This is a cool little thriller with some big scares and fine performances.
Disturbia (2007)
Tomatometer
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Reviews Counted:34
Fresh:22
Rotten:12
Average Rating:6/10
Consensus: Aside from its clichéd resolution, Disturbia is a tense, subtle thriller with a noteworthy performance from Shia LaBeouf.
Rated: PG-13 [See Full Rating] on appeal for sequences of terror and violence, and some sensuality
Runtime: 1 hr 44 mins 24 secs
Genre: Thriller, Murder, Murder Mysteries, Teenage, Theatrical Release
Theatrical Release:Apr 13, 2007 Wide
Box Office: $80,050,171
Synopsis: Shia LaBeouf (CONSTANTINE, I, ROBOT) is a young talent to be reckoned with, as he demonstrates in this genre-spanning film from director D.J. Caruso. Part teenage romantic comedy, part horror... Shia LaBeouf (CONSTANTINE, I, ROBOT) is a young talent to be reckoned with, as he demonstrates in this genre-spanning film from director D.J. Caruso. Part teenage romantic comedy, part horror flick, DISTURBIA stars LaBeouf as the troubled Kale, who is confined to his home under house arrest after he punches out his Spanish teacher in the middle of class. Kale's array of available diversions dwindle considerably after his mom (Carrie Ann Moss, MEMENTO) shuts off his X-Box and his i-Tunes, and he turns to voyeurism instead, carefully noting the daily activities of his neighbors. These include the swimming schedule of the hot girl who just moved in next door, Ashley (Sarah Roemer, THE GRUDGE 2), whom he ogles with his best friend, the class clown, Ronnie (Aaron Yoo, THE BEDFORD DIARIES). When Ashley unexpectedly shows up and wants to know what the boys are doing behind their binoculars, they concoct a story about their neighbor, Mr. Turner (David Morse, PROOF OF LIFE), and their suspicions that he is the serial killer currently on the loose. The teens' subsequent stakeout makes them increasingly convinced that this is in fact the case, and their creepy interactions with Turner bring them ever closer to learning the dark secret that lies inside his impenetrable suburban existence. Despite a slight identity crisis and distracting product placements, DISTURBIA is carried by the strong performance of its lead character, and manages to charm with its portrayal of young love. [More]
Starring: Shia LaBeouf, Sarah Roemer, David Morse, Carrie-Anne Moss
Starring: Shia LaBeouf, Sarah Roemer, David Morse, Carrie-Anne Moss, Aaron Yoo
Director: D.J. Caruso
Director: D.J. Caruso
Screenwriter: Christopher Landon, Carl Ellsworth
Producer: Jackie Marcus, Joe Medjuck, Tom Pollock
Composer: Geoff Zanelli
Studio: Paramount Pictures
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Reviews for Disturbia
Offsetting the chilly voyeurism is a viable teen romance and an appealing sense of humor. Though there are occasional lapses in logic, Disturbia is consistently suspenseful and entertainingly disturbing.
While Disturbia does nothing to advance or honour Hitchcock, the movie succeeds on its modest terms.
Caruso, a very visual director, serves up some surprises and scares, and he's paced his movie briskly. You're out of this disturbing suburbia before you know it, shaken and even stirred.
A surprisingly competent film, Disturbia lives up to its title. It's rare to find a decent film turn up in the dead of April, traditionally Hollywood's dump month for shelved oddities.
Director D.J. Caruso relies entirely too much on clichéd shock cuts and keeps pulling back every time the flick seems to be settling into anything close to a creepy mood.
What Disturbia lacks in complexity, it makes up for in witty jokes, sneaky jolts and a timeless lesson: If you've got windows, someone's always watching.
Despite the foolishness, and despite the patent knockoffs of Rear Window and American Beauty, Disturbia is a likable little thriller.
A one-dimensional thriller, albeit one more stylish than the ones churned out for the older teen-early 20s demographic.
Reasonably smart and sometimes funny -- right up until the end, when it sells out its intelligence in favor of a standard-issue dose of overwrought violence.
Disturbia will have young people on the edge of their seat, cringing and thinking at the same time.
Every piece of the story is jammed predictably into place. Kale sees the cute girl next door; the cute girl comes over. Kale sees the killer next door; the killer comes over.
Instead of manufacturing elaborate, ridiculous plot twists or imposing overwrought psychological melodrama on a basically absurd premise [director] Caruso and the screenwriters opt for efficient, clever B-movie execution.
The most disturbious part of Disturbia is how engaging this teenage thriller manages to be, even though it's a shameless rip-off of Rear Window.
Has nowhere near the conceptual sophistication of Rear Window, where the protagonist's absorption in what he's watching mirrors the viewer's. The problem with Disturbia is that for most of the film you'll wish you weren't watching at all.
Filled with both youthful angst and innocent energy, which makes for more interesting contrasts than you might expect in a slasher-next-door flick.
The proceedings devolve into standard horror-movie effects and minimal motivations. [And] Hitchcock's original never had to resort to thunder and lightning to goose up the suspense.
The film quickly shifts from a clever homage to Rear Window to a bad parody of The Silence of the Lambs.
Like Rear Window before it, Disturbia is sly and suspenseful and full of mounting dread.
OK, so Rear Window was better plotted and more richly apportioned than this update. And so what if you can see every plot twist bearing down like a rush-hour commuter express? Disturbia still boasts a scrappy charm.
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