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Movies / On DVD / Cool School: How L.A. Learned to Love Modern Art
Cool School: How L.A. Learned to Love Modern Art

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Cool School: How L.A. Learned to Love Modern Art (2008)

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Reviews Counted: 22

Fresh: 20

Rotten:2

Average Rating: 6.9/10

Consensus: A breezy and lively modern art documentary, revealing that LA is not a cultural wasteland when it comes to fine art.

Rated: Not Rated

Runtime: 86 mins

Genre: Musical & Performing Arts

Theatrical Release:Mar 28, 2008 Limited

Synopsis: This documentary explores the embryonic L.A. art scene in the 1950s and '60s. It focuses on the Ferus Gallery, which helped bring together a group of visionary artists who were soon catapulted into... This documentary explores the embryonic L.A. art scene in the 1950s and '60s. It focuses on the Ferus Gallery, which helped bring together a group of visionary artists who were soon catapulted into national stars. Interviews and vintage footage fill out this story of competitive artists--such as Ed Kienholz, Wallace Berman, and Ed Moses--and the influence of money and fame. Chiming in to share their thoughts on the period are Dean Stockwell, Dennis Hopper, Frank Gehry, and many others. [More]

Starring: Ed Ruscha, Frank Gehry, Dennis Hopper, Dean Stockwell

Starring: Ed Ruscha, Frank Gehry, Dennis Hopper, Dean Stockwell, Ed Moses, Walter Hopps, Ken Price, Ed Kienholz, John Baldessari, Larry Bell

Director: Morgan Neville

Director: Morgan Neville
Studio: Arthouse Films

[See More Credits]

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Release:

Jul 29, 2008

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Reviews for Cool School: How L.A. Learned to Love Modern Art

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The Cool School is a history of the LA art scene which will be most interesting for those who are involved in it.

Full Review Source: Times [UK] | comment Comment
08/15/08
Wendy Ide
Times [UK]

Occasionally too reverent, this remains an effective evocation of a vibrant and interesting art scene, not to mention a touching paean to lost youth.

Full Review Source: Channel 4 Film | comment Comment
08/15/08
Sam Jordison
Channel 4 Film

Morgan Neville’s ‘The Cool School’ is a slickly packaged document of the burgeoning modern art scene in LA during the late ’50s and early ’60s which sadly submerges its fascinating subject matter in technical clutter and contrived set-ups.

Full Review Source: Time Out | comment Comment
08/15/08
David Jenkins
Time Out

The Cool School is neither as lively nor as complete as it could be, but as an introduction to modern art, it's a fine freshman course.

Full Review Source: eFilmCritic.com | comment Comment
06/20/08
David Cornelius
eFilmCritic.com

Breezy doc lives up to its title.

Full Review Source: Metromix.com | comment Comment
05/22/08
Geoff Berkshire
Metromix.com

Veteran documentarist Morgan Neville’s illustrated history of the painters and sculptors associated with Venice’s Ferus Gallery (1957–1967) is at once lively and analytical.

Full Review Source: L.A. Weekly | comment Comment
05/22/08
Ron Stringer
L.A. Weekly

Makes the case that there's more than basket weaving and freeway driving going on in the seedbed of originality we know as the Great Basin of L.A.

Full Review Source: Cinema Signals | comment Comment
05/21/08
Jules Brenner
Cinema Signals

Sweeps you off your feet with quick-witted visuals and cleverly used archival footage.

Full Review Source: Boxoffice Magazine | comment Comment
04/04/08
Sara Schieron
Boxoffice Magazine

Definitely proves that, contrary to certain opinions, Los Angeles is not a cultural wasteland where fine art is concerned.

Full Review Source: Film Journal International | comment Comment
04/01/08
David Noh
Film Journal International

Surf's up in Southern California as the modern art world invades Nixonville and Reagan City in the 1950s. A fascinating look at the start of something big: modern art in Los Angeles.

Full Review Source: Monsters and Critics | comment Comment
03/28/08
Ron Wilkinson
Monsters and Critics

Thoughtful and thought-provoking.

Full Review Source: TV Guide's Movie Guide | comment Comment
03/28/08
Ken Fox
TV Guide's Movie Guide

Diverting.

Full Review Source: New York Post | comment Comment
03/28/08
Lou Lumenick
New York Post
Top Critic Icon Top Critic

The Cool School, a breezy, lively documentary about a thin slice of the Los Angeles fine art scene in the 1950s, is easy on the eyes, and the ears too.

Full Review Source: New York Times | comment Comment
03/28/08
Manohla Dargis
New York Times
Top Critic Icon Top Critic

Cool School is a must for anyone interested in 20th century American art.

Full Review Source: Newsday | comment Comment
03/28/08
John Anderson
Newsday
Top Critic Icon Top Critic

Smart, jazzy and unafraid to deflate egos, Morgan Neville’s fast-paced, finely critical study makes for a pungent intro to a movement now esteemed as a key alternative to the New York AbEx stranglehold.

Full Review Source: Time Out New York | comment Comment
03/27/08
Joshua Rothkopf
Time Out New York

Documentarian Morgan Neville takes an appropriately lively, left-field approach to The Cool School's eye-opening history of the Beat-era Left Coast art scene -- a lesser-known chapter in the story of American modern art.

Full Review Source: Entertainment Weekly | comment Comment
03/26/08
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

All told, and well told, this is essential history.

Full Review Source: Village Voice | comment Comment
03/25/08
Nathan Lee
Village Voice
Top Critic Icon Top Critic

Largely avoids sharply delineated portraits, with its focus on the scene at the expense of individuals, ultimately resulting in a documentary that doesn't rise above the functional.

Full Review Source: Slant Magazine | comment Comment
03/25/08
Nick Schager
Slant Magazine

No one emerges very well defined from this historical shuffle, but those who know the artists' works, or names such as Hopps and Blum, but have never heard them speak, will find The Cool School absorbing and informative.

Full Review Source: San Francisco Chronicle | comment Comment
03/21/08
Kenneth Baker
San Francisco Chronicle
Top Critic Icon Top Critic

A lively film that doesn't linger too long on any one thought or with any one interviewee.

Full Review Source: Seattle Times | comment Comment
02/22/08
Tom Keogh
Seattle Times
 
 
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