The Wall (2012)
Average Rating: 6.5/10
Reviews Counted: 39
Fresh: 29 | Rotten: 10
No consensus yet.
Average Rating: 7.5/10
Critic Reviews: 12
Fresh: 11 | Rotten: 1
No consensus yet.
Average Rating: 3.7/5
User Ratings: 1,140
Based on Marlen Haushofer's eponymous feminist classic novel, THE WALL is a highly original exploration of the experience of solitude and survival set in a spectacularly beautiful Austrian mountain landscape. Martina Gedeck, the brilliant interpreter of the Oscar-winning The Lives Of Others, brings a rare and vivid intensity to her role as the unnamed lead character in this contemporary female Robinson Crusoe tale. --(c) Music Box Films
May 31, 2013 Limited
Oct 21, 2013
Music Box Films - Official Site
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Bleak and beautiful, harrowing yet inspiring, "The Wall" ("Die Wand") is a stunning tale of isolation and survival in a wild and silent world.
Pölsler's film is quietly deliberate without ever feeling slow, thanks to a few handy assets at his disposal.
This mesmerising, austere and contemplative film provides a rarefied yet utterly immersive viewing experience.
A remarkably involving film, especially given its brave, self-imposed limitations.
The widescreen images of the Austrian landscape and the lovingly lit cabin interiors are unfailingly gorgeous, but Gedeck's the key asset: her fine, expressive features do almost as daunting a job as the words, words, words we hear.
A heart-affecting tale of survival with a fierce and tender performance by Martina Gedeck.
The Wall is nothing if not a mystery. Surely the premise would propel such a story into the realm of sci-fi and fantasy, but Pölsler and Gedeck never approach the story in this way, nor do they give us any easy answers to what has really happened and why.
Has any movie ever had so much gab on the soundtrack? Every confession, every philosophical tidbit of the movie's tormented female protagonist.
If you surrender to the style and premise, it's a rich and immensely rewarding film that begs repeat viewing.
The sheer quantity of voiceover - or, more likely, subtitles - acts as a barrier to deep psychological immersion.
Starts with an interesting concept but goes nowhere with it, giving the viewer too little with which to relate or comprehend and asking them to mistake the clunky narrative as "deep."
The Wall is a riveting piece of cinema, and given it bears such a simplistic, obscure narrative, Pölsler does a fine job holding down your attention throughout.
An elegant, stunningly photographed reflection on the human condition that is as odd as it is entrancing.
Julian Roman Pölsler's bewitching debut manages to be at once a creepy sci-fi parable, a feminist Robinson Crusoe and a clear-eyed ode to the wonders of nature experienced in solitude. Walden pond with added wall.
Call it a landlocked variant on Robinson Crusoe, but it's a hypnotic one, with a sense of mystery and interior life that are all its own.
The story is slow-paced and eventless but the cinematography makes the most of the landscape, while voiceover diary readings give us access to her thoughts.
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