Dead Man Down Reviews
Super Reviewer
Super Reviewer
'Dead Man Down' is the story of a man hiding his true identity but the film seems to suffering from several identity crises of its own. Produced by World Wrestling Entertainment, it's a far more serious film than this association would lead you to expect, and I'm pretty sure it doesn't feature any wrestlers, certainly not in the lead roles. There are only two sequences which could be described as "action scenes" but even that's pushing it. Most of the film feels like the filler you usually find in between such set-pieces. Think of a Jason Statham movie with all the action moments edited out and you'll have a good idea of the overall tone of this film.
Director Oplev was responsible for the original Swedish version of 'The Girl with the Dragon Tattoo', an unremarkably directed TV movie, so it's strange that he would be offered a big American film like this. The WWE seem determined to avoid stereotyping so much that they even cast that poster girl of European arthouse cinema, Isabelle Huppert, in a minor role as the mother of Rapace's character. Any continental feel they were striving for, however, is undone by the subplot of Rapace's facial scar. It's practically unnoticeable, as no commercial American film is going to cast an attractive actress only to cover her face in scar tissue.
Dead man down? Dead duck floating more like.
Super Reviewer
Super Reviewer
The story of DMD seems quite common and run-of-the-mill but it is presented in such a way that it seems different from the rest. The story follows a middle ranking gangster who plots his revenge against his boss who killed his daughter and wife. By just reading that, it could put you off the movie because it sounds very familiar, but just by learning it is directed by the guy who directed the original Swedish film The Girl With The Dragon Tattoo may just change your mind.
Dead Man Down is a different kind of revenge thriller because as you can tell from the outset, it is slow burning and puts the adrenaline fuelled action on hold. In most revenge films the action comes frequently and heavily. Films like The Punisher are constantly hitting the gas on action scenes, whereas DMD is more reserved and slower; easing into the action rather than pushing it at every opportunity. Sure it gets carried away with a dubstep slow motion action scene where bullets fly and bodies drop.
Niels Arden Oplev joins the ranks of Chan-wook Park in being a very successful foreign director who makes an English language debut. And while I didnâ??t manage to check out Stoker, I can confirm that Niels can make a great film outside of his comfort zone. And while TGWTDT is obviously a better film, DMD is a great film and you can tell it was a unique director at the helm due to how different it felt.
I was impressed with the stars of the film. Terrance Howard was the highlight for me but Noomi Rapace & Colin Farrell were great. Everyone hit the tone very well with few exceptions (Dominic Cooper). The action is great, with a few impressive set pieces (assassination building escape & final standoff) that look very stylised.
Overall, Dead Man Down is a very entertaining revenge thriller that is definitely worth seeing if you want to see fresh material to a tired sub-genre. Great acting, story, twists, story developments, action & set pieces.
Super Reviewer
The story, cliched in many respects, is not without it's interesting elements. This is perhaps where the foreign director's touch is felt the most, with a very European sensibility with its scene set up, seemingly completely uninterested in pace, and far more interested in building slow momentum and character intrigue through the use of long scenes. This, unfortunately, doesn't work well on the whole, and makes the film feel sluggish.
The screenplay has often terrible dialogue and sloppy plot twists. It does have some more competent elements, but is notably unpolished and is the worst thing about the film. Having said that, however, the actors manage to lift the material up through their delivery, and save what would otherwise be a hopelessly inept story.
It has a certain cinematography that is reminiscent of Michael Mann in a polished, saturated, yet realist way. This gives the film an atmospheric tone that is felt throughout, and weights the film to a grittier level than it would otherwise be. That is to say, the film undoubtedly looks and feels better than the actual material and execution would suggest.
Overall, it's certainly a mixed bag, but it works well enough to make it a serviceable B thriller.
3/5 Stars
Super Reviewer
Super Reviewer
Super Reviewer
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Super Reviewer
