Many of the clichés in this movie predate the last Ice Age.
The Day After Tomorrow (2004)
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Reviews Counted:41
Fresh:17
Rotten:24
Average Rating:5.2/10
Consensus: A ludicrous popcorn flick filled with clunky dialogues, but spectacular visuals save it from being a total disaster.
Rated: PG-13 [See Full Rating] for intense situations of peril
Runtime: 2 hrs 4 mins
Genre: Action/Adventure
Theatrical Release:May 28, 2004 Wide
Box Office: $186,583,549
Synopsis: With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the... With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the temperature of the world's oceans causes deadly storms and sets a new Ice Age in motion, climatologist Jack Hall (Dennis Quaid) must race from Washington D.C. to save his son, Sam (Jake Gyllenhaal), in the subzero climes of New York City. Elsewhere, tornadoes and hail menace the globe, leading to international disasters on an extraordinary level. Emmerich, who has proven to be a master of big-budget cinematic destruction on numerous occasions, aims to outdo himself with THE DAY AFTER TOMORROW. Here entire cities are ripped apart, flooded, and/or frozen, adding up to one of the biggest disaster movies ever filmed. Although astonishingly rendered special effects rule the movie, adept actors such as Quaid and Gyllenhaal (along with Sela Ward, Ian Holm, Emmy Rossum, and others) turn in solid performances that help to balance out the meteorological mayhem. Surprisingly, Emmerich also uses the film as a vehicle for clever moments of social and political commentary, making THE DAY AFTER TOMORROW admirably smarter and considerably more entertaining than typical Hollywood blockbusters. [More]
Starring: Dennis Quaid, Jake Gyllenhaal, Sela Ward, Ian Holm
Starring: Dennis Quaid, Jake Gyllenhaal, Sela Ward, Ian Holm, Emmy Rossum, Dash Mihok, Kenneth Welsh, Austin Nichols, Jay O. Sanders, Perry King, Nestor Serrano, Adrian Lester, Sheila McCarthy, Glenn Plummer, Tamlyn Tomita
Director: Roland Emmerich
Director: Roland Emmerich
Screenwriter: Jeffrey Nachmanoff, Roland Emmerich
Producer: Ute Emmerich, Mark Gordon, Kelly Van Horn
Composer: Harald Kloser
Studio: 20th Century Fox
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Reviews for The Day After Tomorrow
A shambles of dud writing and dramatic inconsequence which left me determined to double my consumption of fossil fuels.
... the situations are just so ludicrous that it really detracts from the quality of the special effects ...
For all of its dire premonitions, foreshadowings of horror and easy targets for Jay Leno jokes, The Day After Tomorrow is eye-poppingly awesome and wonderfully entertaining.
It fulfills its summer air-conditioning duties with flippant ease, and its enjoyably cloddish attempts at political relevance add a fascinating layer of incongruity.
A big, dumb movie, another Hollywood entertainment that, instead of tweaking and teasing our brains for fun, leaves us feeling thick and stupid.
The Day After Tomorrow isn't just bad, it's Godzilla bad, on a par with Emmerich's previous cinematic low point.
The Day After Tomorrow isn't satisfying in every way, but in the ways that really matter, it's one superior disaster movie.
The only truly scary thing about this doomsday popcorn flick is the momumental ineptitude of the acting, writing and directing.
The jaw-dropping special effects in the weather-gone- wild doomsday film The Day After Tomorrow sweep all else away -- including quibbles about bland characterization and dead-in-the-water dialogue.
The film shows us that an angry Mother Nature can be every bit as exciting as space invaders and giant fire-breathing lizards.
Doesn't really have any interesting characters to live through those disasters and its central storyline makes little sense.
Nothing about The Day After Tomorrow really engages us except for the computer effects, which are certainly impressive enough, in a Powerpoint-presentation sort of way.
A disaster movie that cautions against global warming but delivers its real enjoyment in scenes of mass destruction.
It turns out the real question director Roland Emmerich's movie raises isn't about how much this film's pseudo-science teases us, but how much bad drama it's willing to blow our way.
The special effects are on such an awesome scale that the movie works despite its cornball plotting.
For all its doomsaying, the movie fails to scare you into being a better citizen of the earth or even a riveted moviegoer.
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| 36% 36% | G.I. Joe: The Rise of … |
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