The Cool School is a history of the LA art scene which will be most interesting for those who are involved in it.
Cool School: How L.A. Learned to Love Modern Art (2008)
Tomatometer
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Reviews Counted: 22
Fresh: 20
Rotten:2
Average Rating: 6.9/10
Consensus: A breezy and lively modern art documentary, revealing that LA is not a cultural wasteland when it comes to fine art.
Theatrical Release:Mar 28, 2008 Limited
Synopsis: This documentary explores the embryonic L.A. art scene in the 1950s and '60s. It focuses on the Ferus Gallery, which helped bring together a group of visionary artists who were soon catapulted into... This documentary explores the embryonic L.A. art scene in the 1950s and '60s. It focuses on the Ferus Gallery, which helped bring together a group of visionary artists who were soon catapulted into national stars. Interviews and vintage footage fill out this story of competitive artists--such as Ed Kienholz, Wallace Berman, and Ed Moses--and the influence of money and fame. Chiming in to share their thoughts on the period are Dean Stockwell, Dennis Hopper, Frank Gehry, and many others. [More]
Starring: Ed Ruscha, Frank Gehry, Dennis Hopper, Dean Stockwell
Starring: Ed Ruscha, Frank Gehry, Dennis Hopper, Dean Stockwell, Ed Moses, Walter Hopps, Ken Price, Ed Kienholz, John Baldessari, Larry Bell
Director: Morgan Neville
Director: Morgan Neville
Studio: Arthouse Films
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Reviews for Cool School: How L.A. Learned to Love Modern Art
Occasionally too reverent, this remains an effective evocation of a vibrant and interesting art scene, not to mention a touching paean to lost youth.
Morgan Neville’s ‘The Cool School’ is a slickly packaged document of the burgeoning modern art scene in LA during the late ’50s and early ’60s which sadly submerges its fascinating subject matter in technical clutter and contrived set-ups.
The Cool School is neither as lively nor as complete as it could be, but as an introduction to modern art, it's a fine freshman course.
Veteran documentarist Morgan Neville’s illustrated history of the painters and sculptors associated with Venice’s Ferus Gallery (1957–1967) is at once lively and analytical.
Makes the case that there's more than basket weaving and freeway driving going on in the seedbed of originality we know as the Great Basin of L.A.
Sweeps you off your feet with quick-witted visuals and cleverly used archival footage.
Definitely proves that, contrary to certain opinions, Los Angeles is not a cultural wasteland where fine art is concerned.
Surf's up in Southern California as the modern art world invades Nixonville and Reagan City in the 1950s. A fascinating look at the start of something big: modern art in Los Angeles.
The Cool School, a breezy, lively documentary about a thin slice of the Los Angeles fine art scene in the 1950s, is easy on the eyes, and the ears too.
Cool School is a must for anyone interested in 20th century American art.
Smart, jazzy and unafraid to deflate egos, Morgan Neville’s fast-paced, finely critical study makes for a pungent intro to a movement now esteemed as a key alternative to the New York AbEx stranglehold.
Documentarian Morgan Neville takes an appropriately lively, left-field approach to The Cool School's eye-opening history of the Beat-era Left Coast art scene -- a lesser-known chapter in the story of American modern art.
Largely avoids sharply delineated portraits, with its focus on the scene at the expense of individuals, ultimately resulting in a documentary that doesn't rise above the functional.
No one emerges very well defined from this historical shuffle, but those who know the artists' works, or names such as Hopps and Blum, but have never heard them speak, will find The Cool School absorbing and informative.
A lively film that doesn't linger too long on any one thought or with any one interviewee.
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