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Domestic Violence (2002)
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Reviews Counted:11
Fresh:10
Rotten:1
Average Rating:7.5/10
Theatrical Release:Jan 30, 2002 Limited
Synopsis: With DOMESTIC VIOLENCE, master documentarian Frederick Wiseman (HIGH SCHOOL, TITICUT FOLLIES) turns his unflinching eye on a topic that society has ignored for far too long. Rather than film actual... With DOMESTIC VIOLENCE, master documentarian Frederick Wiseman (HIGH SCHOOL, TITICUT FOLLIES) turns his unflinching eye on a topic that society has ignored for far too long. Rather than film actual domestic disputes, a la COPS, Wiseman instead takes a much less exploitative approach, and, in so doing, has created a deeply intelligent, challenging work that will no doubt spark serious discussions wherever it is exhibited (most likely on PBS, with whom the director has a longstanding relationship). Focusing on The Spring, Tampa, which is Florida's largest shelter for abused women and their children, Wiseman's objective camera allows a group of these distraught women to tell their own painful stories. As each new victim bravely shares her tale of horror, it becomes painfully clear just how convoluted and troubling a problem domestic violence actually is, a claim that Wiseman supports technically, through his use of extremely long takes and unobtrusive editing. At 196 minutes, the experience is a draining one, to say the least. But it is stimulating in a way that most films, documentary or otherwise, are not. Staying true to the formula that has made him a cinematic legend, Frederick Wiseman proves once again that there is far more drama in everyday life than in the multiplexes. [More]
Director: Frederick Wiseman
Director: Frederick Wiseman
Producer: Frederick Wiseman
Studio: Zipporah Films
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Reviews for Domestic Violence
So why is Wiseman afraid to call this ‘violence against women’ in such a lengthy expose?
It's not an easy film to watch, though most people who do see it will find it impossible to forget.
Wiseman reveals the victims of domestic abuse in all of their pity and terror.
While maintaining the appearance of clinical objectivity, this sad, occasionally horrifying but often inspiring film is among Wiseman's warmest.
Examines its explosive subject matter as nonjudgmentally as Wiseman's previous studies of inner-city high schools, hospitals, courts and welfare centers.
10 minutes into the film you'll be white-knuckled and unable to look away.
A searing, epic treatment of a nationwide blight that seems to be, horrifyingly, ever on the rise.
Wiseman is patient and uncompromising, letting his camera observe and record the lives of women torn apart by a legacy of abuse.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
| | Leap Year | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
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