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Movies / On DVD / Driving Miss Daisy
Driving Miss Daisy

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Driving Miss Daisy (1989)

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Reviews Counted:8

Fresh:8

Rotten:0

Average Rating:7.9/10

Consensus: Warm and smartly paced, and boasting impeccable performances from Morgan Freeman and Jessica Tandy.

Runtime: 1 hr 39 mins

Genre: Dramas

Synopsis: Director Bruce Beresford's affinity for the subtleties of southern life is apparent in this adaptation of Alfred Uhry's Pulitzer Prize-winning play. Starring Jessica Tandy as Daisy Werthan and... Director Bruce Beresford's affinity for the subtleties of southern life is apparent in this adaptation of Alfred Uhry's Pulitzer Prize-winning play. Starring Jessica Tandy as Daisy Werthan and Morgan Freeman as Hoke Colburn, the film opens in late-1940s Atlanta. Since Miss Daisy is becoming a menace behind the wheel, her son, Boolie (Dan Aykroyd), ignores her protests and hires Hoke, a black chauffeur. When the feisty matron decides to resist necessity and walk to the store, the equally stubborn chauffeur follows her in her car. As he says to Boolie, "I used to rassle hogs down to the ground...ain't nary a hog got away from me yet." But Hoke's methods are gentleness and patience, and as the years elapse in his ongoing tug-of-war with the temperamental Daisy, she begins to tacitly acknowledge his wisdom. When she expresses annoyance over the demands of the nascent civil rights movement, Hoke points out to the Jewish woman the similarity between the attack on her synagogue and Klan attacks on black churches. But it is only after many years together that they can finally admit to the depth of the friendship they have shared. The two stars give unforgettable performances, and Beresford's direction is a model of restraint. [More]

Starring: Jessica Tandy, Morgan Freeman, Dan Aykroyd, Patti LuPone

Starring: Jessica Tandy, Morgan Freeman, Dan Aykroyd, Patti LuPone, Esther Rolle

Director: Bruce Beresford

Director: Bruce Beresford
Screenwriter: Alfred Uhry

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Release:

Aug 22, 1997

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Reviews for Driving Miss Daisy

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1 - 9 (sorted by date)
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Alfred Uhry's adaptation of his Pulitzer-prizewinning play aspires more to complex observation of human behavior than to simple moralism about it. Precisely because it has its priorities straight, it succeeds superbly on both levels.

Full Review Source: TIME Magazine | comment Comment
02/20/09
Richard Schickel
Richard Schickel
TIME Magazine
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N/R

Click to read the article

Full Review Source: Newsweek | comment Comment
05/12/08
David Ansen
David Ansen
Newsweek
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Bruce Beresford's sensitive direction complements Alfred Uhry's skillful adapation of his Pulitzer Prize-winning play.

Full Review Source: Variety | comment Comment
01/28/08
Joseph McBride
Joseph McBride
Variety
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The movie also has something legitimate and instructive to say about the subtlety and intricacy of everyday race relations in the south during the period covered (roughly 1948 to '73).

Full Review Source: Chicago Reader | comment Comment
02/05/07
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
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There is an exhilarating, singularly theatrical lightness of touch that is often lost when these settings are made manifest in a movie.

Full Review Source: New York Times | comment Comment
05/20/03
Vincent Canby
Vincent Canby
New York Times
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This is Tandy's finest two hours onscreen in a film career that goes back to 1932.

Full Review Source: Rolling Stone | comment Comment
05/13/01
Peter Travers
Peter Travers
Rolling Stone
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The movie gets you mainly because Morgan Freeman, who played chauffeur Hoke Colburn in the original stage production (and won his third Obie for it), takes the wheel and drives Daisy all the way home.

Full Review Source: Washington Post | comment Comment
01/01/00
Desson Thomson
Desson Thomson
Washington Post
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The story holds a potential for sap that is mostly unfulfilled thanks to Beresford's stately approach, the stars' better judgment and the protagonists' sharp wits.

Full Review Source: Washington Post | comment Comment
01/01/00
Rita Kempley
Rita Kempley
Washington Post
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Driving Miss Daisy is a film of great love and patience, telling a story that takes 25 years to unfold, exploring its characters as few films take the time to do.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
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