months ago)

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Foreign Titles

  • Der Koch, der Dieb, seine Frau und ihr Liebhaber (DE)
  • The Cook, The Thief, His Wife and Her Lover (UK)
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