Opening

61% The Maze Runner Sep 19
62% A Walk Among the Tombstones Sep 19
41% This Is Where I Leave You Sep 19
83% Tracks Sep 19
93% The Guest Sep 17

Top Box Office

11% No Good Deed $24.3M
72% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
89% The Drop $4.1M
37% If I Stay $3.9M
36% The November Man $2.8M
34% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

68% The Equalizer Sep 26
70% The Boxtrolls Sep 26
86% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

New Episodes Tonight

100% Garfunkel and Oates: Season 1
—— Haven: Season 5
89% The Honorable Woman: Season 1
56% Married: Season 1
39% Rush: Season 1
82% Satisfaction: Season 1
79% You're the Worst: Season 1

Discuss Last Night's Shows

86% The Bridge (FX): Season 2
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— The League: Season 6
56% Legends: Season 1
23% The Mysteries of Laura: Season 1
59% Red Band Society: Season 1

Certified Fresh TV

87% Boardwalk Empire: Season 5
86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
90% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
79% You're the Worst: Season 1

The Designated Mourner Reviews

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John B

Super Reviewer

June 23, 2008
If you are in the mood for it...you often aren't
MrKrantz
June 18, 2004
Three people sit at a table and deliver a number of monologues that meld into a tale of oppression and fascism. That's what happens in David Hare's "The Designated Mourner". The filmed monologue is not a new idea; Spalding Gray did it quite successfully in "Monster in a Box" and "Swimming to Cambodia". This time around, though, the script (by Wallace Shawn, of "My Dinner With Andre") probably works better as a stage play. If today's attention-deficient audience can get past this initial concept, they'll find a nicely layered story. At the table are Jack (Mike Nichols), his wife Judy (Miranda Richardson), and her father Howard (David de Keyser). Howard is an intellectual and a poet who finds himself an enemy of the (unknown) state. Judy feels a duty to her father and the fight against the increasingly dangerous government. Jack struggles with the intellectualism he feels he's supposed to have and the actual state of his nature - in his own words, he's a "low-brow". It's Jack's story, and by the end of it - after the intellectually elite have been either imprisoned or assassinated - he will discover not only the folly of his indifference, but the pointlessness of feeling otherwise. The actors all do adequate jobs, but I get the feeling they better presented the material on stage. (The movie was filmed at the same time David Hare was directing the stage production in London.) Nichols looks like he's constantly trying to stifle a yawn. But the story is the most important element. It first evokes images of Nazi Germany, and it made me wonder, again, how something like that could happen as recently as seventy years ago. Then, of course, I realized this sort of thing happens right now in the Middle East. But all of these actors play their roles with American accents. Surely something like this couldn't happen here. Then I realized the man we call president wants a constitutional amendment discriminating against homosexuals. They did that in Nazi Germany - as well, of course, as non-Aryans - and look what happened there. Then I realized the FCC is spending all of its time trying to control what Americans can watch on TV and listen to on the radio. Your internet access is being monitered too, by the way. They burned books in Nazi Germany. And look what happened there.
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