Nearly incomprehensible but stylistically dazzling
The Element of Crime (1985)
Tomatometer
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Reviews Counted:13
Fresh:10
Rotten:3
Average Rating:6.3/10
Runtime: 1 hr 44 mins
Genre: Dramas
Synopsis: Danish director Lars von Trier's debut feature film--also his first English-language effort--is an extremely hypnotic, moody thriller. The story opens in the desert of Egypt, where police detective... Danish director Lars von Trier's debut feature film--also his first English-language effort--is an extremely hypnotic, moody thriller. The story opens in the desert of Egypt, where police detective Leopold Fisher (Michael Elphick) is hypnotized and asked to recount the recent events of his life. It seems that Fisher has been called back to a small town where he has previously spent time in order to investigate the brutal murders of several little girls who sell lottery tickets. He reunites with his mentor, Osborne (Esmond Night), the writer of a controversial book entitled THE ELEMENT OF CRIME, in which he recommends that investigators adopt the point of view of killers in order to better predict subsequent tragedies. When Fisher meets Kim (Meme Lei), a beautiful young woman, the pair embarks on a journey that begins to blur the line between Fisher's simulated killer and the real thing. Von Trier's film is a bold exercise in style, using hypnotism to support the slowly unfolding story. Visually, he soaks the film in a sepia tone, incorporating double exposures and super-8 footage to add even more stylish effect. The result is a deeply puzzling murder mystery that stands as an extremely bold directorial debut. [More]
Starring: Michael Elphick, Esmond Knight, Meme Lei, Jerold Wells
Starring: Michael Elphick, Esmond Knight, Meme Lei, Jerold Wells
Director: Lars von Trier
Director: Lars von Trier
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Reviews for The Element of Crime
More than diverting, with entrancing production design, but not as fully realized as later Von Trier.
an utterly mesmerizing and completely disjointed crime thriller that is more about tone and style than it is about its fragmented narrative
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