Dai-Nipponjin (Big Man Japan) (2007)
Average Rating: 6.4/10
Reviews Counted: 32
Fresh: 25 | Rotten: 7
Hitoshi Matsumoto's indescribably odd mockumentary is undeniably inspired.
Average Rating: 6.1/10
Critic Reviews: 11
Fresh: 8 | Rotten: 3
Hitoshi Matsumoto's indescribably odd mockumentary is undeniably inspired.
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Average Rating: 3/5
User Ratings: 29,715
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Movie Info
Director Hitoshi Matsumoto weaves this darkly comic mockumentary about a Japanese giant who continues the long-standing family tradition of facing off against Tokyo's most formidable monsters. Constantly caught in the middle of everyone's battles, Daisato finds his sincere efforts to keep the peace repeatedly belittled; he's divorced, his neighbors have covered his house in graffiti, and he gets nothing but dirty looks when he walks down the street. When we first meet Daisato, he is the subject
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Cast
-
Hitoshi Matsumoto
Daisato -
Riki Takeuchi
Hanerunojyuu (Jumping B... -
Ua
Manager Kobori -
Ryunosuke Kamiki
Dounojyuu (Baby Baddie) -
Itsuji Itao
Female Niounojyuu (Smel... -
Takayuki Haranishi
Male Niounojyuu (Smelly... -
Haruka Unabara
Shimerunojyuu (Squeezin... -
Tomoji Hasegawa
Interviewer -
Daisuke Miyagawa
Super Justice -
Hiroyuki Miyasako
Stay With Me -
Shion Machida
Daisoto's Ex-Wife
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All Critics (32) | Top Critics (11) | Fresh (26) | Rotten (7) | DVD (1)
Somewhere there is a stranger film than Big Man Japan, but it would be hard to find.
This inspired 2007 send-up of the atomic-monster genre gets a fair amount of comic mileage from Daisato (played by the director) being anything but a big man.
Very funny in an insidious way.
The film, written, directed and starring stand-up comic Hitoshi Matsumoto has, like most superheroes, a tragic flaw: It isn't funny.
At nearly two hours, Big Man Japan is clever (in a sick sort of way) but overlong. It needs judicious editing -- more mockumentary, fewer superhero antics.
As in life, the nonmonster stuff goes on too long. But wait until the giant baby shows up.
An affectionate parody of Japanese giant-monster hero shows to make points about the unraveling of Japan's cultural heritage.
The movie's shambling, matter-of-fact approach to pulpy material is funny, as is its steadfast avoidance of visual hype.
Big Man Japanis built around a funny concept, vaguely akin to Hancock: its title character is a superhero who is a bit of a loser.Unfortunately, the concept is not enough to sustain entire the film.
The movie doesn't get truly weird until the Power Ranger-style superheroes show up, and the special effects get even more low-rent. Then it really takes off.
Big Man Japan shows a good mockumentary needs more than killer concept to make us howl.
Makes you almost nostalgic for some of the worst cinematic offerings ever to come out of the Orient, including such crappy classics as Rodan, Mothra and the Giant Behemoth.
This is Matsumoto's first feature (he's a famously odd Japanese comedian), but it's a distinctively bizarre piece of work. Remember the name.
If Christopher Guest made a Japanese monster movie, the end result might be Big Man Japan.
Smart spoof of the Japanese giant-monster genre.
A cheesy B-movie that's initially refreshing, funny and a guilty pleasure, but eventually sinks into tedium while its comic energy and imagination concurrently diminish.
Goofy sci-fi satire aimed at a narrow audience.
Deflation--not delight--is the rule, and the key to enjoying the B-movie fights is to accept that even when Masaru wins, we're not meant to feel triumph.
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Foreign Titles
- Der große Japaner (DE)
- Big Man Japan (Dai-Nipponjin) (UK)








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