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Days of Heaven

Days of Heaven (1978)



Average Rating: 7.7/10
Critic Reviews: 8
Fresh: 6 | Rotten: 2

No consensus yet.



liked it
Average Rating: 4.1/5
User Ratings: 15,192

My Rating

Movie Info

Terrence Malick's Days of Heaven, the long-awaited follow-up to his 1973 debut Badlands, confirmed his reputation as a visual poet and narrative iconoclast with a story of love and murder told through the jaded voice of a child and expressive images of nature. In 1916, Chicago steelworker Bill (Richard Gere, stepping in for John Travolta) flees to Texas with his little sister Linda (Linda Manz) and girlfriend Abby (Brooke Adams) after fatally erupting at his boss. Along with other itinerant



Terrence Malick

Mar 30, 1999

Paramount Pictures

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All Critics (49) | Top Critics (9) | Fresh (45) | Rotten (3) | DVD (13)

Visually and thematically, it's still one of the most beautiful films ever made.

August 31, 2011 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

One of the great cinematic achievements of the 1970s.

October 23, 2007 Full Review Source: Variety
Top Critic IconTop Critic

Perhaps the most typical example of a '70s American art film -- daring, romantic, rebellious but also filled with longing for the beauty of the past.

July 27, 2006 Full Review Source: Chicago Tribune
Chicago Tribune
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Days of Heaven never really makes up its mind what it wants to be.

May 21, 2003 Full Review Source: New York Times | Comments (4)
New York Times
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Almost incontestably the most gorgeously photographed film ever made.

January 1, 2000 Full Review Source: Village Voice
Village Voice
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It is the closest to poetry in motion that I have ever seen.

January 1, 2000 Full Review Source:
Top Critic IconTop Critic

Ethereal, gorgeous, and evocative.

February 21, 2014 Full Review Source: Movie Mezzanine
Movie Mezzanine

Unforgettable 1978 love triangle drama includes violence.

October 18, 2012 Full Review Source: Common Sense Media
Common Sense Media

The refusal to privilege the 'big' over the 'small' is present in all of Malick's work, but it finds its first fully-realized expression here.

October 14, 2011 Full Review Source: Not Coming to a Theater Near You
Not Coming to a Theater Near You

Simply one of the most ravishing films ever made, luminous in a way that no other movie has been.

September 2, 2011 Full Review Source: This is London
This is London

A rich and rewarding experience, then as now celebrated for its intricacy and slowness.

September 1, 2011 Full Review Source: Guardian

The writing is witty, the story is told with a beguiling simplicity and the period is meticulously realised, not only in farming equipment and costume, but in attitudes and faces.

September 1, 2011 Full Review Source: Electric Sheep
Electric Sheep

A second chance for Malick to cast away the chemical stained print and achieve the film he envisioned, and a second chance for audiences to experience a true classic on the big screen.

August 31, 2011 Full Review Source: Little White Lies
Little White Lies

Wholly divine.

August 26, 2011 Full Review Source: Total Film
Total Film

A film about awareness, standing still and being cognizant of the things around you.

June 1, 2011 Full Review Source: Antagony & Ecstasy
Antagony & Ecstasy

You can feel Terrence Malick drifting away in this follow-up to his acclaimed debut.

May 25, 2011 Full Review Source: LarsenOnFilm

One of the most visually impressive American films ever made, Days of Heaven fulfilled the promise that Terrence Malick had shown in Badlands

January 2, 2011 Full Review Source: EmanuelLevy.Com

It has a visual syntax so eloquent -- its fields of gold cause its quiet characters to stand out like mythic figures -- it would play powerfully as a silent film.

May 19, 2010 Full Review Source: Looking Closer
Looking Closer

The images of workers in their landscape look like impressionist paintings that cinematographer Almendros creates on the screen with the natural light of his locations.

March 25, 2010 Full Review Source: Turner Classic Movies Online
Turner Classic Movies Online

A truly beautiful photographed film.

March 3, 2010 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

For Malick, Man is just a small part of a world which just keeps going round with or without his petty squabbles, crimes, loves, or melodramatic plots.

May 2, 2008 Full Review Source: PopMatters

This is the towering, unconventional power of a true artist.

October 23, 2007 Full Review Source: Empire Magazine
Empire Magazine

A feast for the eyes and ears.

October 23, 2007 Full Review Source: Film4

The sound alone is astonishing. Morricone's haunting, wistful score adds measurably to the sweep and timelessness of the film.

October 23, 2007 Full Review Source: TV Guide's Movie Guide
TV Guide's Movie Guide

Audience Reviews for Days of Heaven

Terrence Malick is at it again, perhaps making his most "Malicky" film yet. All of his usual trademarks and themes are in place, and I've come to realize that, expcept for specific plot info, all of his movies are pretty much the same. That's not necessarily a bad thing, but perhaps it's time for him to do something really radical, like, ya know, less Malicky.

Anyways, moving on. This film is set in 1916 and follows a manual laborer named Bill (Richard Gere) who, after hitting and killing his boss at a Chicago steel mill, goes on the run with his kid sister Linda (Linda Manz) and his girlfriend Abby (Brooke Adams). To dispel any sort of gossip, Bill and Abby decide to masquerade as brtoher and sister. The trio end up in the Texas panhandle where, along with a bunch of other hobos and itinerant workers, they get jobs working for a shy wealthy unnamed farmer (Sam Shepard) who is dying of some unnamed disease.

Bill hatches a scheme to cash in on the farmer's fortune to help get the trio permenantly out of poverty, but things get compicated as a love triangle develops and it becomes harder and harder to conceal Bill and Abby's true relationship.

Storywise, that's pretty much it. It's in the execution of things though where this film really shines. The film is absolutely gorgeous to look at, and may just be one of the most beautiful and greatest shot films of all time. It was shot during specific hours of the day, and the results are phenomenal. The visuals are very stunning and look like something straight out of a classic American rural landscape painting or something. The film is also a fairly easy one to sit through. It's not that long ,and, even though the film unfolds slightly gradually, it never drags and none of the shots really linger all that long. The music is also quite nice as well. Morricone's score is wonderful, and does an excellent job of doing variations on Saint-Saens's "The Aquarium".

This is a really nice and absorbing romantic drama. Yeah it has shades of conventional plot points and ideas, but I think what really sells it on a story point is how all of the narration is done by Linda, presenting a very mature and adult story through the perspective of a detached and weary girl. Good stuff. The performances are nicely understated as well, and it seems weird to think that a (now) big name like Gere's could fit into something like this and not really stick out. Besides the visuals, the real highlight for me probably has to be the locust swarm sequence: that's just awesome and I love how it all comes together and can be both taken at face value and seen as symbolic.

All in all, this is lyrical, poetic, and brilliant stuff. Plenty of films came out in the 70s that were visually arresting and moving, but this one basically takes the cake. Hats way off.
October 8, 2013
Chris Weber

Super Reviewer

A carefully constructed and nuanced Malick film, "Days of Heaven" is, at its best, a very insightful and interesting story about two people who have nothing they truly need, but at least have each other. That myopic view of their lives is glassed over thanks to the narration from lead character Bill's (Gere) sister, Linda (Manz). The fluidity and art-house nature of the film is helped in kind by Malick's decision to shoot every scene at the magic hour during twilight and dawn, with the sun hidden behind the earth and the sky made white. This beautiful time of day is the centerpiece to the entire film, as it washes all the characters in a mild glow at all times, and lends to some breathtaking cinematography from Nestor Almendros, who was going blind at the time of shooting. Malick called on the entire cast to give performances that came natural to their characters, and the film that was weaved together as a result is really quite interesting. The story itself becomes lost time and again, and you only gain footing by watching the artsy scenes and listening to the narration. It's more a film about the bitter emotions that Bill goes through while trying to do the best for the one he loves, Abby (Adams). Bill is an explosive character, not just because of his temper, but because of his devotion to Abby. He hides her in plain sight by naming her his other sister, and has to abide by his own decision to let her marry for money. It's actually quite heartbreaking to watch him squirm under the watchful gaze of her husband (Shepherd) while knowing they may never be together again. Malick doesn't poke you in the right direction, but lets you get there with careful consideration. By the end of the film you see that everything Bill tried to keep together has splintered and floated downriver, which makes his efforts all the more poignant and sad. This is an early effort on Malick's part, and one of the more astonishingly gorgeous films to be photographed in that decade.
July 26, 2013

Super Reviewer

'Days of Heaven'. Terrence Malick's almost perfect exploration and adoration of nature, love and The American Dream. You can definitely see the origins of 'Tree of Life' and 'To the Wonder' in this, and it's much tighter in its focus too. Seeing a 35mm print made it all the more beautiful!
April 28, 2013

Super Reviewer

You could hang almost any shot of this movie on a wall and call it art. Full review later.
November 20, 2012
Thomas Bowler

Super Reviewer

    1. Linda: The rich have it all figured out.
    – Submitted by Maureen M (2 years ago)
    1. Linda: This girl, she didn't where she was gonna go or what she was gonna do. Maybe she'd meet up wit her character. I was really hopin things would work out fo' her. She was a good friend o' mine.
    – Submitted by Bob O (3 years ago)
View all quotes (2)

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