This masterpiece of modern cinema depends upon a single truism: A guy getting hit in the nuts a hundred times in a row is funny a hundred times.
Dodgeball: A True Underdog Story (2004)
Tomatometer
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Reviews Counted:35
Fresh:23
Rotten:12
Average Rating:6.3/10
Consensus: Cheerfully sloppy, dumb fun.
Rated: PG-13 [See Full Rating] for rude and sexual humor, and language
Runtime: 1 hr 36 mins
Genre: Comedies
Theatrical Release:Jun 18, 2004 Wide
Box Office: $114,173,690
Synopsis: Remember your childhood fears – perhaps born on your local playgrounds– of a red rubber ball hurtling towards your head? Or the sweet taste of revenge when you threw it right back at the class... Remember your childhood fears – perhaps born on your local playgrounds– of a red rubber ball hurtling towards your head? Or the sweet taste of revenge when you threw it right back at the class bully? Well, get ready to once again dodge, duck, dip and dive…dodgeball is back, and this time it’s not just for the schoolyard. Dodgeball is becoming a cultural phenomenon. Adult dodgeball leagues are springing up in major cities, Vanity Fair called the game the “It Sport,” and The New York Times and Fortune recently heralded the sport’s re-emergence. So the time is ripe for a poignant motion picture that brings dignity and respect to the world of competitive dodgeball. A tale in the tradition of great films about legendary sports heroes. An emotionally stirring look at the thrills of victory and the heartbreaks of defeat. We’ll let you know when that movie is made. In the meantime, we have DODGEBALL: A TRUE UNDERDOG STORY, a film that grabs life by the ball. The story’s protagonist, Peter LaFleur (Vince Vaughn), is a charismatic underachiever and proprietor of a rundown gym called Average Joe’s. The facility’s clientele of decidedly less-than-“average Joes” is made up of a self-styled pirate, a scrawny nerd who dreams of impressing an unattainable cheerleader, an obsessive aficionado of obscure sports, a dim-witted young man, and a cocky know-it-all who, of course, really knows nothing. Peter’s humble gym catches the eye of White Goodman (Ben Stiller), the power-mullet-sporting, Fu-Manchu-d, egomaniacal owner of Globo Gym, a gleaming monolith of fitness. White intends to take over Average Joe’s, and Peter’s non-existent bookkeeping is making it all too easy for him. A foreclosing bank has stationed attorney Kate Veatch (Christine Taylor) inside Average Joe’s to finalize Globo’s takeover of the gym. But Peter’s boyish charms win her over and Kate joins his team of social rejects to beat the odds – and their own ineptitude – to try to save Average Joe’s. How? A showdown dodgeball competition against Globo Gym. “Finally,” says DODGEBALL: A TRUE UNDERDOG STORY producer/star Ben Stiller, with tongue planted at least a little in cheek, “there is a real dodgeball film that doesn’t pull any punches and really shows the pain and humiliation associated with having a ball slam you in the face, in front of lots of people.” Stiller’s on-screen nemesis, Vince Vaughn, sees amidst the film’s raucous comedy, a universal tale of honor. “It’s about people who don’t fit in a traditional way, who come together and find self-respect and something – their gym – worth defending. Dodgeball becomes a vehicle for them to learn some life lessons and stand up for themselves.” Honor? Life lessons? Perhaps. But one thing is certain: DODGEBALL: A TRUE UNDERDOG STORY blazes new trails in motion picture history. Which is to say, it is the first major studio feature film on the subject. “A dodgeball movie is uncharted film territory,” says Rawson Marshall Thurber, the film’s writer/director, “but at the same time it inhabits the same tradition of great underdog movies like ‘Stripes,’ ‘The Bad News Bears’ and ‘Meatballs,’ which follow an archetypal comedy framework: scrappy underdogs take on the socially, financially or athletically gifted and prevail against all odds.” [More]
Starring: Vince Vaughn, Ben Stiller, Christine Taylor, Rip Torn
Starring: Vince Vaughn, Ben Stiller, Christine Taylor, Rip Torn, Jason Bateman, Gary Cole, Missi Pyle, Stephen Root, Justin Long, Chris Williams, Alan Tudyk, Hank Azaria, Joel Moore
Director: Rawson Marshall Thurber
Director: Rawson Marshall Thurber
Screenwriter: Rawson Marshall Thurber
Producer: Ben Stiller, Stuart Cornfeld
Composer: Theodore Shapiro
Studio: 20th Century Fox
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Release:
May 12, 2009
Reviews for Dodgeball: A True Underdog Story
The most satisfying comedy of the past year -- at least among the ones starring Stiller.
... a hilariously worthy successor to the great goofball comedies of the late Seventies and early Eighties, movies like Caddyshack and Meatballs.
The movie doesn't just pussyfoot around conventionality -- it hits it square in the stomach and then leaps around shamelessly in a smug victory dance.
Thurber makes you forget convention and enjoy a genuine yukfest, full of down-and-dirty (but funny) gags and one-liners, and memorable scenes.
Gleefully commingles slapstick and scatology, satire and sentiment, in a free-wheeling farce aimed at making auds laugh until they're thoroughly ashamed of themselves.
Eventually falls prey to its own stupidity (including far too many homophobic jokes), and to a surprisingly lacklustre performance by Vince Vaughn.
Yes, the movie's watchable, and there are about six good laughs in it, but six good (not great) laughs in 90 minutes is pretty paltry for a comedy.
While it doesn't have enough heart to put it in league with the all-time great sports comedies, the film certainly ranks among the more quotable ones.
Reeks of desperation from the start, resorting way too often to the Funniest Home Videos-style spectacle of people getting hit in the crotch with red rubber balls.
[Stiller] creates a perfect storm of body, facial and vocal expression for every line of dialogue, and you have to admire his co-players for merely maintaining their balance against the bluster.
This lame sports comedy is deflated by clichés, from a save-the-farm plot to sadism disguised as slapstick.
More often than not, DodgeBall slings its visual and verbal humor with rapid-fire, spot-on aim without fouling.
Globo is owned by Ben Stiller, overacting to the point of apoplexy as White Goodman; his manic performance is consistently funny.
Rambunctious when it finally gets to Las Vegas, where the championships are held and broadcast on not-real-yet ESPN 8 -- 'the Ocho.'
Feels far too smug about its underachievement to be a persuasive nerd movie: This is more a film by Hollywood frat boys slumming for some quick summer money.
From the same generic mind-set that could just as easily have given us Major League: Concession Stand comes what seems like the 11th Ben Stiller comedy this year.
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