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Cotton Mary (2000)
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Reviews Counted:14
Fresh:6
Rotten:8
Average Rating:5.7/10
Runtime: 2 hrs 4 mins
Genre: Dramas
Synopsis: In COTTON MARY, director Ismail Merchant explores the dynamics of being Anglo-Indian in post-colonial India. In 1954 British rule has officially ended in India but class-consciousness is still very... In COTTON MARY, director Ismail Merchant explores the dynamics of being Anglo-Indian in post-colonial India. In 1954 British rule has officially ended in India but class-consciousness is still very much alive in the Macintosh household. After Lily Macintosh (Greta Scacchi) endures a painful pregnancy and delivery she becomes unable to breast-feed her baby daughter. Hospital nurse Cotton Mary (Madhur Jaffrey) comes to the rescue, secretly bringing the baby to her sister, a wet nurse, and uses the opportunity to become indispensably helpful and fulfill her ambitious desire to work in an English home. As an Anglo-Indian--she insists her father was a member of the British military--Cotton Mary ingratiates herself to Lily, considering herself more British than Indian. John Macintosh (James Wilby) is an absentee husband and father whose neglectful ways are fueled by the appearance of Mary's seductive niece, Rosie (Sakina Jaffrey, who is Madhur Jaffrey's real life daughter). Cotton Mary, whose nickname comes from her insistence upon wearing only British cotton, longs for acceptance by the white upper class members she serves while denouncing her Indian roots. Madhur Jaffrey, a long-time collaborator on Merchant Ivory productions, served as co-director of the film. [More]
Starring: Greta Scacchi, Madhur Jaffrey, James Wilby, Sarah Badel
Starring: Greta Scacchi, Madhur Jaffrey, James Wilby, Sarah Badel, Joanna David, Sakina Jaffrey, Gemma Jones, Richard Hawley
Director: Ismail Merchant
Director: Ismail Merchant
Composer: Richard Robbins
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Reviews for Cotton Mary
Cotton Mary, Ismail Merchant’s second film as a director, puts some interestingly layered material into play, but he can’t quite bring it together.
Engrossing from the first frame and written with admirable skill and insight by Alexandra Viets, Cotton Mary is a milestone for Merchant Ivory and a pleasure for the company's admirers.
A heavy-handed melodrama whose title character is a symbol with a capital S.
Cotton Mary is terminally marred by good taste; and melodrama is like the Star-Kist commercial: people don't want tuna with good taste; they want tuna that tastes good.
Merchant's filmmaking is at times wooden and conventional, but Cotton Mary is brought to life by the weirdness of its subject matter and the risks Madhur Jaffrey takes in her brilliant performance.
Nothing is expressed directly; only the curtains move, blowing in the subcontinent wind.
Cotton Mary is uncommonly well-acted and beautifully shot on location in southern India, but it's not exactly riveting.
The film wants to make larger points, but succeeds only in being a story of derangement.
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