Alfred Uhry's adaptation of his Pulitzer-prizewinning play aspires more to complex observation of human behavior than to simple moralism about it. Precisely because it has its priorities straight, it succeeds superbly on both levels.
Driving Miss Daisy (1989)
Tomatometer
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Reviews Counted:41
Fresh:32
Rotten:9
Average Rating:7/10
Consensus: Warm and smartly paced, and boasting impeccable performances from Morgan Freeman and Jessica Tandy.
Runtime: 1 hr 39 mins
Genre: Dramas
Synopsis: Director Bruce Beresford's affinity for the subtleties of southern life is apparent in this adaptation of Alfred Uhry's Pulitzer Prize-winning play. Starring Jessica Tandy as Daisy Werthan and... Director Bruce Beresford's affinity for the subtleties of southern life is apparent in this adaptation of Alfred Uhry's Pulitzer Prize-winning play. Starring Jessica Tandy as Daisy Werthan and Morgan Freeman as Hoke Colburn, the film opens in late-1940s Atlanta. Since Miss Daisy is becoming a menace behind the wheel, her son, Boolie (Dan Aykroyd), ignores her protests and hires Hoke, a black chauffeur. When the feisty matron decides to resist necessity and walk to the store, the equally stubborn chauffeur follows her in her car. As he says to Boolie, "I used to rassle hogs down to the ground...ain't nary a hog got away from me yet." But Hoke's methods are gentleness and patience, and as the years elapse in his ongoing tug-of-war with the temperamental Daisy, she begins to tacitly acknowledge his wisdom. When she expresses annoyance over the demands of the nascent civil rights movement, Hoke points out to the Jewish woman the similarity between the attack on her synagogue and Klan attacks on black churches. But it is only after many years together that they can finally admit to the depth of the friendship they have shared. The two stars give unforgettable performances, and Beresford's direction is a model of restraint. [More]
Starring: Jessica Tandy, Morgan Freeman, Dan Aykroyd, Patti LuPone
Starring: Jessica Tandy, Morgan Freeman, Dan Aykroyd, Patti LuPone, Esther Rolle
Director: Bruce Beresford
Director: Bruce Beresford
Screenwriter: Alfred Uhry
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Reviews for Driving Miss Daisy
It gets to its hugely emotional destination without ever having to put the foot down; a poignant and provocative road movie.
Ultimately this is an intelligent feel-good movie that had Oscar material stamped all over the screenplay, but lacks the bite or insight that could have turned it into something truly special.
Bruce Beresford's sensitive direction complements Alfred Uhry's skillful adapation of his Pulitzer Prize-winning play.
Chief among the film's rewards are the extraordinary performances of its trio of stars, Freeman, Tandy, and Aykroyd.
The movie also has something legitimate and instructive to say about the subtlety and intricacy of everyday race relations in the south during the period covered (roughly 1948 to '73).
Tandy and Freeman are terrific in this beautiful film about the commonalities between people who seem so different.
Far too cosy to serve as an effective social or political metaphor; better to regard it as a solid ensemble piece.
The low budget (7.5 million), modest storytelling, and likable performances must have impressed the Academy for the movie won the Best Picture Oscar and Best Actress for Jessica Tandy, thus establishing her as a screen star at an old age.
A toothless message movie, timidly espousing homogenized morals and terrified of offending anyone.
Strikes the right chords in both drama and comedy, but given the setting and subject matter, doesn’t really have anything important or original to say.
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