We get it, Lars. Actually, we got it some time ago. Guns are bad things. They kill people and Americans are obsessed with them. Can we move on now?
Dear Wendy (2005)
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Reviews Counted:16
Fresh:3
Rotten:13
Average Rating:4.2/10
Theatrical Release:Sep 23, 2005 Limited
Synopsis: Dogme '95 cofounders Thomas Vinterberg (CELEBRATION) and Lars Von Trier (DANCER IN THE DARK, DOGVILLE) team up in DEAR WENDY, an unusual but entertaining drama set in an unnamed American small... Dogme '95 cofounders Thomas Vinterberg (CELEBRATION) and Lars Von Trier (DANCER IN THE DARK, DOGVILLE) team up in DEAR WENDY, an unusual but entertaining drama set in an unnamed American small town. Jamie Bell, the award-winning actor who played the title role in BILLY ELLIOT, stars as Dick, a teenager loner whose father (Trevor Cooper) is disappointed that the boy has chosen not to work with him in the mines. Shortly following his father's death, Dick develops a fetish for a gun he bought in a toystore, and he soon forms a special club with fellow outcasts Freddie (Michael Angarano), Huey (Chris Owen), Susan (Alison Pill), and Stevie (Mark Webber). The teens meet regularly in an abandoned section of the mine, where they refer to their guns as their "partners," experiment with unique shooting styles, and live by their own code of bizarre rules--which include never firing aboveground at people. But when Sheriff Krugsby (Bill Pullman) asks Dick to help take care of troubled teen Sebastian (Danso Gordon), things don't go quite as planned, leading to an unforgettable ending. The quirky, compelling film, written by Von Trier and directed by Vinterberg, features cool costumes, expert pacing, and familiar songs by the 1960s group the Zombies. [More]
Starring: Jamie Bell, Bill Pullman, Michael Angarano, Novella Nelson
Starring: Jamie Bell, Bill Pullman, Michael Angarano, Novella Nelson, Chris Owen, Alison Pill, Mark Webber, William Hootkins, Thomas Bo Larsen, Trevor Cooper, Matthew Géczy, Teddy Kempner
Director: Thomas Vinterberg
Screenwriter: Lars von Trier
Director: Thomas Vinterberg
Composer: Benjamin Wallfisch
Studio: Wellspring
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Reviews for Dear Wendy
The scenario's practically straitjacketed in commentary. Von Trier's weak story doesn't help.
Like the Dandies, Vinterberg and Von Trier are fascinated by something they despise, and despise it even more for fascinating them. And in the end, like the Dandies, Vinterberg and Von Trier still don't know the first thing about it.
The audience is clearly expected to enjoy the bloodbath even while it disapproves.
Dear Wendy is loaded with ideas, some half-baked, some dead-on, some just stupid, and Vinterberg throws them at the screen willy-nilly.
For a film that explores the nuances of this complicated issue, I suggest you rent Gus Van Sant's Elephant.
Bloody as it is, it has no access to viewers' emotions, and its message - play with fire and you get burned -- is too obvious to be provocative.
It's so entertaining that even a die-hard NRA member might be impressed.
An allegory on guns and violence in America that is all the more resounding for its acutely observed foreigners' perspective.
The location is nowhere, the characters' diction is beyond stylized and Novella Nelson plays Dick's maid. Miner families with maids? Maybe in Denmark.
Thomas Vinterberg and Lars von Trier take another step toward intellectual bankruptcy with a pretentious film about a group of pacifists obsessed with handguns.
It's a long slog, not because what the film says is provocative but because the technique is as slack as the writing.
A tedious exercise in style, intended as a meditation on guns and violence in America but more of a meditation on itself, the kind of meditation that invites the mind to stray.
Especially in the climactic, clumsily staged gunfight, the prevailing mode is wide-eyed idiocy -- which might be the point.
Although Dear Wendy, like most things Von Trier's name is attached to these days, has been widely attacked for selling a naïve and ersatz version of American gun culture, what's most interesting about it is just how unapologetically unreal it is.
Latest News for Dear Wendy
August 27, 2007:
Video Exclusive: Jamie Bell talks Hallam Foe, accents and Equus with RT
Rotten Tomatoes sits down with one of Britain's finest young talents to find out about his latest turn. More...
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