Francis Veber wrote and directed this film adaptation (with animated opening credits) of his own play, Le diner de cons, about a competition among a group of friends to see who can find the stupidest person to bring to dinner (as indicated by the original French title, since "con" means someone who's a total dumbbell). The dinners are held each Wednesday night, and French publisher Pierre Brochant (Thierry Lhermitte) has found a world class nincompoop -- Finance Ministry accountant Francois
Pignon (Jacques Villeret) who uses matchsticks to build small-scale replicas of monuments. Things quickly go awry after Pierre wrenches his back at golf. He nevertheless makes an effort to attend the dinner with his prize dunce. Francois arrives at Pierre's luxury apartment, but Pierre is in such pain they never exit the apartment for the dinner. Instead, Pierre is trapped in a situation where Francois' stupidity turns his life into a comic hell. In 1993, Villeret created the role of the dimwit onstage during 600 performances of a 27-month run, and the play also had a 1994 London production. In addition to Veber's Oscar-nominated screenplay adaptation of Jean Poiret's La Cage aux Folles (1978), reworked into The Birdcage (1996), other American comedies originated in French screenplays by Veber -- The Toy (1982), The Man with One Red Shoe- (1985), Three Fugitives (1989), and Fathers' Day (1997). Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi
Despite the stagey set-up (it was originally conceived as a play and it shows), the film manages to maintain its humor and energy until the final scene in which Veber suddenly casts aside his delightful meanspiritedness and gets soft-hearted and preachy.
Its very tautness and on-the-money performances from the odd-coupled Jacques Villeret and Thierry Lhermitte help make this a highly amusing and old-fashioned big-screen entertainment.
The leads fill out their archetypes comfortably, the timing's well pitched, and the narrative moves busily enough. Cinematically, though, there's little of interest.
Villeret, a fixture in French films for two decades, is short, squat, a little bug-eyed and able to completely twist the not-so-good intentions of his host.
Le Dīner de Cons is clever, well written and mildly amusing but not hilarious. The script is very sharp and the delivery is brilliant when it comes to the late great Jacques Villeret and Daniel Prévost but ultimately the whole film is let down by the bland performances and awkward attempts at humour from both Thierry
Lhermitte and Francis Huster . Good but not great.
Wonderfully simple, but emotionally engaging comedy. The film takes its audience on a wonderful journey as we start feeling very sorry for Villeret. The film is very cruel towards him at first. He's just a sweet, naive man looking for some acceptance. He soon turns into the guest from hell, as his lack of intelligence
does turn into annoyance. Finally, his acts bring justice upon those that would make fun of him. It's a feel good comedy, that gradually builds an unexpected friendship. It's also nice to see the characters in on the joke as well. Too often comedies have their own characters ignore the hilarity around them. The dialogue is quick and witty and the film does what it can in its space and time. About to be remade with Paull Rudd and Steve Carrell, the trailer for that promises to expand on the events, but will the heart and humor remain intact? This is a mini French gem.
No quotes approved yet for The Dinner Game (Le Dīner de cons). Logged in users can submit quotes.
Submit a Quote from 'The Dinner Game (Le Dīner de cons)'
A quote can be a single line from one character or a memorable dialog between several characters. Please make your quotes accurate. Quotes will be submitted for approval by the RT staff.
Example:
Luke: Alright. I'll give it a try. Yoda: No. Try not. Do or do not. There is no try.
Top Critic
