The Cook, the Thief, His Wife & Her Lover (1989)
Average Rating: 7.4/10
Reviews Counted: 39
Fresh: 35 | Rotten: 4
This romantic crime drama may not be to everyone's taste, but The Cook, the Thief, His Wife & Her Lover is an audacious, powerful film.
Average Rating: 8/10
Critic Reviews: 8
Fresh: 6 | Rotten: 2
This romantic crime drama may not be to everyone's taste, but The Cook, the Thief, His Wife & Her Lover is an audacious, powerful film.
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Average Rating: 3.9/5
User Ratings: 20,459
My Rating
Movie Info
This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places
Sep 11, 1989 Wide
Mar 13, 2001
Trimark
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Cast
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Richard Bohringer
Richard Borst the Cook -
Michael Gambon
Albert Spica the Thief -
Helen Mirren
Georgina Spica the Wife -
Alan Howard
Michael the Lover -
Tim Roth
Mitchel -
Ciarán Hinds
Cory -
Liz Smith
Grace -
Gary Olsen
Spangler -
Ewan Stewart
Harris -
Roger Ashton-Griffiths
Turpin -
Ron Cook
Mews -
Tony Alleff
Troy -
Arnie Breevelt
Eden -
Nick Brozovic
Kitchen Staff -
Michael Clark
Waiter -
Ian Dury
Terry Fitch -
Brenda Edwards
Dancer -
-
Tim Geary
Waiter -
Elmer Gillespie
Patricia -
Sophie Goodchild
Dancer -
Bob Goody
Starkie -
Janet Henfrey
Alice -
Alex Kingston
Adele -
Diane Langton
May Fitch -
Gary Logan
Waiter -
Michael Maguire
Waiter -
Sue Maund
Kitchen Staff -
Pauline Mayer
Fish Girl -
John Mullis
Diner -
Prudence Oliver
Corelle Fitch -
Roger Lloyd Pack
Geoff -
Karrie Pagano
Kitchen Staff -
Saffron Rainey
Waiter -
Peter Rush
Melter -
-
Ian Sears
Phillipe -
Ben Stoneham
Meat Boy -
-
Andy Wilson
Diner -
Willie Ross
Roy -
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All Critics (41) | Top Critics (8) | Fresh (36) | Rotten (4) | DVD (11)
Albert is one of the ugliest characters ever brought to the screen. Ignorant, over-bearing and violent, it's a gloriously rich performance by Gambon.
For a Jacobean-style drama about deadly emotions, the film lacks passion; only in the final half-hour, with Michael Nyman's funereal music supplying a welcome gravity, does it at last exert a stately power.
A work so intelligent and powerful that it evokes our best emotions and least civil impulses, so esthetically brilliant that it expands the boundaries of film itself.
It doesn't simply make a show of being uncompromising -- it is uncompromised in every single shot from beginning to end.
Greenaway, the bemused, coolly ironic truth-teller, has painted a cruel portrait for a cruel time.
Taboos? If director Peter Greenaway has any, you can't tell by this film.
[VIDEO ESSAY] ... a masterpiece of British cinema built on several hundred years of literary tradition. The film must be viewed more than once to begin to apprehend its strong and subtle layers of rope-thick satire.
Take it or leave it: Greeanway's contemporary Jacobean drama, about greed, adultery and cannibalism, is brutal, provocative and visually brilliant.
Still the most lavishly offensive of Greenaway's films.
Highly stylized and elegant Jacobean revenge tale over adultery and jealousy that rolls against the taste buds like a mouth full of hot pepper.
The Cook, the Thief. His Wife and Her Lover is a dark and grim morality play about our insatiable appetite for cruelty and power.
Startling and bold!
Despite its compelling nature, Greenaways film is not always an easy one to sit through.
Singular and unforgettable, but also grotesque and hyper-inflated; hard to pass up, but harder to sit through.
Audience Reviews for The Cook, the Thief, His Wife & Her Lover
Super Reviewer
Super Reviewer
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- Georgina Spica the Wife: Georgina to her husband, Albert, 'Go on, Albert, Eat.'
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- Georgina Spica the Wife: I dont want to eat him Richard.
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- Georgina Spica the Wife: Yes! He's a man. He's Jewish and he's from Ethiopia!
- Albert Spica the Thief: What?
- Georgina Spica the Wife: His mother is a Roman Catholic, he's been imprisoned in South Africa, he's as black as the ace of spades and he probably drinks his own pee!
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- Georgina Spica the Wife: Try the cock, Albert. It's a delicacy. And you know where it's been.
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- Georgina Spica the Wife: What good are all these books? You can't eat them.
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Foreign Titles
- Der Koch, der Dieb, seine Frau und ihr Liebhaber (DE)
- The Cook, The Thief, His Wife and Her Lover (UK)


Top Critic
Peter Greenaway has created a film that is unlike anything that has ever been made before. It is a film that is so disgusting and dark and tasteless, and yet so beautiful and intelligent and fresh that it must be seen to be believed. All of the performances are unforgettable, especially Helen Mirren as the wife, in a heart wrenching performance. Michael Gambon is absolutely terrifying as the thief. People can discuss the political implications that the film implies as well. I know some don't care about that stuff though but it does add a extra layer to the story.
The attention to detail in the set-pieces depict the one pertaining to the outrageous and decadent nature of our time and the times in which we live where the thief consumes everything and is wasteful. As a result, there is a genuine sense of true horror throughout the film. The graphic violence and sex only add the the dark nature of the depiction of a world, long destroyed by the greedy punks that have overrun the world. The punks in this film are much older than the ones that are usually depicted, and we the post-apocalyptic world outside for many brief glimpses in which there is a lot of fog, smoke, grime, and filth. We really get a sense that the world that is depicted in this film was once truly beautiful and open to possibility, and the fact that it is a world that is long gone makes the film far more tragic than we would usually expect, especially one with such grand texture and such a dark sense of humor.
This is the kind of film that reminds me that people in the film industry can still make intelligent, smart, and brilliant films without having to pile on the excess. The film works because it is not only effective, but it is also original storytelling. The film's use of it's set design only amplifies the way it is presents and gives the film even more meaning with it's vibrant colors and the way that each set piece in the entire film represents a different color of the rainbow. The music by Michael Nyman is simply one of the most chilling and unforgettable scores I've heard in a film. It only enhances the beauty of the film though.
While the film is certainly not for everyone, especially children(although it won't be easy for them to view it given it's NC-17 rating), this film is for the kind of adult audience who likes to think and not just be shown something that will waste their time. For people who want to be challenged and shown a film that will make them think about the world in a different way than they normally do, To sum up here. It's a must see. I love it because it challenges me in a way a challenging film should. This is one of my personal favorite films.