Indefensible on a moral level, Rob Zombie's perversely watchable follow-up to his much-reviled cult hit House of 1000 Corpses is loaded with filmmaking energy.
The Devil's Rejects (2005)
Tomatometer
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Reviews Counted:26
Fresh:13
Rotten:13
Average Rating:5.5/10
Consensus: Zombie has improved as a filmmaker since "House of 1000 Corpses" and will please fans of the genre, but beware -- the horror is nasty, relentless, and sadistic.
Rated: R [See Full Rating] for sadistic violence, strong sexual content, language and drug use.
Runtime: 1 hr 49 mins
Genre: Horror/Suspense
Theatrical Release:Jul 22, 2005 Wide
Box Office: $16,901,126
Synopsis: The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually... The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre. [More]
Starring: Sid Haig, Bill Moseley, Sheri Moon Zombie, Ken Foree
Starring: Sid Haig, Bill Moseley, Sheri Moon Zombie, Ken Foree, Matthew McGrory, Leslie Easterbrook, Geoffrey Lewis, Priscilla Barnes, William Forsythe, E. G. Daily, P.J. Soles, Deborah Van Valkenburgh, Mary Woronov
Director: Rob Zombie
Director: Rob Zombie
Screenwriter: Rob Zombie
Producer: Andy Gould, Mike Elliot, Rob Zombie, Michael Ohoven, Marco Mehlitz
Composer: Tyler Bates
Studio: Lions Gate Films
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Reviews for The Devil's Rejects
It has to be the sickest, the most twisted, the most deranged movie so far this year. And I'm giving it thumbs up because it's very good at what it wants to be.
The movie turns quickly into a somewhat clumsily handled chase structure, with no clear point or end.
If one is hip to the references (and, proudly or not, I am), it's amazing to see how precisely the metal-punk- turned-moviemaker Zombie channels the gleefully nihilistic tone and even the low-budget bleached-out quality of his disreputable inspirations.
The first 15 minutes and last half hour are terrific, and the stunningly violent middle part is only a partial waste.
The Devil's Rejects doesn't just deserve to be rejected, but to be buried in a hole so dank that no one will discover it.
Zombie looks beyond the horror genre for influence and creates a film that doesn't exactly shatter expectations but at least sidesteps them with some degree of verve.
Despite its nearly nonstop torrent of gore, The Devil's Rejects is not really a horror film. It's a compendium of tributes and references to horror films of the past.
The movie features some of the ugliest people and most disgusting behavior this side of I Spit on Your Grave.
If we're supposed to hang out with these creeps in order, eventually, to like them, well, we don't.
Rob Zombie proves he's a filmmaker to be taken seriously -- or at least not to be considered a total joke -- but he still hasn't figured out how to fashion something more than the sum of his enthusiasms.
A little of this will go a long way, and besides, who wants to see someone torturing Three's Company's Priscilla Barnes in a roach motel?
For the right audience, this movie is the butt-kicking, dirt-talking, blood-spurting equivalent of beautiful music.
Irredeemable trash, plain and simple, gratuitously violent and sadistic and aimed at people who derive entertainment from watching other human beings suffer.
It is possible to be repulsed by The Devil's Rejects while acknowledging it as an effective, high-quality piece of work.
A kind of heedless zeal transforms its horrors. The movie is not merely disgusting, but has an attitude and a subversive sense of humor.
There is no anchor to this madness. The authorities are just as psychotic and sadistic as the villains. Everyone on TV is a polyester buffoon.
The salt-baked, smoke-cured dialogue makes up for a lot, especially as it's delivered by such canny veterans as Lewis, Haig and Forsythe, who's savoring his meaty caricature of a bent lawman.
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