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Le Scaphandre et le Papillon (The Diving Bell and the Butterfly) (2007)

tomatometer

93

Average Rating: 8.2/10
Reviews Counted: 165
Fresh: 154 | Rotten: 11

Breathtaking visuals and dynamic performances make The Diving Bell and the Butterfly a powerful biopic.

94

Average Rating: 8.1/10
Critic Reviews: 47
Fresh: 44 | Rotten: 3

Breathtaking visuals and dynamic performances make The Diving Bell and the Butterfly a powerful biopic.

audience

91

liked it
Average Rating: 4/5
User Ratings: 148,019

My Rating

Movie Info

The astonishing true-life story of Jean-Dominic Bauby -- a man who held the world in his palm, lost everything to sudden paralysis at 43 years old, and somehow found the strength to rebound -- first touched the world in Bauby's best-selling autobiography The Diving Bell and the Butterfly (aka La Scaphandre et la Papillon), then in Jean-Jacques Beineix's half-hour 1997 documentary of Bauby at work, released under the same title, and, ten years after that, in this Cannes-selected docudrama, helmed

PG-13,

Drama

Ronald Harwood

Apr 29, 2008

$5.9M

Miramax Films - Official Site External Icon

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All Critics (165) | Top Critics (47) | Fresh (162) | Rotten (11) | DVD (19)

What's fascinating is that it is the very restrictions the story imposes on a director that allow Schnabel to turn it into such an eerie stunner of a movie.

October 18, 2008 Full Review Source: NPR.org
NPR.org
Top Critic IconTop Critic

The Diving Bell and the Butterfly is one of the best movies of 2007, but I'd argue it's also the one most in tune with what this season of goodwill and tolerance is supposed to be all about.

October 18, 2008 Full Review Source: Toronto Star
Toronto Star
Top Critic IconTop Critic

Optimistically, Schnabel would like to fill such an ordeal with color, music and hot nurses. Wedding himself to Bauby's real trauma, though, seems beyond him.

January 18, 2008 Full Review Source: Time Out New York
Time Out New York
Top Critic IconTop Critic

It's a subject and a film that perfectly blends the tragic with the triumphant.

January 10, 2008 Full Review Source: Orlando Sentinel
Orlando Sentinel
Top Critic IconTop Critic

Profoundly moving.

January 4, 2008 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

Director Julian Schnabel uses his skill as a painter to assemble a collage of fantastical images to reveal the exquisite physical wreck that Bauby has become.

January 4, 2008 Full Review Source: San Jose Mercury News
San Jose Mercury News
Top Critic IconTop Critic

An inventive, challenging, at times emotionally bracing film, audaciously staged and laudably anti-clichéd in its character particulars, yet destined to be more admired than beloved.

April 28, 2011 Full Review Source: East Bay Express
East Bay Express

Julian Schnabel and cinematographer Janusz Kaminski fundamentally retool the template for the biopic to create one of the greatest portrayals of the mind's eye ever put to film. A discomforting but inspiring struggle for one enduring, final expression.

September 25, 2010 Full Review Source: Suite101.com
Suite101.com

This uncommon story about an uncommon man is gentle, it is patient, it is compassionate and -- from a technical standpoint -- it is stunning.

October 9, 2009 Full Review Source: Times-Picayune | Comments (2)
Times-Picayune

Triumph of the human spirit to the Miramax, predictable in its crowd-pleasing, middlebrow vulgarity but with a few inventive, free-floating passages

August 27, 2009 Full Review Source: CinePassion
CinePassion

[Schnabel is] drawn to the plight of the imagination struggling against limits, and Bauby's Beckett-like extremity has inspired his best film to date and the best film of the year.

April 23, 2009 Full Review Source: Boston Phoenix
Boston Phoenix

Una película realmente conmovedora que logra trasladar a hermosas y sugestivas imágenes la experiencia real de un hombre paralizado física aunque no mentalmente.

November 8, 2008 Full Review Source: Uruguay Total
Uruguay Total

Movies are a lot more than a bunch of pictures, no matter how ravishing, and the strong cast is key here, especially the three women who dominate Bauby's life.

October 18, 2008 Full Review Source: Bullz-Eye.com
Bullz-Eye.com

Of all the movies generating award buzz this season, The Diving Bell and the Butterfly was the most surprising to me and perhaps the most special.

October 18, 2008 Full Review Source: Three Movie Buffs
Three Movie Buffs

The film is certainly rich in imagery, and its immersion into the subjective is a daringly successful conceit, but it never quite pulls all the pieces together.

October 18, 2008 Full Review Source: Q Network Film Desk
Q Network Film Desk

Nothing in director Julian Schnabel's career so far has anticipated the sweetness, sadness, maturity and restraint of this lovely movie.

October 18, 2008 Full Review Source: Guardian [UK]
Guardian [UK]

How does an actor act when he can use only one eye? You'll have to see the film to find out, but rest assured that there are sufficient flashbacks to give the remarkable Mathieu Amalric a chance to use the usual actor's tools as well.

October 18, 2008 Full Review Source: San Diego Metropolitan
San Diego Metropolitan

An emotional tour de force that is simply stunning all around.

September 8, 2008 Full Review Source: ReelzChannel.com

The camera techniques used actually give the audience just a hint of what it must be like to live with a fully aware mind, and one working eye.

September 4, 2008 Full Review Source: The Scorecard Review
The Scorecard Review

Diving Bell is modishly slick, visually inventive and vaguely immaterial but ultimately moving because, well, how could it not be?

August 7, 2008 Full Review Source: Sacramento News & Review
Sacramento News & Review

Audience Reviews for Le Scaphandre et le Papillon (The Diving Bell and the Butterfly)

One of the most stunning emotional knockouts recorded in cinematic history concerning an editor (Mathieu Amalric) who suffers a massive stroke, but remains determined to write his memoirs of his experiences through communicating with the only part of his body that isn't paralyzed, one of his eyes, to an aide. What director Julian Schnabel has constructed is an unnerving, extremely personal masterpiece in struggling to overcome an affliction, and the self-doubts, guilt, anger, and fleeting hope one encounters along the way. The acting is very good, although that is not what is most impressive about the film, which is how it is told through Amalric's character's perspective, showing just how much of a struggle something like this can be. While it is relentlessly sad, it is powerful and incredibly moving all the way through. This is a movie that should be a must-see for anyone who knows someone dealing with a stroke or some other kind of physical ailment. It does a flawless job capturing the emotional cycle and inner-thoughts of someone who deals with it, somehow, someway.
March 24, 2013
Dan Schultz

Super Reviewer

This is exactly the kind of cheap melodrama that sells itself way too easily to critics and audiences top lists with it's topic and superficial approach. I understand that people need and are often fond of these kind of survival stories, but i just don't like the cheap way it all is presented.
While watching this film and it's narrative progress i was quite quickly reminded of Alejandro Amenabar's quite similar The Sea Inside which had Javier Bardem as a terminally ill man. These kind of stories reaches screens time to time and people will go and see them for the same reason they went to see James Cameron's Titanic. The fact is that people often love to see real life tragedies but with sugarcoated outfit.
Director Julian Schnabell and his lenser Janusz Kaminski are making exactly that kind of effect here visually. With experimental visual techniques they only distract us viewers from the story. I don't see any reason for all the visual gimmicks with topic like this. On the other hand i found Ronald Harwood's screenplay so banal that there is not that much to be saved here.
Schanbel is trying very hard to make an art-house impact with this film of his, but this is much closer to an Driving Miss Daisy than honest and true story about a man in a horrible medical condition.
January 26, 2013
emilkakko

Super Reviewer

    1. Roussin: Hold fast to the human inside of you, and you'll survive.
    – Submitted by Maria Y (12 months ago)
    1. Jean-Dominique 'Jean Do' Bauby: We're all children, we all need approval.
    – Submitted by Chad E (22 months ago)
    1. Jean-Dominique 'Jean Do' Bauby: A poet once said, "Only a fool laughs when nothing's funny"
    – Submitted by Chris P (2 years ago)
    1. Jean-Dominique 'Jean Do' Bauby: We're all children, we all need approval.
    – Submitted by Chris P (2 years ago)

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Foreign Titles

  • Schmetterling und Taucherglocke (DE)
  • The Diving Bell And The Butterfly (UK)
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