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Dot the I

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Dot the I (2005)

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Reviews Counted:23

Fresh:4

Rotten:19

Average Rating:4.6/10

Consensus: dot the i starts out as a standard love triangle, but last minute revelations turn the movie into a gimmick.

Rated: R [See Full Rating] for strong sexuality/nudity, language and some violence

Runtime: 1 hr 32 mins

Genre: Romance, Music (General), World Music

Theatrical Release:Mar 11, 2005 Limited

Synopsis: dot the i, a romantic thriller with a dark comedic twist, stars Gael García Bernal, who shot to fame in AMORES PERROS (Best Actor, Cannes Semaine de la Critique), Natalia Verbeke and James D'Arcy.... dot the i, a romantic thriller with a dark comedic twist, stars Gael García Bernal, who shot to fame in AMORES PERROS (Best Actor, Cannes Semaine de la Critique), Natalia Verbeke and James D'Arcy. García Bernal, also known for his role in Y TU MAMÁ TAMBIÉN, can currently be seen in THE MOTORCYCLE DIAIRES, Golden Globe nominee for Best Foreign Film. Natalia Verbeke has recently starred in the Oscar®-nominated SON OF THE BRIDE (EL HIJO DE LA NOVIA) and the BAFTA® awardwinning JUMP TOMORROW. Rounding out the cast is James D'Arcy, known for his role in Peter Weir's MASTER AND COMMANDER. dot the i is the debut feature from director Matthew Parkhill, an award-winning novelist and screenwriter. A sexy love triangle forms on the eve of her wedding when Carmen (Verbeke) recklessly kisses an attractive stranger named Kit (García Bernal). Having recently fled a violent and volatile relationship in Spain, Carmen has found comfort and safety with her adoring fiancé Barnaby (D'Arcy); but her passions are aroused by one kiss from Kit and she is immediately torn between her emotions and her loyalty to the man she is to marry. Carmen's journey teaches her that things, and people, are never quite what they seem. This thrilling tale toys with illusion and reality, passion and artifice, and takes audiences on a suspenseful race through the streets of London. dot the i, an Arcane Pictures / Summit Entertainment Production filmed entirely on location in London, is produced by Meg Thomson and George Duffield. Summit Entertainment financed the picture and handles worldwide sales and distribution, with the exception of Spain. Alquimia Cinema is the Spanish co-producing partner. -- © Summit Entertainment [More]

Starring: Gael Garcia Bernal, Natalia Verbeke, James D'Arcy, Charlie Cox

Starring: Gael Garcia Bernal, Natalia Verbeke, James D'Arcy, Charlie Cox, Tom Hardy

Director: Matthew Parkhill

Director: Matthew Parkhill
Screenwriter: Matthew Parkhill
Producer: David Garrett, Erik Feig, Patrick Wachsberger
Composer: Javier Navarrete
Studio: Summit Entertainment

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Release:

Oct 18, 2005

[DVD Details]
 
 
  • Dot the i
  • A wavering bride, a stranger, an earnest groom: "romantic triangle," right? Think again. To that set-up, filmmaker Matthew Parkhill adds twist after twist to shape a surprising romantic thriller. Gael Garcia Bernal (The Motorcycle Diaries) plays the stranger. Natalia Verbeke is Carmen. And James D'Arcy (Master and Commander: The Far Side of the World) portrays her fiance. Each has secrets to be revealed. Each is prey to the others' agendas. Keep your eyes open. Don't miss a detail. Cross your t's and Dot the I.
  • Source: Warner Home Video
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    Reviews for Dot the I

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    1 - 20 (sorted by date)
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    As much as it tries to be a smart, postmodern indie film, dot the i is pure Hollywood fluff.

    Full Review Source: Arizona Republic | comment Comment
    08/18/05
    Kerry Lengel
    Kerry Lengel
    Arizona Republic
    Top Critic Icon Top Critic

    Parkhill tries to keep new blood pulsing through the film, but the movie stalls by its third act, where he plays a trick that seems more desperate than fresh.

    Full Review Source: Detroit Free Press | comment Comment
    06/10/05
    John Monaghan
    John Monaghan
    Detroit Free Press
    Top Critic Icon Top Critic

    Take a long, hard look at Parkhill's film, and you'll find too many i's undotted.

    Full Review Source: Houston Chronicle | comment Comment
    05/20/05
    Bruce Westbrook
    Bruce Westbrook
    Houston Chronicle
    Top Critic Icon Top Critic

    While stylishly done, Parkhill's script isn't nearly as clever as he thinks it is, and the sucker punch near the end lacks, well, punch.

    Full Review Source: Atlanta Journal-Constitution | comment Comment
    04/28/05
    Eleanor Ringel Gillespie
    Eleanor Ringel Gillespie
    Atlanta Journal-Constitution
    Top Critic Icon Top Critic

    Inflicts great pain on the audience by wringing its plot into a bruised and pulpy mass.

    Full Review Source: Minneapolis Star Tribune | comment Comment
    04/21/05
    Colin Covert
    Colin Covert
    Minneapolis Star Tribune
    Top Critic Icon Top Critic

    Dot the I doesn't suffer from a lack of skill. Rather it becomes a lesson in the pitfalls of moviemaking that runs on cleverness and too little else.

    Full Review Source: Denver Rocky Mountain News | comment Comment
    04/15/05
    Robert Denerstein
    Robert Denerstein
    Denver Rocky Mountain News
    Top Critic Icon Top Critic

    It plays like the last paragraph of one of those Encyclopedia Brown stories, where the solution is an unknown twin brother or the wrong-sized footprint.

    Full Review Source: Denver Post | comment Comment
    04/15/05
    Michael Booth
    Michael Booth
    Denver Post
    Top Critic Icon Top Critic

    The movie not only scatters undotted Is and uncrossed Ts in its wake, but unsquared circles, unfactored primes, unrisen souffles and unconsummated consummations.

    Full Review Source: Chicago Sun-Times | comment Comment
    04/14/05
    Roger Ebert
    Roger Ebert
    Chicago Sun-Times
    Top Critic Icon Top Critic

    Let me know if you figure it out.

    Full Review Source: Chicago Tribune | comment Comment
    04/14/05
    Jessica Reaves
    Jessica Reaves
    Chicago Tribune
    Top Critic Icon Top Critic

    If Dot the i, the directorial debut of Matthew Parkhill (who also wrote the screenplay), has a crass visual flash, it fails to give its characters any credible substance.

    Full Review Source: New York Times | comment Comment
    04/01/05
    Stephen Holden
    Stephen Holden
    New York Times
    Top Critic Icon Top Critic

    Its story is painfully simple.

    Full Review Source: Newark Star-Ledger | comment Comment
    04/01/05
    Stephen Whitty
    Stephen Whitty
    Newark Star-Ledger
    Top Critic Icon Top Critic

    It's a hugely entertaining thriller disguised as a chick flick.

    Full Review Source: New York Post | comment Comment
    04/01/05
    Kyle Smith
    Kyle Smith
    New York Post
    Top Critic Icon Top Critic

    Far too clever for his own good, Park­hill has fashioned a Chinese box of a story where the first twist sets up a second, that one sets up a third, and so on.

    Full Review Source: New York Daily News | comment Comment
    04/01/05
    Jack Mathews
    Jack Mathews
    New York Daily News
    Top Critic Icon Top Critic

    Begins as a romantic comedy, turns into romantic thriller, then collapses into a sick and illogical self-reflexive noir. If this sounds even vaguely exciting, I promise it's not.

    Full Review Source: Boston Globe | comment Comment
    04/01/05
    Wesley Morris
    Wesley Morris
    Boston Globe
    Top Critic Icon Top Critic

    Like the fire trucks that can't quite reach the burning building, there are a lot of good ideas racing toward Dot the I, and ... they ... can't ... quite ... get ... there. Besides, the movie is intent on self-immolation.

    Full Review Source: Newsday | comment Comment
    03/31/05
    John Anderson
    John Anderson
    Newsday
    Top Critic Icon Top Critic

    Leaves too many t's double-crossed.

    Full Review Source: Entertainment Weekly | comment Comment
    03/30/05
    Lisa Schwarzbaum
    Lisa Schwarzbaum
    Entertainment Weekly
    Top Critic Icon Top Critic

    Parkhill, far too eager to wow them in the end, has crafted a twist-is-everything scenario, evincing a sub-Mamet level of concern for plot holes or audience satisfaction.

    Full Review Source: Village Voice | comment Comment
    03/29/05
    Ben Kenigsberg
    Ben Kenigsberg
    Village Voice
    Top Critic Icon Top Critic

    It eventually crosses that elusive line into absurdity, rendering meaningless, in retrospect, most of everything that went before.

    Full Review Source: San Francisco Chronicle | comment Comment
    03/25/05
    Mick LaSalle
    Mick LaSalle
    San Francisco Chronicle
    Top Critic Icon Top Critic

    Gael Garcia Bernal I think is really becoming a major force as a leading man. He’s very good.

    Full Review Source: Ebert & Roeper | comment Comment
    03/21/05
    Richard Roeper
    Richard Roeper
    Ebert & Roeper
    Top Critic Icon Top Critic

    A gimmicky first-time feature that bears all the unfortunate earmarks of an ambitious but empty directorial vision.

    Full Review Source: Washington Post | comment Comment
    03/18/05
    Ann Hornaday
    Ann Hornaday
    Washington Post
    Top Critic Icon Top Critic
     
     
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