More convincing as an allegory, but faithful to Coetzee's acerbic, alternative view of S. Africa's future than the usual uplifting themes of reconciliation and forgiveness.
Disgrace (2009)
Tomatometer
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Reviews Counted:39
Fresh:31
Rotten:8
Average Rating:6.9/10
Consensus: Featuring outstanding performances from John Malkovich and newcomer Jessica Haines, Disgrace is a disturbing, powerful drama.
Rated: Not Rated
Genre: Dramas
Theatrical Release:Sep 18, 2009 Limited
Synopsis:
In this stunning adaptation of the acclaimed novel by Nobel Laureate J.M. Coetzee, John Malkovich stars as David Lurie, a 52-year-old professor of Romantic Literature who takes a beautiful young...
In this stunning adaptation of the acclaimed novel by Nobel Laureate J.M. Coetzee, John Malkovich stars as David Lurie, a 52-year-old professor of Romantic Literature who takes a beautiful young student under his wing and into his bed. To David, the affair is just a harmless fling, but because this is post-Apartheid South Africa, and because the student in question is of mixed race, a scandal erupts that forces David to abandon his lifelong profession and a lifetime’s worth of assumptions about himself and the world he lives in. Disgraced, he leaves the city for the remote farm where his free-spirit daughter, Lucy, lives a seemingly uncomplicated rustic life. However, neither David nor Lucy can escape the realities of contemporary society. When they fall prey to a particularly brutal attack by three black men, the very fabric of their lives unravels and they find that the definitions of victim and victimizer, of oppressed and oppressor, have forever changed.
Winner of Britain’s distinguished Booker Prize in 1999 (making Coetzee its first-ever two-time recipient), “Disgrace” was voted “the greatest novel of the last 25 years” in a 2006 poll of literary luminaries conducted by The Observer. Directed by Steve Jacobs and written and produced by Anna-Maria Monticelli, the film has already garnered extraordinary praise in its native Australia, where it has been hailed as “a model of narrative distillation married to vivid images…that unerringly preserves the tension of the book” and a work that “should be seen by anyone who cares about film or literature” (The Australian.) Boasting brilliant performances by Malkovich and newcomer Jessica Haines, and a striking visual style that perfectly matches the beauty and precision of the novel’s prose, DISGRACE brings Coetzee’s universe to thrilling cinematic life. --*copy; Laemmle
Starring: John Malkovich, Jessica Haines, Eriq Ebouaney, Fiona Press
Starring: John Malkovich, Jessica Haines, Eriq Ebouaney, Fiona Press, Antoinette Engel, David Dennis, Charles Tertiens
Director: Steve Jacobs
Director: Steve Jacobs
Screenwriter: Anna Maria Monticelli
Producer: Steve Jacobs, Anna Maria Monticelli, Emile Sherman
Studio: Paladin
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Reviews for Disgrace
A lethal look at the after-shock of apartheid. Tough to watch but bearing a powerful message.
The movie eventually begins to wilt under the sober, plodding direction of Steve Jacobs, but the thoughtful screenplay gives Malkovich a complex, increasingly reflective character arc that he plays with great feeling.
The film struggles in its attempt to balance the thought-provoking overtones with the human drama at its core.
The person snoring next to me is a perfect example of how colossally insignificant this fatiguing and strenuous flick is with its implausibility, unrecognizable characters and tattered plot line.
Unfortunately, though Malkovich remains a compelling and cerebral screen presence, he comes off as too innately detached and prickly to elicit much empathy (not that his character is asking for it, mind you).
Disgrace is an ugly movie, at times torturous to watch. It probably needs to be.
If the historical context for black anger is lacking, Jacobs nonetheless builds tension with excruciating effectiveness and dreamlike detachment.
I awaited the closing scenes of Disgrace with a special urgency, because the story had gripped me deeply but left me with no idea how it would end. None -- and I really cared.
Newcomer Jessica Haines is transparent and heartbreaking as the prof's unorthodox daughter, a victim of violence as the old ways crumble.
An unfocused and contrived drama that lacks a palpable emotional core, but John Malkovich's raw performance makes it at least marginally engaging.
Disgrace" is an infuriating allegory about a sacrificial victim. Becoming a martyr never looked so pathetic.
Individual or societal in thrust, 'Disgrace' is hampered by a lack of resolution and the impenetrability of motivations.
A simmering lead performance by John Malkovich anchors Aussie director Steve Jacobs’ surprisingly deft screen adaptation of South African Nobel Laureate J.M. Coetzee’s widely-acclaimed 1999 novel Disgrace.
Steve Jacobs' elegantly disturbing film follows the exploits - or, more accurately, the exploitations - of 52-year-old professor David Lurie, a dissolute aesthete whose erudition does little to mask grotesque character flaws.
After a compelling opening act and some shocking late-film developments, the film feels disengaged from the action at hand and the issues raised.
I cannot tell a lie. I derive great satisfaction watching John Malkovich act.
A faithful, compelling screen adaptation of J. M. Coetzee’s Booker Prize-winning 1999 novel.
A powerful and disquieting film about racism, sexism, and the hope for reconciliation in post-apartheid South Africa.
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