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Dear Frankie (2005)
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Reviews Counted:31
Fresh:25
Rotten:6
Average Rating:6.8/10
Consensus: Dear Frankie is a small, good-hearted film with fine performances.
Theatrical Release:Mar 4, 2005 Limited
Box Office: $1,317,790
Synopsis: DEAR FRANKIE is a heartwarming and often humorous tale of nine year-old Frankie and his mom, Lizzie, who have been on the move ever since he can remember. To protect her son from the truth, Lizzie... DEAR FRANKIE is a heartwarming and often humorous tale of nine year-old Frankie and his mom, Lizzie, who have been on the move ever since he can remember. To protect her son from the truth, Lizzie has invented a story to satisfy Frankie's curiosity. She regularly writes Frankie a letter from his make-believe father who works aboard a ship traveling to exotic lands. However, Lizzie soon finds out his 'father's' ship will be arriving in a few days. Now, Lizzie must choose between telling Frankie the truth and hatching a desperate plan to find the perfect stranger to play the perfect father. Directed by SHONA AUERBACH, DEAR FRANKIE stars EMILY MORTIMER (Young Adam, Lovely and Amazing, Bright Young Things), GERARD BUTLER (Tomb Raider 2, Timeline, the forthcoming Phantom of the Opera), and JACK McELHONE (Young Adam) as Frankie. SHARON SMALL (About a Boy, Glasgow Kiss), MARY RIGGANS, JAYD JOHNSON and SEAN BROWN co-star. DEAR FRANKIE is produced by CAROLINE WOOD of Scorpio Films on behalf of Inside Track. The screenplay is by ANDREA GIBB. AUERBACH is also the director of photography. JENNIFER KERNKE is the production designer. ORAL NORRIE OTTEY is the editor and ALEX HEFFES the composer. Miramax Films and Pathé Pictures present in association with the UK Film Council and Scottish Screen a Scorpio Films Production in association with Sigma Films, produced in association with Inside Track Productions. -- © Miramax [More]
Starring: Emily Mortimer, Gerard Butler, Sharon Small, Jack McElhone
Starring: Emily Mortimer, Gerard Butler, Sharon Small, Jack McElhone
Director: Shona Aeurbach
Director: Shona Aeurbach
Screenwriter: Andrea Gibb
Producer: Caroline Wood
Studio: Miramax Films
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Release:
Jul 5, 2005
Reviews for Dear Frankie
The pain that's evoked in this small, warm film -- the deep and unspoken yearning of child -- is as universal as it is heartbreaking.
The film works as a highlight tape for the cast and will satisfy any desire you have to be driven to the brink of tears.
There is no unnecessary dialogue, and Auerbach encourages us to listen closely and to study the situation. We are required to learn truths slowly, at the same pace as the characters.
Gives us a spoonful of medicine to make the sugar go down. Depending on your tolerance, it just may go down a treat.
A little movie, and that shouldn't be taken as a pejorative. It can be sweet without being sickening, as heart-rending as McElhone's soulful gaze.
Director Auerbach and her able cast dial down the volume on the performances.
In the insightful hands of first-time filmmaker Shona Auerbach and veteran actors who play their roles with intelligence, the movie deftly ducks the schmaltz.
A soft-hearted but soberly made little movie that gives sentimentality a good name.
I'm pleased to report that, within this overly familiar trope, there's plenty of room for small surprises, not the least of which are delightful, understated performances all around.
The sort of movie that deserves every heart it wins, and it will win many.
For all its sentimental superficiality, Dear Frankie is emotionally affecting.
This sounds, I know, like the plot of a melodramatic tearjerker, but the filmmakers work close to the bone, finding emotional truth in hard, lonely lives.
This wee Scottish drama takes a mawkish premise and, by playing its cards close to the vest, imbues it with quiet, careworn dignity.
An endearing, occasionally sentimental story told with depth and substance.
One false note from actors or director, and the movie would collapse under the weight of fulfilling too many wishes. But it stays afloat with grace and even charm.
Both Mortimer and McElhone stitch together this carefully modulated little character piece, with McElhone shining particularly bright as Frankie.
A Scottish weepie of such bathos and balderdash that it deserves a drinking game in its rotten honor: Bend an elbow every time you've underestimated how low screenwriter Andrea Gibb and director Shona Auerbach will go to wring a tear.
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