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Downfall

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Downfall (2005)

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Reviews Counted:30

Fresh:24

Rotten:6

Average Rating:7.2/10

Consensus: Downfall is an illuminating, thoughtful and detailed account of Hitler's last days.

Runtime: 2 hrs 36 mins

Genre: Foreign Films

Theatrical Release:Sep 16, 2004 Limited

Box Office: $5,475,810

Synopsis: When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had... When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had found the dramatic key to a film he had wanted to make for decades, but never thought possible due to its scope. Fest's book focuses on the final days of the Reich, and Eichinger saw that the horrifying epic of Hitler and his people during his twelve years in power was reflected in those last twelve days in the bunker. "The final days tell us a lot about how the mass fanaticism functioned in the regime's earlier years and how it continued to reign until the bitter end," says Eichinger. Eichinger read another very important book around the same time: the memoirs of Traudl Junge, Hitler's private secretary ("Until the Final Hour: Hitler's Last Secretary"). He recounts, "Fest gave me the time frame, Traudl Junge gave me the character who could hold it all together." DOWNFALL is the first German film to broach the subject of Hitler straight-on since G.W. Pabst's 1956 film "DER LETSTE AKT" ("The Last Act") which was told from the point of view of an ordinary German soldier, played by Oskar Werner. Says director Oliver Hirschbiegel, "In terms of German film history, we are breaking new ground here, since there is no cinematic frame of reference. After reading the book, it was clear to me that if I committed myself, then it would have to be a total and complete commitment, meaning that I was going to spend two years of my life in the Third Reich, with all of those characters and that primitive ideology… My hair stood on end. My wife advised me against it. Yet I noticed that it just wouldn't leave me in peace, and in my heart, before accepting the project, I knew that I had already opened myself up to it." -- © Newmarket Films [More]

Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann

Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann, Ulrich Matthes, Heino Ferch, Christian Berkel

Director: Oliver Hirschbiegel

Director: Oliver Hirschbiegel
Screenwriter: Bernd Eichinger
Producer: Bernd Eichinger
Studio: Constantin Film

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Release:

Aug 2, 2005

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Reviews for Downfall

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Full Review Source: Variety | comment Comment
12/31/08
Derek Elley
Derek Elley
Variety
Top Critic Icon Top Critic

Viewed through a North American lens, the movie itself seems more familiar than fascinating, more innocuous than inflammatory, and, at 21/2 hours, more tedious than anything else.

Full Review Source: Globe and Mail | comment 1 Comment
03/18/05
Rick Groen
Rick Groen
Globe and Mail
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For emotional effect it trades less in the spectacle of ebbing power than the tragedy of power's mysterious thrall.

Full Review Source: Toronto Star | comment Comment
03/18/05
Geoff Pevere
Geoff Pevere
Toronto Star
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Hirschbiegel and Ganz are not apologizing for Nazism. They are trying to come to terms with the fact that the evils of Nazism were invented and carried out by human beings.

Full Review Source: Arizona Republic | comment Comment
03/17/05
Richard Nilsen
Richard Nilsen
Arizona Republic
Top Critic Icon Top Critic

In a remarkable performance, perhaps the most impressive portrait of Hitler ever captured on film, Bruno Ganz plays Hitler as delusional, hateful and cruel man -- but also human.

Full Review Source: Ebert & Roeper | comment Comment
03/14/05
Richard Roeper
Richard Roeper
Ebert & Roeper
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Intriguing, oddly banal and ultimately deflating.

Full Review Source: Washington Post | comment Comment
03/11/05
Desson Thomson
Desson Thomson
Washington Post
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Ganz seems to find exactly the right pitch: His Hitler feels real and human, yet there's nothing particularly ingratiating or sentimentalized about him. We never forget who he is.

Full Review Source: Washington Post | comment Comment
03/11/05
Stephen Hunter
Stephen Hunter
Washington Post
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There are many lessons to be gleaned from Downfall. Perhaps the most important is that absolute faith in one's own virtue is not a commitment to virtuous behavior but a commitment to one's own will. It's a license to commit atrocities.

Full Review Source: San Francisco Chronicle | comment 1 Comment
03/11/05
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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Succeeds, perhaps too well for us to believe Hitler was some aberration who could never happen again.

Full Review Source: Detroit Free Press | comment Comment
03/11/05
Terry Lawson
Terry Lawson
Detroit Free Press
Top Critic Icon Top Critic

A figure as large and infamous as Hitler creates a certain amount of inevitable fascination, and Downfall definitely benefits from such curiosity.

Full Review Source: Denver Rocky Mountain News | comment Comment
03/11/05
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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It provides a compelling glimpse at a nation wrestling with its greatest demon.

Full Review Source: Denver Post | comment Comment
03/11/05
Lisa Kennedy
Lisa Kennedy
Denver Post
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It is useful to reflect that racism, xenophobia, grandiosity and fear are still with us, and the defeat of one of their manifestations does not inoculate us against others.

Full Review Source: Chicago Sun-Times | comment Comment
03/11/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
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Arresting and skillfully made.

Full Review Source: Boston Globe | comment Comment
03/11/05
Wesley Morris
Wesley Morris
Boston Globe
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Some may feel that portraying a Hitler with such human dimension does a disservice to those who died and suffered at his command. Actually, the treatment makes him more accessible, and therefore more terrifying.

Full Review Source: Dallas Morning News | comment Comment
03/10/05
Philip Wuntch
Philip Wuntch
Dallas Morning News
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An intense, incredibly exciting thriller.

Full Review Source: New York Observer | comment Comment
03/10/05
Rex Reed
Rex Reed
New York Observer
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The filmmakers' mix of history and conjecture doesn't add up to anything more than reenactment.

Full Review Source: Philadelphia Inquirer | comment Comment
03/10/05
Steven Rea
Steven Rea
Philadelphia Inquirer
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Gives us the most intimate portrait of Adolf Hitler to date.

Full Review Source: Minneapolis Star Tribune | comment Comment
03/10/05
Colin Covert
Colin Covert
Minneapolis Star Tribune
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Few movies indeed have ever more completely conveyed Arendt's juxtaposition of the evil that sent millions to their graves with the stultifying banality of their murderers' lives.

Full Review Source: Chicago Tribune | comment Comment
03/10/05
Michael Wilmington
Michael Wilmington
Chicago Tribune
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Any film that reminds us what our darkest nature looks like has value for that reason alone.

Full Review Source: Los Angeles Times | comment Comment
02/24/05
Kenneth Turan
Kenneth Turan
Los Angeles Times
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All in all, this is a well-made film, but not particularly fresh for American audiences, where other films have focused on the Reich's last days. But it is new for Germans.

Full Review Source: Newark Star-Ledger | comment Comment
02/24/05
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
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