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The Entity (1982)

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Release Date: Jan 1, 1982 Wide

audience

60

liked it
Average Rating: 3.3/5
User Ratings: 9,627

My Rating

Movie Info

Another "true story" of dubious authenticity, The Entity concerns a libidinous invisible presence. This unseen force repeatedly rapes poor Barbara Hershey, who can't get anyone to believe her stories of sexual assault. Frankly, she doesn't believe them herself until she undergoes therapy conducted by experts in both psychology and the supernatural. The entity, a great, hairy blob, is ultimately tricked into materializing, an act of revelation that proves to be its downfall. The Entity was

May 3, 2005

Anchor Bay Entertainment

Cast

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All Critics (5) | Top Critics (2) | Fresh (2) | Rotten (1) | DVD (2)

...underwhelming and frequently dull...

October 14, 2010 Full Review Source: Reel Film Reviews
Reel Film Reviews

The A-list cast and very good dialogue by Frank De Felitta helps a great deal.

October 27, 2005 Full Review Source: Combustible Celluloid
Combustible Celluloid

Audience Reviews for The Entity

I asked myself, could this really be good or just weird exploitation?
Scorsese likes it. Maybe because the heroine is like a martyr for everyone who only has to live through traumas that can be explained without reference to the spiritual. It's as though she's been chosen for this miserable, unremitting, incurable fate from among her fellow mortals, chosen to be punished from the beyond, while the punishing force savors her mortal helplessness. In this case, the punishment coincides with all her vulnerabilities as an underprivileged single mother.

The movie would have been ridiculous without Barbara Hershey's sensitive performance and Stephen Burum's camera angles and perfect framings. They both must have put in a lot of energy. The movie's horror is unisex, since the evil entity has no clear limits in a way the genre hasn't prepared us for. The evil is free to leave her bedroom and follow her around, basically stalking her, threatening her at every turn, seemingly capable of killing or torturing her at whim, with no definite intention. Not sure about the outrageous line of dialogue the ghost had... It seems like a gift to Molly Haskell's thesis about women in the movies. The Entity is a good symbol for the patriarchy though, the invisible, ubiquitous rapist interfering with the progress of a woman's life, while very few believe her.
April 21, 2011
adammahler1

Super Reviewer

Okay, so. Barbara Hershey gets raped by a ghost. It's sinister and unnerving and really, really works, between the bizarre industrial soundtrack (which basically sounds like a machine operating very loudly and in two-second bursts) and her appropriately horrified performance. As we learn more about Carla Moran's troubled past, a sexual abuse victim turned wild child who is literally unable to escape the ghosts of her past, the sense of mystery heightens. Her clashes with her psychiatrist, an unlikely alliance forged with a duo of parapsychologists, and her own financial and motherhood struggles promise a multilayered narrative full of conflict.

Aaaand it all goes downhill from there. She gets raped again. And again. In front of her kids. In her friend's house. She gets ghost-fondled while her boyfriend's around, in a scene which is quite clearly aiming for titillation, which is absolutely repugnant. I mean, really, did we HAVE to see her breasts being pushed upon by invisible fingers? I started getting the feeling more and more as The Entity went on that it was just a lurid B-movie, feigning its interest in Carla's psychology insofar as that it lets it film her getting raped some more. I think rape has its place in cinema as a narrative device, but this movie exploits that, and watching it started to make me feel really dirty. Even outside its potentially sordid intentions, the story itself absolutely falls apart. There's simply nowhere for it to go, let alone for two fucking hours. Her psychiatrist turns into an unbelievable douchebag, the kind you see in movies that is obtuse and stubborn and cruel solely to keep the plot moving. Her children become unimportant, her job falls by the wayside, and by the time we get to the ridiculous ending, nothing really seems to matter anymore. Apparently The Entity was based on a true story, in which case it was a terrible story to pick; if this is a cinematic sensationalization, I can't imagine how little there was to its factual base. Hershey's efforts are noble, but she can't buoy this, and after an intriguing first half hour The Entity flies off course. Skip it.
January 14, 2011
ceWEBrity

Super Reviewer

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