The movie's idea of funny is giving the two lovers identical moles bordering their upper lips.
Eagle Vs. Shark (2007)
Tomatometer
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Reviews Counted:25
Fresh:11
Rotten:14
Average Rating:5.3/10
Consensus: Though there are frequent moments of wit and mordant humor, Eagle vs Shark needs more to distinguish itself from other precious, Napoleon Dynamite-ish comedies.
Rated: R [See Full Rating] for language, some sexuality, and brief animated violence.
Runtime: 1 hr 33 mins
Genre: Comedies
Theatrical Release:Jun 15, 2007 Limited
Box Office: $142,513
Synopsis: Which is the more dangerous predator: an eagle or a shark? That's a trick question. Don't try to answer it. You'll have your own opinion by the end of Taika Waititi's deliciously tangy, deadpan... Which is the more dangerous predator: an eagle or a shark? That's a trick question. Don't try to answer it. You'll have your own opinion by the end of Taika Waititi's deliciously tangy, deadpan feature debut about two colorful misfits thrown into each other's orbit. Lily is one of those weird, sweet-natured girls with stringy hair who is quite lovely and charismatic under a surface of shy awkwardness. But most people don't have enough vision to notice, and the truth is that Lily isn't looking to change. She cashiers at a fast-food joint and pines for Jarrod, the self-aggrandizing, clueless geek from the computer store across the way. Fiercely optimistic, Lily crashes Jarrod's animal/video-game extravaganza, impressing him enough with her shark suit and gaming prowess to score a hookup with Eagle Lord (Jarrod) himself. Soon Lily and her brother are driving Jarrod back to his hometown to confront his childhood nemesis. But here Jarrod's self-absorption blossoms so mightily that it may drive even the most adoring of girlfriends away. As Jarrod prepares to exact his revenge on the past, Lily's quiet power gathers force as well. With so much subtlety and precision in Loren Horsley and Jemaine Clement's straight-faced, oddball performances, Lily and Jarrod's attempts to reach each other are hilarious and excruciatingly real. Meanwhile, Phoenix Foundation's charming, moody score perfectly reflects lopsided hearts as they stumble through uncomfortably transformative terrain. -- Sundance Film Festival [More]
Starring: Jemaine Clement, Loren Horsley, Brian Sergent, Joel Tobeck
Starring: Jemaine Clement, Loren Horsley, Brian Sergent, Joel Tobeck, Rachel House
Director: Taika Waititi
Director: Taika Waititi
Screenwriter: Taika Waititi
Producer: Cliff Curtis, Ainsley Gardiner
Studio: Miramax Films
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Reviews for Eagle Vs. Shark
Yes, the nerdy loser thing has been done to death, but writer-director Taika Cohen brings surprising depth to this film...Napoleon Dynamite dreams of being this movie.
So the only real argument I can make for Eagle vs. Shark, a stupid-absurdist comedy from New Zealand, is that I laughed a lot, often despite myself, and that while I might not be able to wholly justify it, I can mount a questionable defense.
I think this film was already made, and it was called Napoleon Dynamite.
Eagle vs. Shark might have seemed amusingly original, albeit in a self-consciously quirky, indie-movie kind of way, if Napoleon Dynamite didn't already exist.
The movie is so self-consciously odd and twee it's hard to connect with the sad-sack characters. Waititi borrowed the formula for Dynamite but created a damp firecracker.
If you just can't get enough of watching a waif being mistreated for comic effect, by all means go see Eagle vs. Shark.
A disturbing film trying to diguise itself as a quirky romantic comedy. There are indeed some laugh-out-loud moments; unfortunately most of the laughs are aimed at -- not with -- the misfits.
The tone and tenor of Waititi's effort are quieter, gentler [than Napoleon Dynamite]. This is low-key stuff, but strangely, goofily endearing.
You believe in it, because you believe in the small but decent lives of its characters, a rare experience for a hot weekend in June.
One of those movies that invite you to laugh at its misfit characters and empathize with them at the same time.
It becomes increasingly difficult to care one way or another about characters who act like they have undergone frontal lobotomies.
A pleasing New Zealand gloss on Napoleon Dynamite, full of geek posturing, sweet weirdness and disarmingly modest goals.
Scornful laughs are cheap laughs, and although [director] Waititi allows a few moments of gentle sweetness, he takes the easy way out too often.
Eagle vs. Shark is the kind of movie Hollywood should make but rarely does.
Eagle vs Shark has its own distinctive style, partly thanks to whimsical little interludes of animation, but mainly because it ties blithe absurdity to a rock bed of emotional truth.
It sure feels like [director] Waititi got a look at Napoleon Dynamite a few dozen times on video and decided, heck, I can do that, and with cuter accents too.
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