Opening

20% Transcendence Apr 18
53% Heaven Is for Real Apr 16
7% A Haunted House 2 Apr 18
89% Bears Apr 18
58% Fading Gigolo Apr 18

Top Box Office

89% Captain America: The Winter Soldier $41.3M
47% Rio 2 $39.3M
71% Oculus $12.0M
62% Draft Day $9.8M
77% Noah $7.6M
41% Divergent $7.4M
13% God's Not Dead $5.5M
92% The Grand Budapest Hotel $4.1M
79% Muppets Most Wanted $2.3M
78% Mr. Peabody & Sherman $1.9M

Coming Soon

45% The Other Woman Apr 25
—— Brick Mansions Apr 25
72% The Amazing Spider-Man 2 May 02
100% Neighbors May 09
—— Godzilla May 16

Premieres Tonight

—— Devious Maids: Season 2
50% Salem: Season 1

New Episodes Tonight

38% Believe: Season 1
83% The Bletchley Circle: Season 2
—— Californication: Season 7
83% Call the Midwife: Season 3
61% Crisis: Season 1
98% Game of Thrones: Season 4
100% The Good Wife: Season 5
86% Mad Men: Season 7
—— The Mentalist: Season 6
—— Mr. Selfridge: Season 2
—— Nurse Jackie: Season 6
71% Once Upon a Time: Season 3
100% Shameless: Season 04
48% Turn: Season 1
100% Veep: Season 3

Discuss Last Night's Shows

100% Da Vinci's Demons: Season 2
100% Orphan Black: Season 2

Dream House Reviews

Nigel Floyd
Time Out
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A well-acted but ramshackle mess.

Full Review Source: Time Out | Original Score: 2/5

November 22, 2011
Wesley Morris
Boston Globe
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Full Review Source: Boston Globe | Original Score: 1/4

November 19, 2011
James Berardinelli
ReelViews
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Was the screenplay, credited to David Loucka, this schizophrenic from the beginning? Or was some major tampering/reworking done at some point?

Full Review Source: ReelViews | Original Score: 2/4

October 2, 2011
Owen Gleiberman
Entertainment Weekly
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This suburban gothic is a logy, convoluted mess.

Full Review Source: Entertainment Weekly | Original Score: C-

October 1, 2011
Peter Howell
Toronto Star
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While Will and Libby struggle to adjust their thinking caps, the viewer already knows, thanks to the tell-all trailer, the reason for much of the confusion.

Full Review Source: Toronto Star | Original Score: 2/4

September 30, 2011
Jeannette Catsoulis
New York Times
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This crackpot thriller from the usually competent Jim Sheridan leaves only one mystery unsolved: what on earth was he thinking?

Full Review Source: New York Times | Original Score: 1.5/5

September 30, 2011
Robert Koehler
Variety
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Daniel Craig does everything to dispel comparisons to Stanley Kubrick's The Shining with a finely tuned performance, but the film flattens as it tries to explain his character's psychological state.

Full Review Source: Variety

September 30, 2011
Joe Neumaier
New York Daily News
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Sheridan's pacing is turgid and mournful, which lends the story -- sort of like The Shining crossed with Gothika during a sleepover stop at The Amityville Horror -- an air of ponderousness.

Full Review Source: New York Daily News | Original Score: 2/5

September 30, 2011
Mark Olsen
Los Angeles Times
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Sheridan can't ever quite get hold of the tone and falls back on a default dreaminess (the little girls play a shaky rendition of Beethoven's "Für Elise" more than once) that never quite convinces.

Full Review Source: Los Angeles Times | Original Score: 1.5/5

September 30, 2011
David Rooney
Hollywood Reporter
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Despite the talent involved, this is more a snooze than a dream.

Full Review Source: Hollywood Reporter

September 30, 2011
Eric D. Snider
Film.com
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There are probably some fascinating behind-the-scenes stories that would explain why Dream House is such a ruined pile of nonsense.

Full Review Source: Film.com | Original Score: D-

September 30, 2011
Stephen Whitty
Newark Star-Ledger
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The only thing it haunts you with is: What the heck happened to Jim Sheridan?

Full Review Source: Newark Star-Ledger | Original Score: 1.5/4

September 30, 2011
Nick Schager
Village Voice
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Sheridan's tale soon segues into an unevenly paced whodunit pockmarked with lame CG nightmare sequences and populated by hollow ciphers whose every word and action is less believable than the last.

Full Review Source: Village Voice

September 30, 2011
Alonso Duralde
The Wrap
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The premise and the execution hold a lot of promise, but the film's climactic reveal will be incredibly obvious to anyone paying even the slightest amount of attention.

Full Review Source: The Wrap

September 30, 2011
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