D-Tox (Eye See You) (2002)
Average Rating: 3.1/10
Reviews Counted: 20
Fresh: 3 | Rotten: 17
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Average Rating: N/A
Critic Reviews: 3
Fresh: 0 | Rotten: 3
Average Rating: 2.8/5
User Ratings: 10,895
Sylvester Stallone returned to the screen after a three-year absence (excepting his voice work in Antz) with this tense and violent psychological crime thriller. FBI agent Jake Malloy (Stallone) has been traumatized by an especially vicious murder. No longer able to perform his job, Malloy is referred to a clinic for members of the law enforcement community, run by doctors Hank (Tom Berenger) and Doc (Kris Kristofferson). Jake begins receiving therapy for post-traumatic stress disorder, but
Jan 1, 2002 Wide
Dec 31, 2002
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Charles S. Dutton
Sean Patrick Flanery
Courtney B. Vance
Dr. John Mitchell "D...
Alan C. Peterson
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This killer-chiller isn't preposterous enough for laughs and is too sloppily directed and scripted to scare or surprise.
This formulaic chiller will do little to boost Stallone's career.
That a serviceable thriller like this struggles to get a release, when certain nameless dross gets rushed into cinemas is, frankly, bewildering.
A surprisingly effective variation of the Ten Little Indians theme. Stallone's actually pretty good in this one.
A guilty pleasure at best, and not worth seeing unless you want to laugh at it.
So we got Ten Little Indians meets Friday the 13th by way of Clean and Sober, filmed on the set of Carpenter's The Thing and loaded with actors you're most likely to find on the next inevitable incarnation of The Love Boat.
A thoroughly awful movie--dumb, narratively chaotic, visually sloppy...a weird amalgam of 'The Thing' and a geriatric 'Scream.'
The only element of suspense is whether the movie will change titles or distributors again before the closing credits roll.
After seeing this, I can understand why it has been gathering dust on a shelf somewhere for the past two years.
It's one pussy-ass world when even killer-thrillers revolve around group therapy sessions.
A profoundly stupid affair, populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility.
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