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Movies / On DVD / Crimson Gold
Crimson Gold

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Crimson Gold (2004)

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Reviews Counted:25

Fresh:24

Rotten:1

Average Rating:8/10

Consensus: A slow-burning, riveting film about Iranian class differences.

Rated: Not Rated

Runtime: 1 hr 37 mins

Genre: Dramas

Theatrical Release:Jan 16, 2004 Limited

Synopsis: Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark... Crimson Gold, directed by Jafar Panahi and written by Abbas Kiarostami, tells the story of an ordinary pizza deliveryman named Hussein (Hussein Emadeddin), and his journey navigating the dark injustices of Teheran - from the dirty, downtown “souk” neighborhood to the wealthy, uptown enclaves of the city. The opening scene, an amazing four-minute, camera-steady shot, shows a gun-toting Hussein taking over an upscale jewelry shop, killing the shop owner, and then shooting himself. This grisly scene sets the story for a re-examination of the events that led Hussein to this destructive explosion. Panahi attempts to understand how a simple, shy and good-hearted guy like Hussein could be brought to such violence. Hussein is engaged to the sister of his closest friend, Ali. They decide to go to a jewelry shop after Ali’s discovery of a handbag with a broken wedding ring and a receipt for an expensive imported necklace. Eager to see where such an expensive necklace is sold, they arrive at the shop and are turned away for their working class appearance. Ali suggests returning in their best suits with Hussein's fiancée, to see whether there is anything they can afford. When they realize they don’t have enough money, and when the shop’s owner insults them by suggesting they go to the bazaar for gold, they feel a complete sense of humiliation. In a breathtaking shot we see Hussein on his motorbike, silent and angry, whirring through Teheran’s busy streets. Panahi follows Hussein and his deliveries, letting us see the different people and rushes Hussein to take his Vespa and leave. In another, a cocky policeman refuses him entry to an apartment building for a pizza delivery while a police force waits downstairs to ambush party guests on a charges of drinking alcohol and dancing in mixed company. Resigned and again humiliated, he passes the pizza amongst the soldiers and the arrested partygoers in a scene of dark humor. Soon after, at a luxury apartment building, Hussein makes a delivery to a wealthy bachelor. After telling Hussein that his girlfriend has left him, the gentleman invites Hussein in and over pizza regales him with stories of his wealthy life. Hussein eyes the trappings of his wealth: a winged piano, a gym and a swimming pool. Next we see Hussein in the jewelry shop, where we found him in the film’s first scene, defeated and ready for violence. Panahi uses Hussein's job as a delivery driver to move inside houses and behind closed doors to reveal places rarely seen by western audiences; what emerges is both a daring interrogation of Iranian society and a universal tale of urban alienation and inequality. -- © Wellspring [More]

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji

Starring: Hussein Emadeddin, Kamyar Sheissi, Pourang Nakhayi, Azita Rayeji, Shahram Vaziri, Ehsan Amani, Kaveh Najmabadi, Saber Safael

Director: Jafar Panahi

Director: Jafar Panahi
Screenwriter: Abbas Kiarostami
Producer: Jafar Panahi
Composer: Peyman Yazdanian
Studio: Wellspring

[See More Credits]

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Release:

Jul 20, 2004

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Reviews for Crimson Gold

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1 - 20 (sorted by date)
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I'm glad I saw Crimson Gold. Watching it is like getting a peek behind the curtain.

Full Review Source: New York Magazine | comment Comment
08/07/04
Peter Rainer
Peter Rainer
New York Magazine
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Panahi's movie, unsurprisingly, has been outlawed in Iran. Nobody likes a prophet.

Full Review Source: New Yorker | comment Comment
08/01/04
Anthony Lane
Anthony Lane
New Yorker
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Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
07/03/04
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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The movie can feel slow and tedious, but the supper it makes us work for is nourishing.

Full Review Source: Denver Post | comment Comment
06/25/04
Vic Vogler
Vic Vogler
Denver Post
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It's every bit as outwardly unruffled as its hero, but inwardly it seethes with the very same gradually accumulated rage. A devastating and beautiful film.

Full Review Source: Toronto Star | comment Comment
05/28/04
Geoff Pevere
Geoff Pevere
Toronto Star
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A film both shocking and humane, as if Taxi Driver were somehow rewritten by Chekhov.

Full Review Source: Globe and Mail | comment Comment
05/28/04
Liam Lacey
Liam Lacey
Globe and Mail
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N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
05/14/04
Arizona Republic
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It's the singular presence of Hussein Emadeddin -- a nonprofessional like all the other actors Panahi has used in his films -- that gives the film much of its soul and mystery.

Full Review Source: Chicago Reader | comment Comment
04/23/04
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
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The success of Crimson Gold depends to an intriguing degree on the performance of its leading actor.

Full Review Source: Chicago Sun-Times | comment Comment
04/16/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
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A stark, minimalist near-masterpiece.

Full Review Source: Chicago Tribune | comment Comment
04/15/04
Michael Wilmington
Michael Wilmington
Chicago Tribune
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The leisurely pace and fatalism become riveting, and the film takes on an unnerving, unblinking intimacy, even as the characters remain distant.

Full Review Source: Dallas Morning News | comment Comment
04/08/04
Chris Vognar
Chris Vognar
Dallas Morning News
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An engrossing tale of class differences that reveals tiny details of one man’s descent into hell.

Full Review Source: San Francisco Chronicle | comment Comment
03/26/04
Jonathan Curiel
Jonathan Curiel
San Francisco Chronicle
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The year's first great movie.

Full Review Source: Boston Globe | comment Comment
03/26/04
Wesley Morris
Wesley Morris
Boston Globe
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A remarkable work, as much for its uncompromising view of a claustrophobic urban landscape as for its always-muted compassion.

Full Review Source: San Jose Mercury News | comment Comment
03/25/04
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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A mesmerizing, and devastating, story.

Full Review Source: Philadelphia Inquirer | comment Comment
03/21/04
Steven Rea
Steven Rea
Philadelphia Inquirer
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Emadeddin's performance, due either to the actor's medicated state or perhaps to the symptoms of the disease itself, is a marvel of everyman affectlessness.

Full Review Source: Washington Post | comment Comment
02/06/04
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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A fascinating whydunit.

Full Review Source: Washington Post | comment Comment
02/06/04
Desson Thomson
Desson Thomson
Washington Post
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This tough, bristling story about a working-class man pushed over the edge vividly brings to mind the great Hollywood social dramas of the 1930s.

Full Review Source: Los Angeles Times | comment Comment
02/05/04
Manohla Dargis
Manohla Dargis
Los Angeles Times
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Combines the talents of two of Iran's most forceful critics of their country's theocratic regime.

Full Review Source: New York Observer | comment Comment
01/29/04
Andrew Sarris
Andrew Sarris
New York Observer
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A fable of money as the root of jealousy, discord, violence, but the film's slippery fascination as sociological exposé is the flip side of its thinness as drama.

Full Review Source: Entertainment Weekly | comment Comment
01/29/04
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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