Crimes and Misdemeanors (1989)
Runtime: 1 hr 47 mins
Synopsis: CRIMES AND MISDEMEANORS is Woody Allen's most mature, most profound film. Martin Landau plays Judah Rosenthal, a successful ophthalmologist having an affair with Dolores (Anjelica Huston), who is threatening to reveal their relationship unless Judah commits to her and leaves his wife.... CRIMES AND MISDEMEANORS is Woody Allen's most mature, most profound film. Martin Landau plays Judah Rosenthal, a successful ophthalmologist having an affair with Dolores (Anjelica Huston), who is threatening to reveal their relationship unless Judah commits to her and leaves his wife. He admits his sin to Ben (Sam Waterston), a friend, a patient, and a learned rabbi who is losing his eyesight but not his faith. Judah turns to his brother Jack, who is connected to the mob and can make Dolores disappear. Allen plays Cliff Stern, a documentary filmmaker who accepts an assignment to film his pompous, successful brother-in-law, Lester (Alan Alda), a comedy star; both Cliff and Lester fall for Hallie Reed (Mia Farrow), a producer involved in the documentary. Allen the director brings all the characters together in a fabulous mix of comedy and drama, deceit and delight. CRIMES AND MISDEMEANORS is a marvel of complexity, with fascinating, well-written characters; deep, complicated relationships; and thought-provoking examinations of religion, infidelity, morality, murder, comedy, and tragedy. [More]
Genre: Comedies
Starring: Martin Landau, Anjelica Huston, Woody Allen, Joanna Gleason, Alan Alda
DVD Info
Release:
Jun 5, 2001
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital Mono - English
- Dolby Digital Mono - French
- Dolby Digital Mono - Spanish
Additional Release Material:
- Trailers - 1. Original Theatrical
Additional Products:
- Booklet
Buy It On DVD
Reviews
The result is a frighteningly intelligent, and often hilariously funny whole.
The overall 'philosophical' thrust -- that good guys finish last and that crime does pay -- is designed to make the audience feel very wise, but none of the characters or ideas is allowed to develop beyond its cardboard profile.
The structural and stylistic conceit is that when Landau is onscreen, the film is dead serious, even solemn, while Allen's own appearance onscreen signals hilarious satire and priceless one-liners.
Dramatically, the film seldom fulfils its promise, and its pessimistic 'moral' -- that good and evil do not always meet with their just deserts -- looks contrived and hollow. Intriguing and patchily effective, nevertheless.
Um discurso filosófico-religioso sobre moralidade e culpa que, por incrível que pareça, não apenas comove como também nos faz rir de maneira surpreendente.
Allen starts with a sketchy premise and after working it through for 107 minutes he still has no more than the premise he started with.
This examination of the nature of evil interweaves masterfully comedy and melodrama in equal proportion. Instead of taking a casually brutal approach, Allen dwells on the consequences of sin.
...this dark meditation on justice and the lack of it may be his best film.
Allen's neurotic outlook on life has never been presented with more clarity.
If Crimes and Misdemeanors isn't Woody Allen's best blending of drama and comedy, it's most certainly in the running.


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