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Dreamcatcher (2003)
Tomatometer
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Reviews Counted:32
Fresh:9
Rotten:23
Average Rating:4.4/10
Consensus: An incoherent and overly long creature feature.
Rated: R [See Full Rating] for violence, gore, and language
Runtime: 2 hrs 16 mins
Genre: Horror/Suspense
Theatrical Release:Mar 21, 2003 Wide
Box Office: $33,623,361
Synopsis: Based on the novel by Stephen King, Lawrence Kasdan's DREAMCATCHER follows four friends who receive psychic powers as children when they aid and befriend a mentally retarded boy named Duddits. As... Based on the novel by Stephen King, Lawrence Kasdan's DREAMCATCHER follows four friends who receive psychic powers as children when they aid and befriend a mentally retarded boy named Duddits. As adults, Jonesy (Damian Lewis), Henry (Thomas Jane), Beaver (Jason Lee), and Pete (Timothy Olyphant), reunite every winter at a cabin deep in the Maine woods to hunt, drink, and celebrate the bond they share with Duddits (Donnie Wahlberg) and each other. However, this year their wilderness reunion is marred by disturbing incidents which begin with the discovery of a lost, sick hunter and a frozen figure in the middle of a remote road. As events escalate and horrific creatures emerge from unsightly spaces, heavily armed government operatives, led by the imposing Colonel Curtis (Morgan Freeman), arrive in the area, and soon the situation becomes an all-out battle for the fate of humanity. A crazy-quilt combination of horror, thriller, sci-fi, drama, and action genres, DREAMCATCHER features aspects of other King screen adaptations such as STAND BY ME, IT, and THE TOMMYKNOCKERS, along with films such as THE THING and SIGNS. Seemingly disparate elements that filter into this giddily strange story include creeping red mold, fatal bowel movements, deadly worms with needlelike teeth, an imaginary space called the "memory warehouse," a deranged military officer, and an ailing man obsessed with Scooby-Doo. Director/screenwriter Kasdan, along with veteran screenwriter William Goldman, revel in the absurdity of the tale, crafting an often chilling and sometimes funny film that delights in its own thoroughly entertaining outrageousness. [More]
Starring: Damian Lewis, Thomas Jane, Jason Lee, Timothy Olyphant
Starring: Damian Lewis, Thomas Jane, Jason Lee, Timothy Olyphant, Morgan Freeman, Tom Sizemore, Donnie Wahlberg
Director: Lawrence Kasdan
Director: Lawrence Kasdan
Screenwriter: William Goldman, Lawrence Kasdan
Producer: Charles Okun, Lawrence Kasdan
Composer: James Newton Howard
Studio: Warner Bros.
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Reviews for Dreamcatcher
Stupid, sophomoric and moronically silly, it leaves you with the feeling that you might welcome shock treatment just to get your brain back.
... not since Death to Smoochy have so many talented people made such a mess of things.
If hopeless literalist Kasdan could have decided on a tone ... this could have been a gynophobe's Independence Day.
Easily one of the most absurdly over-plotted and incoherently condensed horror movies of recent times.
While the movie is fairly unpleasant it's also, finally, so ludicrous that you begin to wonder if it isn't all a big put-on.
Dreamcatcher is a spectacular mistake, a five-star screw-up that -- notwithstanding sheer grossness, plot meanderings, inconsistency and illogic -- has given me more fun than almost any other movie this year.
Even those who have read King's hybrid of horror and sci-fi may be left in the lurch. The story flowed on the book's 620 pages. It drunkenly stumbles on the screen.
Like nightmares, horror movies pull us down with them. And so the film keeps us in thrall for every one of its 134 minutes.
Dreamcatcher is a serviceable action-horror-sci-fi flick much of the time, but it has a bit too much going on for any of it to have real impact.
Burdened not only by its bathroom blowouts but by its big-budget pretensions.
Dreamcatcher begins as the intriguing story of friends who share a telepathic gift, and ends as a monster movie of stunning awfulness.
All that keeps it from trash greatness is handful of miscast players and a habit of stuffing five plot points into a space normally reserved for one.
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