Rather than deepening the mystery and sense of intoxication, the picture soon becomes one prolonged and very bad hangover.
Demonlover (2003)
Tomatometer
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Reviews Counted:21
Fresh:14
Rotten:7
Average Rating:6/10
Consensus: A stylish but convoluted mess without any sympathetic characters.
Theatrical Release:Sep 19, 2003 Limited
Box Office: $39,284
Synopsis: In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself... In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself negotiating an important deal with the imposing Hervé Le Millinec (Charles Berling) and the producers of hi-tech, pornographic Japanese anime films. Eventually, her subversive business techniques lead her into the decadent and mysterious world of "The Hellfire Club," an interactive torture and S&M website. Can Diane maintain control of her increasingly shadowy and confusing situation? And can she continue to eliminate her opponents before they eliminate her? With DEMONLOVER, Assayas has created a film that is immersed in the seedy and corporate elements of early 21st century pop culture--a world where big business, Japanese animation, and sex violently collide. Nielsen, who speaks fluent French, is compelling as Diane, an ice queen who refuses to allow any emotion to stand in her way. The cast is rounded out by the formidable Berling, Chloë Sevigny in a duplicitous role, and Gina Gershon as a trashy American counterpart to Diane. Alternatively atmospheric and jarring, Assayas' film is enhanced by Sonic Youth's cool, evocative score. [More]
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon
Starring: Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon, Dominique Reymond
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Studio: Palm Pictures
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Reviews for Demonlover
It's gripping and provocative, making effective use of actor Charles Berling and the music of Sonic Youth.
A stark, unsettling movie, one that grows darker and stranger with every little twist in the plot.
Demonlover is so incomprehensible that you can't readily accuse it of being anything but almost unwatchable.
For an hour or so, Demonlover is an entrancingly devious soap opera of executive decadence.
A multilayered meditation on the fast-blurring lines between fantasy and reality, and the seductive troika of money, power and sex.
Expect demonlover to become a midnight-movie staple in the coming years. And expect shards of it to roil your dreams for weeks.
Well-scripted, well-acted and occasionally sexy, but just isn't all that interesting.
Under cinematographer Denis Lenoir, Demonlover is visually grand, and the music by Sonic Youth is a grabber.
A visually stylish movie that equates and fuses high-stakes corporate negotiations with the video-game mentality.
The movie feels like a shambles, and yet it's a stunning example of a director in complete control of his material.
Meant to be a sleek, dark, disturbing David Cronenberg-style thriller, Olivier Assayas's film is just an annoying concoction.
The entrancing visual imagery goes a long way toward filling in the screenplay's gaps in logic.
It's an exasperating, irresistible, must-see mess of a movie about life in the modern world and so very good that even when its story finally crashes and burns the filmmaking remains unscathed.
Unlike almost every other sexy modern thriller (especially most recent studio blockbusters), this one gives you a lot to think about.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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