Opening

89% Captain Phillips Oct 11
31% Machete Kills Oct 11
—— Haunt Oct 11
41% All the Boys Love Mandy Lane Oct 11
—— Romeo and Juliet Oct 11
67% Escape From Tomorrow Oct 11
—— CBGB Oct 11
—— The Inevitable Defeat Of Mister And Pete Oct 11
—— Zero Charisma Oct 11
—— Where the Devil Hides Oct 11

Top Box Office

97% Gravity $55.8M
59% Cloudy with a Chance of Meatballs 2 $21.0M
8% Runner Runner $7.7M
81% Prisoners $5.7M
88% Rush $4.5M
82% Don Jon $4.2M
18% Baggage Claim $4.1M
35% Insidious: Chapter 2 $3.9M
63% Pulling Strings $2.5M
95% Enough Said $2.2M
56% Instructions Not Included $1.8M
47% We're The Millers $1.6M
33% The Family $1.5M
73% Lee Daniels' The Butler $1.2M
—— Grace Unplugged $1.0M
78% Metallica Through the Never $0.7M
60% Riddick $0.5M
5% Battle of the Year $0.5M
75% Despicable Me 2 $0.5M
38% Percy Jackson: Sea of Monsters $0.4M

Coming Soon

78% Kill Your Darlings Oct 16
—— Carrie Oct 18
—— Escape Plan Oct 18
35% The Fifth Estate Oct 18
97% 12 Years a Slave Oct 18
100% All Is Lost Oct 18
75% Haunter Oct 18
—— Paradise Oct 18

Demolition Man Reviews

Owen Gleiberman
Entertainment Weekly
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Full Review Source: Entertainment Weekly | Original Score: B-

September 7, 2011
Richard Schickel
TIME Magazine
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Ultimately the script's often sharp social satire is drowned out by the noise and confusion. It is also undercut by casting virtually all the psychopathically murderous criminals as minority-group members.

Full Review Source: TIME Magazine

July 25, 2010
Jonathan Rosenbaum
Chicago Reader
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Nearly all the SF premises are accorded the status of Andrew Dice Clay one-liners -- which means that they, along with the characters, keep changing from one scene to the next.

Full Review Source: Chicago Reader

April 30, 2008
Emanuel Levy
Variety
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A noisy, soulless, self-conscious pastiche that mixes elements of sci-fi, action-adventure and romance, then pours on a layer of comedy replete with Hollywood in-jokes.

Full Review Source: Variety

April 30, 2008

Time Out
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Forget your preconceptions, but not your brain cells and sense of irony.

Full Review Source: Time Out

January 26, 2006
Vincent Canby
New York Times
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Demolition Man is a significant artifact of our time or, at least, of this week.

Full Review Source: New York Times | Original Score: 3/5

May 20, 2003
Peter Travers
Rolling Stone
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Demolition Man is sleek and empty as well as brutal and pointless. It feels computer engineered, untouched by human hands. A real pod movie.

May 12, 2001
James Berardinelli
ReelViews
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In the end, that's all this film is: flames, flying bullets, and special effects. It could be worse, I suppose, but as long as people go into this film with their eyes open, there shouldn't be any surprises.

Full Review Source: ReelViews | Original Score: 1.5/4

January 1, 2000
Hal Hinson
Washington Post
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Basically, Demolition Man is a futuristic cop picture with slightly more imagination and wit than the typical example of the slash-and-burn genre.

Full Review Source: Washington Post

January 1, 2000

Entertainment Weekly
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Full Review Source: Entertainment Weekly | Original Score: B-

October 8, 1993
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