Opening

78% Fast & Furious 6 May 24
—— The Hangover Part III May 23
—— Epic May 24
95% Before Midnight May 24
100% We Steal Secrets: The Story Of Wikileaks May 24
—— Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.6M
78% Iron Man 3 $35.2M
49% The Great Gatsby $23.4M
47% Pain & Gain $3.1M
69% The Croods $2.8M
77% 42 $2.7M
56% Oblivion $2.2M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.1M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
88% The East May 31
100% The Kings of Summer May 31

The Departed Reviews

Richard Corliss
TIME Magazine
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[A] very entertaining, densely layered, just-short-of-fabulous melodrama.

Full Review Source: TIME Magazine

February 24, 2013
Roger Ebert
Chicago Sun-Times
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What makes this a Scorsese film, and not merely a retread, is the director's use of actors, locations and energy, and its buried theme. I am fond of saying that a movie is not about what it's about; it's about how it's about it.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

July 6, 2007
Joshua Rothkopf
Time Out New York
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You'll have to go back to GoodFellas to find a Marty movie this fun, this enamored of language, of ethnic slurs, of "Gimme Shelter," of explosive violence. Scorsese's return to form is the year's most dynamic film. Really, how could it not be?

Full Review Source: Time Out New York | Original Score: 5/6

February 3, 2007
David Edelstein
New York Magazine
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The Departed has enough tension to keep you engrossed, and enough color for ten crime pictures. Scorsese obviously adores his expensive, expansive ensemble.

Full Review Source: New York Magazine

January 6, 2007
Stanley Kauffmann
The New Republic
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Is Scorsese desperate? This screenplay has the scent of it, as if he is scraping for material to feed his basic filmic interests.

Full Review Source: The New Republic

October 26, 2006
Peter Howell
Toronto Star
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[A] glorious mess of a movie.

Full Review Source: Toronto Star | Original Score: 3.5/4

October 14, 2006
David Denby
New Yorker
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The Departed is murderous fun, but it's too shallow to be the kind of movie that haunts your sleep.

October 9, 2006
Stephanie Zacharek
Salon.com
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Scorsese has put together a fantastic ensemble of actors: Some of the movie's best performances are the ones tucked into the corners, like Alec Baldwin's beefy, arrogant state police honcho.

Full Review Source: Salon.com

October 7, 2006
Tom Charity
CNN.com
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The storytelling here is a model of smooth precision.

Full Review Source: CNN.com

October 7, 2006
Moira MacDonald
Seattle Times
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That Scorsese can hit this kind of material out of the park isn't surprising, and much of The Departed gleams with a certain well-honed perfection.

Full Review Source: Seattle Times | Original Score: 3.5/4

October 6, 2006
Mick LaSalle
San Francisco Chronicle
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As The Departed wears on, it becomes more exciting, more grimly funny and more nihilistic -- and that nihilism has a lasting impact.

Full Review Source: San Francisco Chronicle | Original Score: 3/4

October 6, 2006
Steven Rea
Philadelphia Inquirer
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Freed from iconic figures and weighty themes, Martin Scorsese, in The Departed, gets to riff and rock. And the audience gets a huge, bloody, profane entertainment in the bargain.

| Original Score: 3.5/4

October 6, 2006
Roger Moore
Orlando Sentinel
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The Departed is Scorsese's most entertaining picture in years, dense, violent (more of his screen sadism played for laughs), and satisfying.

Full Review Source: Orlando Sentinel | Original Score: 4/5

October 6, 2006
Stephen Whitty
Newark Star-Ledger
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The Departed remains a rousing film.

Full Review Source: Newark Star-Ledger | Original Score: 3/4

October 6, 2006
Jack Mathews
New York Daily News
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After a pair of flawed Oscar-hunting epics, Martin Scorsese has returned to the gritty, violent mob drama that has always been his strong suit, and the result -- The Departed -- is his best film since 1990's Goodfellas.

Full Review Source: New York Daily News | Original Score: 4/4

October 6, 2006
Rene Rodriguez
Miami Herald
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A great, resonant, psychologically complex popcorn movie made by a cast and crew of filmmakers at the top of their game. Welcome back, Marty.

Full Review Source: Miami Herald | Original Score: 4/4

October 6, 2006
Amy Biancolli
Houston Chronicle
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For all its bloodletting, The Departed is an intoxicating film. It's a film that'll have your hands over your face with one eye peeking: The violence sickens, but the movie seduces.

Full Review Source: Houston Chronicle | Original Score: 4/4

October 6, 2006
Rick Groen
Globe and Mail
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As so often before, the body count is high in a Martin Scorsese movie. But where once the bodies pulsated with life in all its vainglorious furor, here they drop like wooden ducks in an artificial pond.

Full Review Source: Globe and Mail | Original Score: 2.5/4

October 6, 2006
Tom Long
Detroit News
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If this one doesn't win Scorsese an Oscar, then there's something seriously wrong with Oscar.

Full Review Source: Detroit News | Original Score: A+

October 6, 2006
Terry Lawson
Detroit Free Press
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It's a thinking fan's thriller, a movie involving multiple fully dimensional characters, multiple story lines and edge-of-your-seat twists and swerves, stylized to just the edge of believability.

Full Review Source: Detroit Free Press | Original Score: 4/4

October 6, 2006
Robert Denerstein
Denver Rocky Mountain News
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Steeped in testosterone and laced with inventively used profanity, The Departed plunges us into a corrupt Boston world for parallel stories about two cops, played by Matt Damon and Leonardo DiCaprio.

| Original Score: B

October 6, 2006
Lisa Kennedy
Denver Post
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The Departed exhibits a rough-hewn, deft intelligence. Monahan has written some razor-sharp lines, and Scorsese's latest crew knows how to wield the quips.

Full Review Source: Denver Post | Original Score: 3/4

October 6, 2006
Chris Vognar
Dallas Morning News
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Rude, crafty, funny and richly profane, it's the work of an artist unmistakably in his element.

Full Review Source: Dallas Morning News | Original Score: A-

October 6, 2006
Richard Roeper
Chicago Sun-Times
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It is funny, shocking and brutal, and it's filled with brilliant performances, with some of our best actors sinking their teeth into a great screenplay from William Monahan.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

October 6, 2006
Ty Burr
Boston Globe
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A relentlessly violent, breathtakingly assured piece of mean-streets filmmaking, the film shows the legendary director dropping the bids for industry respectability that have preoccupied him over the past decade and doing what he does best.

Full Review Source: Boston Globe | Original Score: 3.5/4

October 6, 2006
Claudia Puig
USA Today
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Two and a half hours race by as this twisting, turning tale blazes its exciting, funny, brutal path.

Full Review Source: USA Today | Original Score: 3.5/4

October 5, 2006
Joe Morgenstern
Wall Street Journal
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A crime drama of thrilling breadth and intensity.

Full Review Source: Wall Street Journal

October 5, 2006
Bill Muller
Arizona Republic
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It took a while, but Martin Scorsese has returned to the Mean Streets.

Full Review Source: Arizona Republic | Original Score: 4.5/5

October 5, 2006
Dana Stevens
Slate
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It's a stylish head rush of a movie that flies by, even at two-and-a-half hours, and keeps turning the knife (and your stomach) up to the final scene.

Full Review Source: Slate

October 5, 2006
Manohla Dargis
New York Times
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Martin Scorsese's cubistic entertainment about men divided by power, loyalty and their own selves finds the director back on the mean streets where he belongs.

Full Review Source: New York Times | Original Score: 3.5/5

October 5, 2006
Kenneth Turan
Los Angeles Times
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Too operatic at times, too in love with violence and macho posturing at others, it's a potboiler dressed up in upscale designer clothes, but oh how that pot does boil.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

October 5, 2006
Colin Covert
Minneapolis Star Tribune
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If the story suffers initially from a slight lack of focus, hang in there, because you will soon become immersed in a mesmerizing, expertly plotted cat-and-mouse game.

| Original Score: 4/4

October 5, 2006
J. R. Jones
Chicago Reader
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With its welter of double crosses, The Departed is completely engrossing, a master class in suspense.

Full Review Source: Chicago Reader | Original Score: 3/4

October 5, 2006
Ann Hornaday
Washington Post
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The Departed, which screenwriter William Monahan cleverly adapted from the Hong Kong thriller Infernal Affairs, crackles right along, stopping only long enough for Scorsese's signature bursts of explosive violence.

Full Review Source: Washington Post

October 5, 2006
Lou Lumenick
New York Post
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Scorsese's sharpest film in a decade and the most entertaining major studio release this year.

| Original Score: 3.5/4

October 5, 2006
Michael Phillips
Chicago Tribune
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After the dolled-up theatrics of his last few features, from Casino (1995) up through The Aviator (2004), it's a kick to find director Martin Scorsese back in prime form, at least in the terrific first half of The Departed.

Full Review Source: Chicago Tribune | Original Score: 3/4

October 5, 2006
Peter Rainer
Christian Science Monitor
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Comparisons to Goodfellas and Casino notwithstanding, it has a verve and texture all its own. It also has, courtesy of William Monahan, some of the best dialogue that Scorsese has ever worked with.

Full Review Source: Christian Science Monitor | Original Score: A-

October 5, 2006
Bruce Newman
San Jose Mercury News
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In Martin Scorsese's thrilling, throbbing reinterpretation of [Infernal Affairs], it is the war that rages within all of us -- between our better and our badder selves -- that transforms this tale of treachery into one of the year's best movies.

| Original Score: 4/4

October 5, 2006
Gene Seymour
Newsday
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The Departed, which situates the Lau-Mak storyline in contemporary Boston, matches expectations for roughly two-thirds of its somewhat distended 2 1/2-hour running time.

Full Review Source: Newsday | Original Score: 2.5/4

October 5, 2006
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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Dazzlingly done, with a welcome gloss of comic panache, it's the sort of thing Scorsese does better than any other major director in Hollywood.

Full Review Source: Atlanta Journal-Constitution | Original Score: B+

October 5, 2006
Ben Walters
Time Out
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few directors can compose a movie with the power, grace and assurance that Scorsese brings to each shot and scene, and The Departed is more fun, and certainly more funny, than his last few films.

Full Review Source: Time Out

October 5, 2006
Lisa Schwarzbaum
Entertainment Weekly
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The argot of New York's Little Italy is Martin Scorsese's first language, but the filmmaker speaks fluent, pungent Bostonese in the terrific cops-and-mobsters tale The Departed.

Full Review Source: Entertainment Weekly | Original Score: A-

October 4, 2006
J. Hoberman
Village Voice
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Neither a debacle nor a bore, The Departed works but only up to a point, and never emotionally.

Full Review Source: Village Voice

October 3, 2006
Christy Lemire
Associated Press
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The veteran director has made two-thirds of a great film about Boston cops and mobsters, with dazzlingly rich performances from a dizzyingly stellar cast and an ambience that screams Scorsese's typical cultural authenticity.

Full Review Source: Associated Press

October 3, 2006
David Ansen
Newsweek
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The Departed is Scorsese's most purely enjoyable movie in years.

Full Review Source: Newsweek

October 2, 2006
James Berardinelli
ReelViews
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The original film was gritty and entertaining; the new version is a masterpiece -- the best effort Scorsese has brought to the screen since Goodfellas.

Full Review Source: ReelViews | Original Score: 4/4

October 2, 2006
Todd McCarthy
Variety
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This reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast.

Full Review Source: Variety

September 29, 2006
Kirk Honeycutt
Hollywood Reporter
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Scorsese's relaxed energy infuses the film with excitement in every frame, thus elevating a gangster story to the level of tragedy.

September 29, 2006
Peter Travers
Rolling Stone
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A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams.

| Original Score: 4/4

September 28, 2006
Andrew Sarris
New York Observer
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Mr. Scorsese and his associates have assembled a remarkably charismatic cast to impart coherence and conviction to a narrative that could have easily dwindled into an affectless succession of gratuitous intrigues.

Full Review Source: New York Observer

September 27, 2006
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