The undisputed king of the cornball concept, Kevin Costner has an uncanny aptitude for gravitating toward the dopiest projects in sight, but this time he's outdone himself.
Dragonfly (2002)
Tomatometer
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Reviews Counted:30
Fresh:1
Rotten:29
Average Rating:3.5/10
Consensus: Sappy, dull, and muddled, Dragonfly is too melancholic and cliched to generate much suspense.
Rated: PG-13 [See Full Rating] for thematic material and mild sensuality
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:Feb 22, 2002 Wide
Box Office: $30,063,805
Synopsis: Lush green aerial photography of the Venezuelan jungle stands in stark contrast to the dark and depressing urbanity of American city life where Joe Darrow (Kevin Costner) works as a doctor in the... Lush green aerial photography of the Venezuelan jungle stands in stark contrast to the dark and depressing urbanity of American city life where Joe Darrow (Kevin Costner) works as a doctor in the emergency room of Chicago Memorial Hospital. His wife, Emily Darrow (Susanna Thompson), was last seen in a rainstorm in Venezuela, where she was on a retreat with the Red Cross offering humanitarian aid. She vanished in a bus accident. There were no survivors and her body was never found. That rich, green, exotic land is left behind as Joe is challenged to persevere through sad, rainy days back home. Joe promised Emily that if anything ever happened to her, he would visit her patients in the oncology ward. Strangely, the children seem to know him, and they say they've seen Emily in their near-death experiences. When Joe begins to believe that Emily is trying to contact him from the other side, his coworkers and his neighbor (a staunch Kathy Bates with a sterling buzz cut) warn him that grief can be a heavy burden to bear. Featuring a handful of frightful moments, an unexpected action sequence, and many emotional dialogues, DRAGONFLY is a pensive movie about coping with death and questioning the possibility of the afterlife. Some of the best scenes of the film involve the hilarious and bizarre Linda Hunt, who plays Sister Madeline, an intense little nun with a bad rep who is plagued by tabloid journalists. [More]
Starring: Kevin Costner, Joe Morton, Ron Rifkin, Linda Hunt
Starring: Kevin Costner, Joe Morton, Ron Rifkin, Linda Hunt, Susanna Thompson, Kathy Bates, Jacob Vargas
Director: Tom Shadyac
Director: Tom Shadyac
Screenwriter: Mike Thompson, David Seltzer, Brandon Camp
Producer: Mark Johnson, Tom Shadyac, Roger Birnbaum, Gary Barber
Composer: John Debney
Studio: Universal Pictures
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Reviews for Dragonfly
More dull than offensive, Dragonfly keeps Costner on screen for nearly every scene, which pretty much compounds the movie's boredom quotient.
Chances are good that if you loved Ghost or Truly Madly Deeply, you'll at the very least like this fitfully affecting tale of love beyond death and faith beyond reason.
If you're a Costner fan, you'll find Dragonfly mildly diverting, but otherwise you'll come away agreeing with the woman in the audience who said as the lights went up, 'That was so cheesy.'
Probably was hatched by screenwriters watching The Sixth Sense on methamphetamines.
While the themes sound intriguing, the movie lacks the necessary clarity of vision.
The thriller is only thrilling enough to kill the movie's romantic mood, while the romance just makes Dragonfly seem meandering and inert.
As thrillers go, this one, with a peskily insistent score, weepy-timbred voice-overs, and telegraphed 'twist' ending, is mighty unthrilling.
There are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made A Walk to Remember a niche hit.
The dragonfly is a sleek, graceful insect that doesn't deserve to have its reputation sullied by being associated with this pile of offal.
Dragonfly has more plot than a figure-skating competition, and just about as much credibility.
You come away wishing, though, that the movie spent a lot less time trying to make a credible case for reports from the afterlife and a lot more time on the romantic urgency that's at the center of the story.
If there's anything worse than a slick, crummy horror movie, it's a slick, crummy, pretentious horror movie.
If Oscars were dished out for tin ears, screenwriters David Seltzer, Brandon Camp, and Mike Thompson would be in the running.
There are deeply religious and spiritual people in this world who would argue that entering a church, synagogue or temple doesn't mean you have to check your brain at the door. The same should go for movie theaters.
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