As writer-director Stefan Ruzowitzky shows, powerfully, affectingly, in The Counterfeiters, the privileges experienced by this small team of Jews and criminals came at a price.

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The Counterfeiters (2008)
Tomatometer
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Reviews Counted:26
Fresh:25
Rotten:1
Average Rating:7.8/10
Consensus: The Counterfeiters is a gripping account of one prisoner's moral dilemma, superbly portrayed by Karl Markovics.
Rated: R [See Full Rating] for some strong violence, brief sexuality/nudity and language
Runtime: 1 hr 38 mins
Genre: Foreign Films
Theatrical Release:Feb 22, 2008 Limited
Box Office: $5,351,533
Synopsis: Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by... Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by Adolf Burger, the film tells the inspiring story of a pre-World War II criminal whose cunning and fiery spirit enable him to overcome deadly odds and survive life in Germany's Sachsenhausen concentration camp. Before the war, Salomon Sorowitsch (Karl Markovics) was one of the world's most ingenious counterfeiters, until he was finally caught and arrested by Friedrich Herzog (Devid Striesow). Years later, as the Nazi movement is in full swing, the nefariously charming Herzog--now a Nazi leader--recruits Sorowitsch to lead an enormous counterfeiting project called Operation Bernhard. Placed in a horrific position of moral corruption, Sorowitsch is forced to decide whether or not to save his own life or prevent the Nazis from causing further damage on an even grander scale. His fellow prisoner Adolf Burger (August Diehl) is determined to sabotage the operation, but Sorowitsch understands how dangerous a proposition this is. While THE COUNTERFEITERS is based on real-life tragedy, it never loses its primary objective as a work of dramatic entertainment. This deft balancing act is what keeps Ruzowitzky's moving tale from becoming too bleak and depressing. The result is a deeply impressive work that addresses a topic not often explored in Holocaust cinema--the dilemma of victims who were forced to act immorally and illegally for the betterment of their captors. Powerfully acted by Markovics, THE COUNTERFEITERS is the type of film that the Oscars were made for. [More]
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin, August Zirner, Marie Bäumer
Director: Stefan Ruzowitzky
Director: Stefan Ruzowitzky
Screenwriter: Stefan Ruzowitzky
Producer: Josef Aichholzer, Nina Bohlmann, Babette Schroder
Studio: Sony Pictures Classics
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Reviews for The Counterfeiters
The Counterfeiters, written and directed by Stefan Ruzowitzky, is a morally challenging twist on the long and honorable tradition of forgery movies.
Based on a real-life Nazi operation, the film is a tense drama with performances that elevate the movie to the front rank of films set in concentration camps.
Deft and fascinating handling of a moral quandary in a Nazi concentration camp.
Is this the last word on the Holocaust? No. But nothing is. And nothing ever should be.
There are no simplistic morality lessons or tidy resolutions in The Counterfeiters, but it asks provocative questions.
The film does shed light an another facet of Nazi history, and it does it with an attention to the complexity of human nature that makes it worthy of its Oscar win.
A drama based on true historical events that leaves no conscience unchallenged.
The moral conundrum at the heart of Austrian director Stefan Ruzowitzky's The Counterfeiters is worthy of Kafka or Dostoevsky.
A conventional mixture of thriller and moral drama, the film is unsettling in both intentional and unintentional ways.
The trouble is that the storytelling and filmmaking are routine (surely faux-documentary handheld camerawork is the most overused cliche in modern movies), even when the human drama is not.
It is a mark of the filmmaking and storytelling intelligence of The Counterfeiters that Ruzowitzky neither pours on the melodrama nor plays coy with the reality of things.
Without doing anything so divisive as taking sides, Counterfeiters pays sympathetic attention to those who play their cards to win even when the rules are terrible, not least because the remarkable Markovics is so riveting as an unsaintly survivor.
The Counterfeiters is a testament to guile. [Director] Ruzowitzky scored the picture with tangos, and the tangos are meant to be Sally’s music -- seductive, insolent, triumphant.
Writer-director Stefan Ruzowitzky tells [this story] with cool wit and subtle tension.
Like most films about the Holocaust, The Counterfeiters, a brisk, tough movie from the Austrian director Stefan Ruzowitzky, is a survivor’s tale.
Director Stefan Rukowitzky keeps his camera -- wisely -- inside the forgers' separate barracks. They, and we, can only guess at what is going on in the rest of the camp. But it haunts them still.
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