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Movies / On DVD / La Dolce Vita
La Dolce Vita

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La Dolce Vita (1960)

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Reviews Counted:14

Fresh:13

Rotten:1

Average Rating:8.4/10

Runtime: 3 hrs

Genre: Foreign Films

Synopsis: In Federico Fellini's seminal film LA DOLCE VITA, a three-hour masterpiece that shows one man's descent into "the sweet life" of debauchery, Marcello Mastroianni stars as eccentric journalist... In Federico Fellini's seminal film LA DOLCE VITA, a three-hour masterpiece that shows one man's descent into "the sweet life" of debauchery, Marcello Mastroianni stars as eccentric journalist Marcello Rubini. On assignment to chronicle the lives of the rich and famous Italian aristocracy in a gossip column for a Roman newspaper, Marcello floats from one fabulous party to the next, meeting all varieties of beautiful, extravagant people. While he would never protest this seemingly ideal job, it makes him feel lonely and empty, and he stays up drinking and dancing night after night only to wake up each morning unbalanced and unfocused. The film follows Marcello's ups and downs in an episodic pattern in which each evening is a new story, a new adventure, a new dare, a new woman with whom to fall helplessly in love--but only for that night. Each morning the slate is wiped clean, and Fellini resets Marcello's score to zero. Sprinkled with religious images and gestures at salvation, LA DOLCE VITA is supreme in the beauty of its all-encompassing symbolism that is expressed through lavish sets, an alluring script, overemphasized physical movements, roller-coaster jazz music, and helpless emotions. [More]

Starring: Marcello Mastroianni, Anouk Aimée, Anita Ekberg, Yvonne Furneaux

Starring: Marcello Mastroianni, Anouk Aimée, Anita Ekberg, Yvonne Furneaux, Magali Noel, Nico, Alain Cuny, Riccardo Garrone, Laura Betti, Jacques Sernas, Nadia Gray

Director: Federico Fellini

Director: Federico Fellini
Screenwriter: Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
Producer: Giuseppe Amato, Angelo Rizzoli
Composer: Nino Rota

[See More Credits]

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Release:

Nov 8, 2005

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Reviews for La Dolce Vita

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1 - 14 (sorted by date)
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Perhaps many spectators will squirm at the three-hour length of the film or of some of its sequences (though director Federico Fellini cut some 30 minutes from his final print), yet others will never notice they've sat that long.

Full Review Source: Variety | comment Comment
05/08/07
Variety
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The film was hugely successful and widely praised in its time, though it's really nothing more than the old C.B. De Mille formula of titillation and moralizing.

Full Review Source: Chicago Reader | comment 4 Comments
05/08/07
Dave Kehr
Dave Kehr
Chicago Reader
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Everyone has a favorite scene.

Full Review Source: Hollywood Reporter | comment Comment
12/27/04
Douglas Pratt
Douglas Pratt
Hollywood Reporter
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[An] epic of anomie.

Full Review Source: Arizona Republic | comment Comment
12/27/04
Richard Nilsen
Richard Nilsen
Arizona Republic
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Marcello's journey is a string of remarkable vignettes that delivers fashion and sociology in equal measure.

Full Review Source: Denver Post | comment Comment
12/24/04
Lisa Kennedy
Lisa Kennedy
Denver Post
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It comes from a period in which the filmmaker was perched between neorealism and all-out fantasia. As such, it represents the best of two worlds, even as Marcello can't find contentment in either one.

Full Review Source: Dallas Morning News | comment Comment
12/02/04
Chris Vognar
Chris Vognar
Dallas Morning News
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The circus that became the '60s was ushered in cinematically by La Dolce Vita, Federico Fellini's masterwork about the so-called 'sweet life' on Rome's teeming Via Veneto.

Full Review Source: Atlanta Journal-Constitution | comment Comment
09/23/04
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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As much as La Strada, 8 1/2 or Amarcord, La Dolce Vita still marks a summit of Fellini and of post-war Italian moviemaking.

Full Review Source: Chicago Tribune | comment Comment
09/09/04
Michael Wilmington
Michael Wilmington
Chicago Tribune
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[Fellini's] poetic sensibilities are in full effect. There's also a tremendous soulfulness that roots the movie's depiction of sin in the soil of introspection.

Full Review Source: Boston Globe | comment Comment
08/20/04
Wesley Morris
Wesley Morris
Boston Globe
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It received universal acclaim upon its release in 1960, and in retrospect it's the work that best represents its director.

Full Review Source: San Francisco Chronicle | comment Comment
08/13/04
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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Still a potent, expressionistic launch into post-war Euro-emptiness.

Full Review Source: Village Voice | comment Comment
07/20/04
Michael Atkinson
Michael Atkinson
Village Voice
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Truly unforgettable.

Full Review Source: Los Angeles Times | comment Comment
04/29/04
Kevin Thomas
Kevin Thomas
Los Angeles Times
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In sum, it is an awesome picture, licentious in content but moral and vastly sophisticated in its attitude and what it says.

Full Review Source: New York Times | comment Comment
05/20/03
Bosley Crowther
Bosley Crowther
New York Times
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The movie is made with boundless energy. Fellini stood here at the dividing point between the neorealism of his earlier films ... and the carnival visuals of his extravagant later ones.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
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