Click to read the article
Downfall (2005)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:30
Fresh:24
Rotten:6
Average Rating:7.2/10
Consensus: Downfall is an illuminating, thoughtful and detailed account of Hitler's last days.
Runtime: 2 hrs 36 mins
Genre: Foreign Films
Theatrical Release:Sep 16, 2004 Limited
Box Office: $5,475,810
Synopsis: When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had... When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had found the dramatic key to a film he had wanted to make for decades, but never thought possible due to its scope. Fest's book focuses on the final days of the Reich, and Eichinger saw that the horrifying epic of Hitler and his people during his twelve years in power was reflected in those last twelve days in the bunker. "The final days tell us a lot about how the mass fanaticism functioned in the regime's earlier years and how it continued to reign until the bitter end," says Eichinger. Eichinger read another very important book around the same time: the memoirs of Traudl Junge, Hitler's private secretary ("Until the Final Hour: Hitler's Last Secretary"). He recounts, "Fest gave me the time frame, Traudl Junge gave me the character who could hold it all together." DOWNFALL is the first German film to broach the subject of Hitler straight-on since G.W. Pabst's 1956 film "DER LETSTE AKT" ("The Last Act") which was told from the point of view of an ordinary German soldier, played by Oskar Werner. Says director Oliver Hirschbiegel, "In terms of German film history, we are breaking new ground here, since there is no cinematic frame of reference. After reading the book, it was clear to me that if I committed myself, then it would have to be a total and complete commitment, meaning that I was going to spend two years of my life in the Third Reich, with all of those characters and that primitive ideology… My hair stood on end. My wife advised me against it. Yet I noticed that it just wouldn't leave me in peace, and in my heart, before accepting the project, I knew that I had already opened myself up to it." -- © Newmarket Films [More]
Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann
Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann, Ulrich Matthes, Heino Ferch, Christian Berkel
Director: Oliver Hirschbiegel
Director: Oliver Hirschbiegel
Screenwriter: Bernd Eichinger
Producer: Bernd Eichinger
Studio: Constantin Film
Get This Movie
Reviews for Downfall
Viewed through a North American lens, the movie itself seems more familiar than fascinating, more innocuous than inflammatory, and, at 21/2 hours, more tedious than anything else.
For emotional effect it trades less in the spectacle of ebbing power than the tragedy of power's mysterious thrall.
Hirschbiegel and Ganz are not apologizing for Nazism. They are trying to come to terms with the fact that the evils of Nazism were invented and carried out by human beings.
In a remarkable performance, perhaps the most impressive portrait of Hitler ever captured on film, Bruno Ganz plays Hitler as delusional, hateful and cruel man -- but also human.
Ganz seems to find exactly the right pitch: His Hitler feels real and human, yet there's nothing particularly ingratiating or sentimentalized about him. We never forget who he is.
There are many lessons to be gleaned from Downfall. Perhaps the most important is that absolute faith in one's own virtue is not a commitment to virtuous behavior but a commitment to one's own will. It's a license to commit atrocities.
Succeeds, perhaps too well for us to believe Hitler was some aberration who could never happen again.
A figure as large and infamous as Hitler creates a certain amount of inevitable fascination, and Downfall definitely benefits from such curiosity.
It provides a compelling glimpse at a nation wrestling with its greatest demon.
It is useful to reflect that racism, xenophobia, grandiosity and fear are still with us, and the defeat of one of their manifestations does not inoculate us against others.
Some may feel that portraying a Hitler with such human dimension does a disservice to those who died and suffered at his command. Actually, the treatment makes him more accessible, and therefore more terrifying.
The filmmakers' mix of history and conjecture doesn't add up to anything more than reenactment.
Few movies indeed have ever more completely conveyed Arendt's juxtaposition of the evil that sent millions to their graves with the stultifying banality of their murderers' lives.
Any film that reminds us what our darkest nature looks like has value for that reason alone.
All in all, this is a well-made film, but not particularly fresh for American audiences, where other films have focused on the Reich's last days. But it is new for Germans.
Latest News for Downfall
November 14, 2008:
UK Critics Consensus: Is Zack And Miri Make A Porno On The Money (Shot)? Is Max Payne Maxing Or Taxing?
This week in the UK cinema screens we have Kevin Smith's latest, the intuitively titled Zack And Miri Make A Porno. Marky Mark Wahlberg stars in the video game adaptation Max... More...
April 05, 2007:
"Vendetta" Team Took Over Kidman's "Invasion"?
Seems like we've been hearing about upcoming sci-fi flick "The Invasion" for a pretty long time now. You know the one: It's the fourth adaptation of Jack Finney's... More...
January 16, 2006:
OFCS Announces Its '05 Winners
The Online Film Critics Society (OFCS) cast their ballots over the holiday weekend in an effort to pick the group's favorite flicks from 2005, and I think we did a pretty solid... More...
January 10, 2006:
Online Film Critics Offer Their Annual Nominations
The OFCS, which is hosted right here at Rotten Tomatoes and (full disclosure) includes yours truly as a member, announced their year-end nominations yesterday ... and we hope... More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



