Average Rating: 6.4/10
Reviews Counted: 32
Fresh: 25 | Rotten: 7
Hitoshi Matsumoto's indescribably odd mockumentary is undeniably inspired.
Average Rating: 6.2/10
Critic Reviews: 10
Fresh: 7 | Rotten: 3
Hitoshi Matsumoto's indescribably odd mockumentary is undeniably inspired.
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Average Rating: 2.9/5
User Ratings: 29,454
Director Hitoshi Matsumoto weaves this darkly comic mockumentary about a Japanese giant who continues the long-standing family tradition of facing off against Tokyo's most formidable monsters. Constantly caught in the middle of everyone's battles, Daisato finds his sincere efforts to keep the peace repeatedly belittled; he's divorced, his neighbors have covered his house in graffiti, and he gets nothing but dirty looks when he walks down the street. When we first meet Daisato, he is the subject
PG-13, 1 hr. 53 min.
May 15, 2009 Wide
Jul 28, 2009
Magnet Releasing
All Critics (32) | Top Critics (10) | Fresh (26) | Rotten (7) | DVD (1)
Somewhere there is a stranger film than Big Man Japan, but it would be hard to find.
This inspired 2007 send-up of the atomic-monster genre gets a fair amount of comic mileage from Daisato (played by the director) being anything but a big man.
Very funny in an insidious way.
The film, written, directed and starring stand-up comic Hitoshi Matsumoto has, like most superheroes, a tragic flaw: It isn't funny.
At nearly two hours, Big Man Japan is clever (in a sick sort of way) but overlong. It needs judicious editing -- more mockumentary, fewer superhero antics.
As in life, the nonmonster stuff goes on too long. But wait until the giant baby shows up.
An affectionate parody of Japanese giant-monster hero shows to make points about the unraveling of Japan's cultural heritage.
The movie's shambling, matter-of-fact approach to pulpy material is funny, as is its steadfast avoidance of visual hype.
Big Man Japanis built around a funny concept, vaguely akin to Hancock: its title character is a superhero who is a bit of a loser.Unfortunately, the concept is not enough to sustain entire the film.
The movie doesn't get truly weird until the Power Ranger-style superheroes show up, and the special effects get even more low-rent. Then it really takes off.
Big Man Japan shows a good mockumentary needs more than killer concept to make us howl.
Makes you almost nostalgic for some of the worst cinematic offerings ever to come out of the Orient, including such crappy classics as Rodan, Mothra and the Giant Behemoth.
This is Matsumoto's first feature (he's a famously odd Japanese comedian), but it's a distinctively bizarre piece of work. Remember the name.
If Christopher Guest made a Japanese monster movie, the end result might be Big Man Japan.
Smart spoof of the Japanese giant-monster genre.
A cheesy B-movie that's initially refreshing, funny and a guilty pleasure, but eventually sinks into tedium while its comic energy and imagination concurrently diminish.
Goofy sci-fi satire aimed at a narrow audience.
Deflation--not delight--is the rule, and the key to enjoying the B-movie fights is to accept that even when Masaru wins, we're not meant to feel triumph.
Movies don't come more oddball than this. Japan's version of "Hancock" is also a loving tribute to the 60s live action kids shows. Big Man Japan is a "mockumentary" following the life of Masaru Daisato, a seemingly ordinary, middle-aged and divorced loser who's having trouble making money and yet seems to be very
December 18, 2009Super Reviewer
More than just a homage to kaiju flicks, you can feel Matsumoto is meditating a lot about the routine of living in Japan for a middle age man. A clever approach with a dead-pan comedy style that suits the whole thing very well. The final act was unpredictable but quite fun, and seeing Riki Takeuchi as a big jumping
April 17, 2008
Super Reviewer
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