Elles (2012)
Average Rating: 4.8/10
Reviews Counted: 55
Fresh: 12 | Rotten: 43
No consensus yet.
Average Rating: 5/10
Critic Reviews: 16
Fresh: 3 | Rotten: 13
No consensus yet.
liked it
Average Rating: 2.6/5
User Ratings: 3,407
My Rating
Movie Info
A provocative exploration of female sexuality, Elles stars the fearless Juliette Binoche as Anne, a well-off Parisian journalist investigating the lives of two student prostitutes (Joanna Kulig and Anaïs Demoustier) for a magazine article. What begins as a routine assignment, though, quickly turns personal, as Anne is drawn into the lives of these fiercely independent young women and forced to confront her own sexual fears and desires. -- (C) Kino Lorber
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Cast
-
Juliette Binoche
Anne -
Anaïs Demoustier
Charlotte -
Joanna Kulig
Alicja -
Louis-Dominique de Lencqu...
Patrick -
Krystyna Janda
Alicja's Mother -
Andrzej Chyra
The Sadistic Client -
Ali Marhyar
Saïd -
Jean-Marie Binoche
Anne's Father -
François Civil
Florent -
Pablo Beugnet
Stéphane -
Valerie Dreville
Charlotte's Mother -
Jean-Louis Coullo'ch
Charlotte's Father -
Arthur Moncia
Thomas -
Scali Delpeyrat
Charles -
Laurence Ragon
Colette -
Alain Libolt
Colette's Husband -
Swann Arlaud
The Young Client -
Nicolas Layani
The Guitar Client -
Laurent Jumeaucourt
The Beauty Mark Client -
José Fumanal
The Crying Client
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All Critics (56) | Top Critics (16) | Fresh (13) | Rotten (43) | DVD (2)
This Paris-based film from Polish director Malgorzata Szumowska is a fairly unengaging journalism procedural shellacked with a veneer of elliptical, complicated symbolism.
Writer-director Malgorzata Szumowska breaks past the facile moralizing only once.
"Elles" has a surprisingly deep performance in a disappointingly shallow movie.
Binoche is the disappointment. More than half the problem is that the script, co-written by the director, gives her little to do but fret and mope.
One of her (Binoche's) lesser choices.
Both provocative and muddled, the film's a moody, passive-aggressive tract that's buoyed by superior performances and sunk by its own uncertainties.
Polish director Małgorzata Szumowska deserves some sort of award for making such a potentially spell-binding topic so flat.
I can't tell what Elles has to say and I rather think the filmmakers don't either
There is an element of voyeurism and titillation by design that seeps out in the realisation of the narrative
Neglected wife explores her sexuality in daring midlife crisis drama.
It's not great, but it could lead to interesting discussion.
Sexy enough to arouse and honest enough to provide reasons to be turned off.
Beneath its sophisticated Frenchness and Juliette Binoche-led cast, Elles is gratuitous garbage.
The three actresses put on a show (including graphic sex scenes), but it's a small show.
The shock factor may put off some, especially men who might feel uncomfortable having their sex portrayed with such cruel strokes (including male film critics-this film has been panned by so many of them) ...
While Binoche is almost always worth watching, this is one of the exceptions to that rule.
Yes, I know, it's the obvious semi-feminist take on the oldest profession in the world, and yes, men are pigs.
How did the Polish filmmaker Malgoska Szumowska dupe the classy Juliette Binoche to participate in such a dubious, exploitative film?
Audience Reviews for Elles
Super Reviewer
Super Reviewer
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- Charlotte: En fait, ils parlent...
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- Anne: What kind of men do you see?
- Charlotte: Bored husbands.
Discussion Forum
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Latest News on Elles
April 27, 2012:
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Foreign Titles
- Das bessere Leben (DE)
- Ellas (ES)










Top Critic
"Elles" is beautifully filmed. Szumowska is a master of cinematography and mise-en-scene. In many instances, just the way a shot was composed took my breath away. Equally gorgeous was the editing, with cross-cutting that was consistently innovative and almost always perfect.
The film is masterfully acted, with the incomparable Juliette Binoche leading a superb supporting cast. Szumowska clearly knows how to direct actors and is able to handle middle-aged and young actors equally well, a rare skill. Every character felt authentic to me, from the teenagers to the fortysomethings. One of the hallmarks of a true artist, I believe, is the ability to empathize with characters of all ages -- seeing the world from their different perspectives.
The story line is as follows: A well-educated, middle-aged wife and mother (Binoche) is a Parisian journalist researching an article on young female prostitutes. We go along with her as she conducts several interviews with the young women. We also go along with the prostitutes on some appointments, so we get to know them first-hand as well. The film is almost as much about the young prostitutes as it is about the journalist, but it digs more deeply into the character of the journalist.
Szumowska's major interest is how the experience impacts Binoche's character. This journalist who has up until now led something like the perfect bourgeois life, finds herself distracted and irascible at home. I loved watching Binoche bring this vague ennui to life. She's not specifically unhappy about anything, but getting to know the prostitutes has vaguely unsettled her.
I love that the film doesn't get too specific about this. But this strength is paradoxically also a weakness. It gives the film a sketchy quality that can at times feel irritating, as if the film lacks a story arc. The film is also at times repetitious.
But overall, "Elles" is one of the most interesting pieces of work of the cinema season. In a year that has so far been incredibly disappointing with regard to cinema, "Elles" stands out as a brave and authentic work of art. A work of true cinema.