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Dopamine

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Dopamine (2003)

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Reviews Counted:20

Fresh:8

Rotten:12

Average Rating:5.4/10

Rated: R [See Full Rating] for language, sexuality and brief drug use

Runtime: 85 mins

Genre: Dramas

Theatrical Release:Oct 10, 2003 Limited

Synopsis: Rand's (John Livingston) start-up company, Emerge, is a long time partnership with two good friends, Johnson (Rueben Grundy) and Winston (Bruno Campos). As the economic climate clamps down, they... Rand's (John Livingston) start-up company, Emerge, is a long time partnership with two good friends, Johnson (Rueben Grundy) and Winston (Bruno Campos). As the economic climate clamps down, they are forced by their venture capital investors to "test" their product's synchronicity with the perceived target market: kids.

That night, drinking in a bar, lamenting their predicament, Rand and Winston meet Sarah (Sabrina Lloyd) for the first time. Even though sparks fly for Rand, it is Winston who makes the alpha dog move. Unbeknownst to Rand, Sarah goes home with Winston for a one-night stand, further complicating the future.

Ironically, it is Sarah's school and classroom that the investors have lined up as the beta testing lab. For Winston, it is a blatant reminder of a bad night. For Rand, it is the opportunity for his attraction to be analyzed, catalogued and evaluated. For Sarah, it is an embarrassing reminder of her actions but the catalyst to all she believes.

As Rand and Sarah begin their own unusual courtship dance, they find their toes continually getting stepped on, but they have an unconscious hope that their own lack of harmony is due only to a poor sense of timing. Rand, in his ever-analytical state decides to create a mate for their animated creation in hopes of understanding his own reservations about love.

Rand's views on love have been formed as he watched the storybook love affair between his Mom and Dad slowly dwindle to nothing because of altered brain chemistry in the form of Alzheimer's. If love was anything more than just a chemical or biological influence, how could it possibly disappear completely?

Sarah's definitions and walls come from a naïve affair when she was younger and has compromised her ability to trust and move on with her life.

Rand and Sarah's empathy for each other opens doors within themselves, but as the relationship culminates, they retreat back to their own stubborn beliefs. When Rand discovers Sarah and Winston's tryst, it is the emotional explosion that brings down the fragile house of cards.

Just when it appeared it couldn't get any worse, Emerge joins the ranks of failed companies, a victim of the plummeting economy with the venture capital investors finally pulling the plug.

Rand, feeling strangely liberated and defenseless, finds himself open to the possibility and opportunities the world has presented. He realizes his view of love is lacking in the only thing that makes love true: believing in it.

Reciprocally, Rand helps Sarah realize that she can't move forward without reconciling her past and facing up to the phantom love she holds unrealistically on a pedestal.

With each other's help, they journey out onto life's thin branch, searching for the answer. The question is, will they find and believe in it together? -- © Dopamine Productions [More]

Starring: John Livingston, Sabrina Lloyd, Bruno Campos, Rueben Grundy

Starring: John Livingston, Sabrina Lloyd, Bruno Campos, Rueben Grundy, William Windom, Nicole Wilder

Director: Mark Decena

Director: Mark Decena
Screenwriter: Timothy Breitbach, Mark Decena
Producer: Debbie Brubaker, Tad Fettig
Composer: Eric Holland
Studio: Sundance Film Series

[See More Credits]

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Release:

Apr 6, 2004

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Reviews for Dopamine

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At bottom, what we've got here is a movie about a boy who meets a girl, loses her and tries to find a way to get her back. Which returns us to the original question: Can romance be reduced to scientific formula?

Full Review Source: Toronto Star | comment Comment
03/26/04
Geoff Pevere
Geoff Pevere
Toronto Star
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Mostly a drab affair, unfolding in restaurants, office cubicles and anonymous apartments, in which characters talk endlessly about relationships in ways that suggest they think they're being intelligent.

Full Review Source: Globe and Mail | comment Comment
03/25/04
Liam Lacey
Liam Lacey
Globe and Mail
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An amiably slight independent film that probably should have gone directly to the Sundance Channel.

Full Review Source: New York Daily News | comment Comment
10/29/03
Jack Mathews
Jack Mathews
New York Daily News
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... a near miss ...

Full Review Source: Ebert & Roeper | comment Comment
10/13/03
Richard Roeper
Richard Roeper
Ebert & Roeper
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Decena hooks us with these characters from the start and makes us believe in their pain and longing.

Full Review Source: San Francisco Chronicle | comment Comment
10/10/03
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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While Mark Decena, who directed the film and wrote it with Timothy Breitbach, is good at creating convincingly intimate, casual conversation, the story does begin to feel somewhat undernourished, visually and dramatically.

Full Review Source: New York Times | comment Comment
10/10/03
Dave Kehr
Dave Kehr
New York Times
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The emotional immaturity of the self-obsessed thirtysomething characters, particularly the passive, incongruously smirking Rand, beggars belief.

Full Review Source: New York Post | comment Comment
10/10/03
Megan Lehmann
Megan Lehmann
New York Post
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One never ceases to be amazed at how emerging independent filmmakers are able to deploy state-of-the-art techniques on the same old slop.

Full Review Source: Newsday | comment Comment
10/10/03
Jan Stuart
Jan Stuart
Newsday
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The result is both earnest and passionless.

Full Review Source: Boston Globe | comment Comment
10/10/03
Ty Burr
Ty Burr
Boston Globe
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Sexy, funny and just the littlest bit sad, it explores something that has fascinated men and women since time began: each other.

Full Review Source: Washington Post | comment Comment
10/10/03
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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In one way or another, Dopamine is about us.

Full Review Source: Chicago Sun-Times | comment Comment
10/10/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
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It's a movie, small in compass, conservative in aesthetic, that explores an idea while it makes you laugh. A lot of bigger movies won't provoke you half as much.

Full Review Source: Washington Post | comment Comment
10/10/03
Stephen Hunter
Stephen Hunter
Washington Post
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While the route Dopamine takes in addressing the nature of attraction is schematic, the film is never less than clever, surprisingly charming, decidedly thought-provoking -- and in its own undefinable way, touching.

Full Review Source: Detroit Free Press | comment Comment
10/10/03
Terry Lawson
Terry Lawson
Detroit Free Press
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A chunky and clunky romantic-comedy wannabe.

Full Review Source: Dallas Morning News | comment Comment
10/09/03
Philip Wuntch
Philip Wuntch
Dallas Morning News
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Although flawed, Dopamine is ultimately a witty and perceptive movie dealing with the ways people experience love and loss in an increasingly distracted and remote world.

Full Review Source: Los Angeles Times | comment Comment
10/09/03
Kevin Crust
Kevin Crust
Los Angeles Times
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It's more likable than it is good. Still, it might leave you feeling romantic (and romantic about your particular city) even if it doesn't nail its case for love in a psychopharmacological age.

Full Review Source: Chicago Tribune | comment Comment
10/09/03
Ellen Fox
Ellen Fox
Chicago Tribune
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The dilemmas in Dopamine ... made me want to reach for the serotonin reuptake inhibitors.

Full Review Source: Entertainment Weekly | comment Comment
10/08/03
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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Rand (John Livingston), who looks like a hangdog Ben Affleck, and the believably vulnerable Sarah (Sabrina Lloyd) make awkward reticence appealing.

Full Review Source: Village Voice | comment Comment
10/08/03
Anya Kamenetz
Anya Kamenetz
Village Voice
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A dweeby and unenchanting concoction as romantic comedies go.

Full Review Source: Variety | comment Comment
02/27/03
Scott Foundas
Scott Foundas
Variety
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